<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE TEI.2 PUBLIC "-//TEI P4//DTD Main DTD Driver File//EN" "http://www.tei-c.org/Guidelines/DTD/tei2.dtd" [
   <!ENTITY % TEI.verse 'INCLUDE'>
   <!ENTITY % TEI.linking 'INCLUDE'>
   <!ENTITY % TEI.figures 'INCLUDE'>
   <!ENTITY % TEI.analysis 'INCLUDE'>
   <!ENTITY % TEI.XML 'INCLUDE'>
   <!ENTITY % ISOlat1 SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-lat1.ent'>
   %ISOlat1;
   <!ENTITY % ISOlat2 SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-lat2.ent'>
   %ISOlat2;
   <!ENTITY % ISOnum SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-num.ent'>
   %ISOnum;
   <!ENTITY % ISOpub SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-pub.ent'>
   %ISOpub;
   <!-- The following entities have been added by Gerald Egan on 27 September 2004 -->
   <!-- The files 'urls.ent' and 'figures.ent' contain entity declarations -->
   <!-- for all external entities needed by this document -->
   <!NOTATION jpeg PUBLIC
   'ISO DIS 10918//NOTATION JPEG Graphics Format//EN'>
   <!NOTATION gif PUBLIC
   '-//TEI//NOTATION
   Compuserve Graphics Interchange Format//EN'>
   <!NOTATION tiff PUBLIC
   '-//TEI//NOTATION Aldus Tagged Image File Format//EN'>
   <!NOTATION png PUBLIC
   '-//TEI//NOTATION IETF RFC2083 Portable Network Graphics//EN'>
   <!NOTATION HTML SYSTEM "text/html">
   <!-- The following elements were added by Carl G Stahmer  on 19 June 2007 -->
   <!-- The TEI P4 Documentation at the below URL's States that these elements -->
   <!-- should be part of the base tei declaration, but OXYGEN's validation engine -->
   <!-- stated that they wer undeclared.  These declarations match the online TEI P4 -->
   <!-- documentation.  See:  -->
   <!-- http://www.tei-c.org/P4X/ref-DAMAGE.html -->
   <!-- http://www.tei-c.org/P4X/ref-CERTAIN.html -->
   <!ELEMENT damage (#PCDATA)>
   <!ATTLIST damage
   id CDATA #IMPLIED>
   <!ELEMENT certainty (#PCDATA)>
   <!ATTLIST certainty
   target CDATA #IMPLIED
   locus CDATA #IMPLIED
   degree CDATA #IMPLIED
   >
]>
<TEI.2>
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title level="a" type="main" rend="italic">The Maids Chastity that is troubled in mind, / Against Young-mens unconstancy, who proveth unkind: / She gives warning to all Maidens that are in the Row, / To take heed of false young men wheresoere they goe,</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <sponsor>English Broadside Ballad Archive (EBBA)</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
            </respStmt>
            <respStmt>
               <resp>Associate Director</resp>
               <name>Carl G Stahmer</name>
            </respStmt>
         </titleStmt>
         <editionStmt>
            <edition>
               <date>1650-1650</date>
            </edition>
         </editionStmt>
         <publicationStmt>
            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>10/16/2018</date>
            <idno type="EMC">36077</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
                  </address>
               </p>
            </availability>
            <idno type="ESTC">R227873</idno>
         </publicationStmt>
         <notesStmt>
            <note type="Tune-Total">2</note>
            <note type="Tune-1">To a pleasant new Tune</note>
            <note type="Tune_Simpson-1">[unknown]</note>
            <note type="Tune_Modern-1">To a Pleasant New Tune</note>
            <note type="Tune-2">to the same tune</note>
            <note type="Tune_Simpson-2">[unknown]</note>
            <note type="Tune_Modern-2">To the Same Tune</note>
            <note type="First_Lines-1">YOu young Maids that would live (chary / And live single and not marry,</note>
            <note type="First_Lines-2">YOung=men they be much blinded. / Onely to know a Maidens mind,</note>
            <note type="Refrain-1">For the Maid is the best that lies alone. [with variation]</note>
            <note type="Refrain-2">The Maid is the best that lies alone. [with variation]</note>
         </notesStmt>
         <sourceDesc>
            <listBibl>
               <biblStruct>
                  <monogr>
                     <title>Manchester Central Library Blackletter Ballads</title>
                     <respStmt>
                        <resp>Editor</resp>
                        <name>none</name>
                     </respStmt>
                     <imprint>
                        <publisher>none</publisher>
                        <pubPlace>none</pubPlace>
                        <date>none</date>
                     </imprint>
                  </monogr>
               </biblStruct>
               <bibl>
                  <note type="Reference">
                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">1: 20</biblScope>
                  <title n="1" type="main" rend="italic">The Maids Chastity that is troubled in mind, / Against Young-mens unconstancy, who proveth unkind: / She gives warning to all Maidens that are in the Row, / To take heed of false young men wheresoere they goe,</title>
                  <title n="1" type="descriptive" rend="italic">The Maid's Chastity that is troubled in mind, Against Young men's inconstancy, who proveth unkind: She gives warning to all Maidens that are in the Row, To take heed of false young men wheresoever they go,</title>
                  <author/>
                  <imprint>
                     <date value="1650-1650" certainty="approx">1650-1650</date>
                     <publisher><orig reg="Burton, Richard">Richard Burton</orig></publisher>
                  </imprint>
               </bibl>
            </listBibl>
         </sourceDesc>
      </fileDesc>
      <encodingDesc>
         <editorialDecl>
            <p>This document follows the guidelines specified for TEI.</p>
            <p>XML Generated Automatically  at 10/16/2018 9:44:00 AM Using EMC</p>
            <p>XBallad Parsing Engine developed by Carl G Stahmer.</p>
            <p>TEI Template developed by Gerald Egan and Modified by Carl Stahmer</p>
            <p>All apostrophes are encoded as &amp;apos;.</p>
            <p>Any dashs occurring in line breaks have been removed;</p>
            <p>All dashs are encoded as &amp;dash; and all em dashes as &amp;mdash;.</p>
         </editorialDecl>
         <classDecl>
            <taxonomy id="EMCKEYWORDS">
               <bibl>Early Modern Center Ballad Project Keyword Taxonomy</bibl>
               <category id="emc.7">
                  <catDesc>advice</catDesc>
               </category>
               <category id="emc.23">
                  <catDesc>affliction / health</catDesc>
               </category>
               <category id="emc.15">
                  <catDesc>alcohol</catDesc>
               </category>
               <category id="emc.52">
                  <catDesc>Americas</catDesc>
               </category>
               <category id="emc.21">
                  <catDesc>animals / nature</catDesc>
               </category>
               <category id="emc.47">
                  <catDesc>Bible / biblical figures</catDesc>
               </category>
               <category id="emc.53">
                  <catDesc>buildings / architecture</catDesc>
               </category>
               <category id="emc.28">
                  <catDesc>catastrophe</catDesc>
               </category>
               <category id="emc.50">
                  <catDesc>children</catDesc>
               </category>
               <category id="emc.11">
                  <catDesc>class</catDesc>
               </category>
               <category id="emc.46">
                  <catDesc>clothing / appearance</catDesc>
               </category>
               <category id="emc.24">
                  <catDesc>country / nation</catDesc>
               </category>
               <category id="emc.35">
                  <catDesc>crime</catDesc>
               </category>
               <category id="emc.41">
                  <catDesc>death</catDesc>
               </category>
               <category id="emc.8">
                  <catDesc>economics / commerce</catDesc>
               </category>
               <category id="emc.38">
                  <catDesc>entertainments</catDesc>
               </category>
               <category id="emc.43">
                  <catDesc>family</catDesc>
               </category>
               <category id="emc.66">
                  <catDesc>Featured</catDesc>
               </category>
               <category id="emc.56">
                  <catDesc>folklore</catDesc>
               </category>
               <category id="emc.34">
                  <catDesc>gender</catDesc>
               </category>
               <category id="emc.16">
                  <catDesc>holidays / seasons</catDesc>
               </category>
               <category id="emc.18">
                  <catDesc>infidelity</catDesc>
               </category>
               <category id="emc.64">
                  <catDesc>labor / craft</catDesc>
               </category>
               <category id="emc.55">
                  <catDesc>law</catDesc>
               </category>
               <category id="emc.36">
                  <catDesc>London</catDesc>
               </category>
               <category id="emc.9">
                  <catDesc>love</catDesc>
               </category>
               <category id="emc.26">
                  <catDesc>maritime</catDesc>
               </category>
               <category id="emc.13">
                  <catDesc>marriage</catDesc>
               </category>
               <category id="emc.25">
                  <catDesc>military / war</catDesc>
               </category>
               <category id="emc.39">
                  <catDesc>monstrosity</catDesc>
               </category>
               <category id="emc.22">
                  <catDesc>mythology / Classical</catDesc>
               </category>
               <category id="emc.51">
                  <catDesc>news</catDesc>
               </category>
               <category id="emc.17">
                  <catDesc>nobility / court</catDesc>
               </category>
               <category id="emc.29">
                  <catDesc>politics / government</catDesc>
               </category>
               <category id="emc.65">
                  <catDesc>procreation</catDesc>
               </category>
               <category id="emc.42">
                  <catDesc>punishment</catDesc>
               </category>
               <category id="emc.62">
                  <catDesc>race / ethnicity</catDesc>
               </category>
               <category id="emc.54">
                  <catDesc>religious concepts</catDesc>
               </category>
               <category id="emc.48">
                  <catDesc>religious figures</catDesc>
               </category>
               <category id="emc.30">
                  <catDesc>religious groups</catDesc>
               </category>
               <category id="emc.32">
                  <catDesc>royalty</catDesc>
               </category>
               <category id="emc.14">
                  <catDesc>rural life</catDesc>
               </category>
               <category id="emc.20">
                  <catDesc>servitude</catDesc>
               </category>
               <category id="emc.10">
                  <catDesc>sex / sexuality</catDesc>
               </category>
               <category id="emc.40">
                  <catDesc>supernatural / magic</catDesc>
               </category>
               <category id="emc.49">
                  <catDesc>travel</catDesc>
               </category>
               <category id="emc.19">
                  <catDesc>trickery / deceit</catDesc>
               </category>
               <category id="emc.44">
                  <catDesc>urban life</catDesc>
               </category>
               <category id="emc.37">
                  <catDesc>vice</catDesc>
               </category>
               <category id="emc.27">
                  <catDesc>violence</catDesc>
               </category>
               <category id="emc.12">
                  <catDesc>virtue</catDesc>
               </category>
               <category id="emc.45">
                  <catDesc>vulgar humor</catDesc>
               </category>
               <category id="emc.63">
                  <catDesc>youth / age</catDesc>
               </category>
            </taxonomy>
            <taxonomy id="LOCSH">
               <bibl>Library of Congress Subject Heading Taxonomy</bibl>
            </taxonomy>
         </classDecl>
      </encodingDesc>
      <profileDesc>
         <creation>
            <date value="10/16/2018">10/16/2018</date>
            <name type="place">Santa Barbara, California, United States of America</name>
         </creation>
         <textClass>
            <keywords scheme="LOCSH">
               <list>
                  <item>Ballads, English 17th century</item>
                  <item>Broadsides, England 17th century</item>
               </list>
            </keywords>
         </textClass>
      </profileDesc>
      <revisionDesc>
         <change>
            <date value="10/16/2018 9:44:00 AM">10/16/2018 9:44:00 AM</date>
            <respStmt>
               <resp>XBallad</resp>
               <name>Raychawdhuri, Anita</name>
            </respStmt>
            <item>Created XML Version of Ballad</item>
         </change>
         <change>
            <date value="10/16/2018 9:44:00 AM">10/16/2018 9:44:00 AM</date>
            <respStmt>
               <resp>Transcription Supervisor</resp>
               <name>McCants, Kristen</name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
         </change>
         <change>
            <date value="10/16/2018 9:44:00 AM">10/16/2018 9:44:00 AM</date>
            <respStmt>
               <resp>Double-Key Comparison and Merging</resp>
               <name>Levinson-Emley, Rachel</name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
         </change>
         <change>
            <date value="10/16/2018 9:44:00 AM">10/16/2018 9:44:00 AM</date>
            <respStmt>
               <resp>Transcriptionist Two</resp>
               <name>Adkison, Katie</name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
         </change>
         <change>
            <date value="10/16/2018 9:44:00 AM">10/16/2018 9:44:00 AM</date>
            <respStmt>
               <resp>Transcriptionist One</resp>
               <name>McCants, Kristen</name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
         </change>
         <change>
            <date value="11/17/2016">11/17/2016</date>
            <respStmt>
               <resp>Bibliographer</resp>
               <name>Kristen McCants</name>
            </respStmt>
            <item>Initial Ballad Catalogue Record Created</item>
         </change>
      </revisionDesc>
   </teiHeader>
   <text>
      <body>
         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Maids Chastity that is troubled in mind,</hi></seg>
                     <seg n="2" rend="left"><hi rend="italic"><hi rend="bold">A</hi>gainst Young-mens unconstancy, who proveth unkind:</hi></seg>
                     <seg n="3" rend="left"><hi rend="italic">She gives warning to all Maidens that are in the Row,</hi></seg>
                     <seg n="4" rend="left"><hi rend="italic">To take heed of false young men wheresoere they goe,</hi></seg>
                     <lb/>
                     <seg n="5" rend="left"><hi rend="italic">To a pleasant new Tune.</hi></seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">Y</hi>Ou young Maids that would live chary</l>
                     <l n="2" rend="left">And live single and not marry,</l>
                     <l n="3" rend="left">Nor contract yourselves to none,</l>
                     <l n="4" rend="left"><hi rend="bold"><hi rend="italic">F</hi></hi><hi rend="italic">or the Maid is the best that lies alone.</hi></l>
                  </lg>
                  <lg>
                     <l n="5" rend="left"><hi rend="italic">Cupid, Cupid,</hi> thou hast done me wrong</l>
                     <l n="6" rend="left">I have been thy servant now too long.</l>
                     <l n="7" rend="left">My heart was never free from care,</l>
                     <l n="8" rend="left"><hi rend="bold"><hi rend="italic">S</hi></hi><hi rend="italic">ince I was intangled in thy snare.</hi></l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">In thy snare I have been fettered,</l>
                     <l n="10" rend="left">And often have my businesse letted,</l>
                     <l n="11" rend="left">In following after <hi rend="italic">Venus</hi> train,</l>
                     <l n="12" rend="left"><hi rend="bold"><hi rend="italic">B</hi></hi><hi rend="italic">ut the Maid is the best that lies alone.</hi></l>
                  </lg>
                  <lg>
                     <l n="13" rend="left">Young-men they will cog and lye,</l>
                     <l n="14" rend="left">Maidens they may weep and cry,</l>
                     <l n="15" rend="left">Truth and Conscience they use none,</l>
                     <l n="16" rend="left"><hi rend="italic">But the Maid is the best that lies alone.</hi></l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="17" rend="left">In this Breast a heart I bear,</l>
                     <l n="18" rend="left">It's none of mine, I wish it were,</l>
                     <l n="19" rend="left">Once it was mine, if I could but a kept it,</l>
                     <l n="20" rend="left"><hi rend="italic">But now where it is, it's not respected.</hi></l>
                  </lg>
                  <lg>
                     <l n="21" rend="left">Now I hope to have my heart again,</l>
                     <l n="22" rend="left">And keep it fast from <hi rend="italic">Venus</hi> Chain,</l>
                     <l n="23" rend="left">Lock it in this Breast of my own,</l>
                     <l n="24" rend="left"><hi rend="italic">But the Maid is the best that lies alone.</hi></l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">When I have gain'd it safe again,</l>
                     <l n="26" rend="left">Then I am free from all Young-men,</l>
                     <l n="27" rend="left">And never like to make this moan,</l>
                     <l n="28" rend="left"><hi rend="italic">But live a single Maid alone.</hi></l>
                  </lg>
                  <lg>
                     <l n="29" rend="left">Love is a torment, who can abide it,</l>
                     <l n="30" rend="left">who better knows than them that has try'd it</l>
                     <l n="31" rend="left">I count her a mad Woman shill,</l>
                     <l n="32" rend="left"><hi rend="italic">That seeks for to humour a young-mans will.</hi></l>
                  </lg>
               </div>
               <closer>
               </closer>
            </div>
            <div type="part" n="2" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The second part to the same tune.</hi></seg>
                  </title>
               </head>
               <div type="col" n ="2.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">Y</hi>Oung-men they be much blinded.</l>
                     <l n="2" rend="left">Onely to know a Maidens mind,</l>
                     <l n="3" rend="left">Maidens do not believe them if they swear,</l>
                     <l n="4" rend="left"><hi rend="italic">Lest after they leave you in a snare.</hi></l>
                  </lg>
                  <lg>
                     <l n="5" rend="left">But try their hearts and if you can,</l>
                     <l n="6" rend="left">Before that you love any Man,</l>
                     <l n="7" rend="left">Love it is fond and fickle still.</l>
                     <l n="8" rend="left"><hi rend="bold"><hi rend="italic">T</hi></hi><hi rend="italic">hen do not humour a young-mans will.</hi></l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">If a Lover be humoured in his condition,</l>
                     <l n="10" rend="left">Then he pleads with a strong Commission,</l>
                     <l n="11" rend="left">To get his intention if he can,</l>
                     <l n="12" rend="left"><hi rend="italic">The Maid is the best that lies alone.</hi></l>
                  </lg>
                  <lg>
                     <l n="13" rend="left">For in lying alone there's no harm taken.</l>
                     <l n="14" rend="left">And being of an unconstant Love forsaken.</l>
                     <l n="15" rend="left">Is better than Gold and Silver store,</l>
                     <l n="16" rend="left"><hi rend="italic">If that she do never see him more.</hi></l>
                  </lg>
                  <lg>
                     <l n="17" rend="left">A Maid that lives in an honest carriage,</l>
                     <l n="18" rend="left">Must be careful in her Marriage,</l>
                     <l n="19" rend="left">Young-men are so deceitful grown;</l>
                     <l n="20" rend="left"><hi rend="italic">The Maid is the best that lies alone.</hi></l>
                  </lg>
               </div>
               <div type="col" n ="2.2" >
                  <lg>
                     <l n="21" rend="left">True Lovers knot may soon be tyed.</l>
                     <l n="22" rend="left">And a Maid too soon may be made a Brid,</l>
                     <l n="23" rend="left">That's not all in the conclusion shown,</l>
                     <l n="24" rend="left"><hi rend="italic">But the Maid is the best that lies alone.</hi></l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">There is many things for to consider.</l>
                     <l n="26" rend="left">If a Man and a Woman goe together:</l>
                     <l n="27" rend="left">If Love be wanting between them twain,</l>
                     <l n="28" rend="left"><hi rend="italic">She had better still to lie alone.</hi></l>
                  </lg>
                  <lg>
                     <l n="29" rend="left">When they come to a Maid a wooing.</l>
                     <l n="30" rend="left">They mak no conscience of their doing,</l>
                     <l n="31" rend="left">But use all the deceit that ever they can,</l>
                     <l n="32" rend="left"><hi rend="italic">But the Maid is the best that lies alone.</hi></l>
                  </lg>
                  <lg>
                     <l n="33" rend="left">There is false young-men in my mind,</l>
                     <l n="34" rend="left">Some proves crosse, and some proves kind,</l>
                     <l n="35" rend="left">I will not condemn them all for one,</l>
                     <l n="36" rend="left"><hi rend="italic">The Maids are best that lies alone.</hi></l>
                  </lg>
                  <lg>
                     <l n="37" rend="left">Now I would have you consider my song,</l>
                     <l n="38" rend="left">I write to Maids ile do them no wrong</l>
                     <l n="39" rend="left">And still I do tell them every one,</l>
                     <l n="40" rend="left"><hi rend="italic">The Maid is the best that lies alone.</hi></l>
                  </lg>
               </div>
               <closer>
               </closer>
            </div>
            <closer>
                  <seg n="1" rend="left"><hi rend="bold"><hi rend="italic">London,</hi></hi> <hi rend="italic">Printed for <hi rend="bold">Richard Burton</hi> at the sign of the Horshooe in <hi rend="bold">Smithfield,</hi></hi></seg>
            </closer>
         </div>

      </body>
   </text>
</TEI.2>