<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE TEI.2 PUBLIC "-//TEI P4//DTD Main DTD Driver File//EN" "http://www.tei-c.org/Guidelines/DTD/tei2.dtd" [
   <!ENTITY % TEI.verse 'INCLUDE'>
   <!ENTITY % TEI.linking 'INCLUDE'>
   <!ENTITY % TEI.figures 'INCLUDE'>
   <!ENTITY % TEI.analysis 'INCLUDE'>
   <!ENTITY % TEI.XML 'INCLUDE'>
   <!ENTITY % ISOlat1 SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-lat1.ent'>
   %ISOlat1;
   <!ENTITY % ISOlat2 SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-lat2.ent'>
   %ISOlat2;
   <!ENTITY % ISOnum SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-num.ent'>
   %ISOnum;
   <!ENTITY % ISOpub SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-pub.ent'>
   %ISOpub;
   <!-- The following entities have been added by Gerald Egan on 27 September 2004 -->
   <!-- The files 'urls.ent' and 'figures.ent' contain entity declarations -->
   <!-- for all external entities needed by this document -->
   <!NOTATION jpeg PUBLIC
   'ISO DIS 10918//NOTATION JPEG Graphics Format//EN'>
   <!NOTATION gif PUBLIC
   '-//TEI//NOTATION
   Compuserve Graphics Interchange Format//EN'>
   <!NOTATION tiff PUBLIC
   '-//TEI//NOTATION Aldus Tagged Image File Format//EN'>
   <!NOTATION png PUBLIC
   '-//TEI//NOTATION IETF RFC2083 Portable Network Graphics//EN'>
   <!NOTATION HTML SYSTEM "text/html">
   <!-- The following elements were added by Carl Stahmer  on 19 June 2007 -->
   <!-- The TEI P4 Documentation at the below URL's States that these elements -->
   <!-- should be part of the base tei declaration, but OXYGEN's validation engine -->
   <!-- stated that they wer undeclared.  These declarations match the online TEI P4 -->
   <!-- documentation.  See:  -->
   <!-- http://www.tei-c.org/P4X/ref-DAMAGE.html -->
   <!-- http://www.tei-c.org/P4X/ref-CERTAIN.html -->
   <!ELEMENT damage (#PCDATA)>
   <!ATTLIST damage
   id CDATA #IMPLIED>
   <!ELEMENT certainty (#PCDATA)>
   <!ATTLIST certainty
   target CDATA #IMPLIED
   locus CDATA #IMPLIED
   degree CDATA #IMPLIED
   >
]>
<TEI.2>
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title level="a" type="main" rend="italic">Triumph at an End, / Or, The Tyranness Defeated. / Behold how rashly Lovers hurry on / Upon the point of sure destruction, / Females are Tyrants; for when they see / They are admir'd &amp; lov'd, theyl cruel be: /   When most you shun them, then they most do love, / Then let all mankind in a mean Still move; / Or if your flame burn bright let them not know it, / Your hopes are ruin'd if you once but show it.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
            </respStmt>
         </titleStmt>
         <editionStmt>
            <edition>
               <date>1681-1681</date>
            </edition>
         </editionStmt>
         <publicationStmt>
            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>05/02/2011</date>
            <idno type="EMC">30977</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
                  </address>
               </p>
            </availability>
            <idno type="ESTC">R228527</idno>
         </publicationStmt>
         <notesStmt>
            <note type="Tune-Total">11</note>
            <note type="Tune_Simpson-1">UNKNOWN</note>
            <note type="Tune_Simpson-2">UNKNOWN</note>
            <note type="Tune_Simpson-3">UNKNOWN</note>
            <note type="Tune_Simpson-4">UNKNOWN</note>
            <note type="Tune_Simpson-5">UNKNOWN</note>
            <note type="Tune_Simpson-6">UNKNOWN</note>
            <note type="Tune_Simpson-7">UNKNOWN</note>
            <note type="Tune_Simpson-8">UNKNOWN</note>
            <note type="Tune-9">How bright art thou &amp;c.</note>
            <note type="Tune_Simpson-9">UNKNOWN</note>
            <note type="Tune_Modern-9">How Bright Art Thou, etc.</note>
            <note type="Tune-10">the pleasant new tune</note>
            <note type="Tune_Simpson-10">UNKNOWN</note>
            <note type="Tune_Modern-10">The Pleasant New Tune</note>
            <note type="Tune-11">Young Jamey</note>
            <note type="Tune_Simpson-11">Young Jemmy</note>
            <note type="Tune_Modern-11">Young Jamey</note>
            <note type="First_Lines-1">HOw bright art thou whose Starry eyes / two cruel Tyrants prove!</note>
            <note type="Refrain-1">Sweet Phillada be kind. [with variation]</note>
         </notesStmt>
         <sourceDesc>
            <listBibl>
               <biblStruct>
                  <monogr>
                     <title>Roxburghe Ballads</title>
                     <respStmt>
                        <resp>Editor</resp>
                        <name>None</name>
                     </respStmt>
                     <imprint>
                        <publisher>None</publisher>
                        <pubPlace>None</pubPlace>
                        <date>None</date>
                     </imprint>
                  </monogr>
               </biblStruct>
               <bibl>
                  <note type="Reference">
                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">2: 484</biblScope>
                  <title n="1" type="main" rend="italic">Triumph at an End, / Or, The Tyranness Defeated. / Behold how rashly Lovers hurry on / Upon the point of sure destruction, / Females are Tyrants; for when they see / They are admir'd &amp; lov'd, theyl cruel be: /   When most you shun them, then they most do love, / Then let all mankind in a mean Still move; / Or if your flame burn bright let them not know it, / Your hopes are ruin'd if you once but show it.</title>
                  <title n="1" type="alt" rend="italic">Triumph at an End, Or, The Tyranness Defeated. Behold how rashly Lovers hurry on Upon the point of sure destruction, Females are Tyrants; for when they see They are admir’d &amp; lov’d, theyl cruel be: When most you shun them, then they most do love, Then let all mankind in a mean Still move: Or if your flame burn bright let them not know it, Your hopes are ruin’d if you once but show it.</title>
                  <title n="1" type="descriptive" rend="italic">Triumph at an End, Or, The Tyranness Defeated. Behold how rashly Lovers hurry on Upon the point of sure destruction, Females are Tyrants; for when they see They are admired &amp; loved, they'll cruel be: When most you shun them, then they most do love, Then let all mankind in a mean Still move: Or if your flame burn bright let them not know it, Your hopes are ruined if you once but show it.</title>
                  <author/>
                  <imprint>
                     <date value="1681-1681" certainty="exact">1681-1681</date>
                     <publisher><orig reg="Wright, John; Clark, John; Passinger, Thomas; Thackeray, William">J. Wright J. Clark W. Thackery &amp; T. Passenger</orig></publisher>
                  </imprint>
               </bibl>
            </listBibl>
         </sourceDesc>
      </fileDesc>
      <encodingDesc>
         <editorialDecl>
            <p>This document follows the guidelines specified for TEI.</p>
            <p>XML Generated Automatically  at 5/2/2011 2:02:27 PM Using EMC</p>
            <p>XBallad Parsing Engine developed by Carl Stahmer.</p>
            <p>TEI Template developed by Gerald Egan and Modified by Carl Stahmer</p>
            <p>All apostrophes are encoded as &amp;apos;.</p>
            <p>Any dashs occurring in line breaks have been removed;</p>
            <p>All dashs are encoded as &amp;dash; and all em dashes as &amp;mdash;.</p>
         </editorialDecl>
         <classDecl>
            <taxonomy id="EMCKEYWORDS">
               <bibl>Early Modern Center Ballad Project Keyword Taxonomy</bibl>
               <category id="emc.7">
                  <catDesc>advice</catDesc>
               </category>
               <category id="emc.23">
                  <catDesc>affliction/ health</catDesc>
               </category>
               <category id="emc.15">
                  <catDesc>alcohol</catDesc>
               </category>
               <category id="emc.21">
                  <catDesc>animals/ nature</catDesc>
               </category>
               <category id="emc.47">
                  <catDesc>Bible/ biblical figures</catDesc>
               </category>
               <category id="emc.53">
                  <catDesc>buildings/ architecture</catDesc>
               </category>
               <category id="emc.28">
                  <catDesc>catastrophe</catDesc>
               </category>
               <category id="emc.50">
                  <catDesc>children</catDesc>
               </category>
               <category id="emc.11">
                  <catDesc>class</catDesc>
               </category>
               <category id="emc.46">
                  <catDesc>clothing/ appearance</catDesc>
               </category>
               <category id="emc.24">
                  <catDesc>country/ nation</catDesc>
               </category>
               <category id="emc.35">
                  <catDesc>crime</catDesc>
               </category>
               <category id="emc.41">
                  <catDesc>death</catDesc>
               </category>
               <category id="emc.8">
                  <catDesc>economics/ commerce</catDesc>
               </category>
               <category id="emc.38">
                  <catDesc>entertainments</catDesc>
               </category>
               <category id="emc.43">
                  <catDesc>family</catDesc>
               </category>
               <category id="emc.56">
                  <catDesc>folklore</catDesc>
               </category>
               <category id="emc.34">
                  <catDesc>gender</catDesc>
               </category>
               <category id="emc.16">
                  <catDesc>holidays/ seasons</catDesc>
               </category>
               <category id="emc.18">
                  <catDesc>infidelity</catDesc>
               </category>
               <category id="emc.64">
                  <catDesc>labor/ craft</catDesc>
               </category>
               <category id="emc.55">
                  <catDesc>law</catDesc>
               </category>
               <category id="emc.36">
                  <catDesc>London</catDesc>
               </category>
               <category id="emc.9">
                  <catDesc>love</catDesc>
               </category>
               <category id="emc.26">
                  <catDesc>maritime</catDesc>
               </category>
               <category id="emc.13">
                  <catDesc>marriage</catDesc>
               </category>
               <category id="emc.25">
                  <catDesc>military/ war</catDesc>
               </category>
               <category id="emc.39">
                  <catDesc>monstrosity</catDesc>
               </category>
               <category id="emc.22">
                  <catDesc>mythology/ Classical</catDesc>
               </category>
               <category id="emc.51">
                  <catDesc>news</catDesc>
               </category>
               <category id="emc.17">
                  <catDesc>nobility/ court</catDesc>
               </category>
               <category id="emc.29">
                  <catDesc>politics/ government</catDesc>
               </category>
               <category id="emc.65">
                  <catDesc>procreation</catDesc>
               </category>
               <category id="emc.42">
                  <catDesc>punishment</catDesc>
               </category>
               <category id="emc.62">
                  <catDesc>race/ ethnicity</catDesc>
               </category>
               <category id="emc.54">
                  <catDesc>religious concepts</catDesc>
               </category>
               <category id="emc.48">
                  <catDesc>religious figures</catDesc>
               </category>
               <category id="emc.30">
                  <catDesc>religious types &amp; sects</catDesc>
               </category>
               <category id="emc.32">
                  <catDesc>royalty</catDesc>
               </category>
               <category id="emc.14">
                  <catDesc>rural life</catDesc>
               </category>
               <category id="emc.20">
                  <catDesc>servitude</catDesc>
               </category>
               <category id="emc.10">
                  <catDesc>sex/ sexuality</catDesc>
               </category>
               <category id="emc.40">
                  <catDesc>supernatural/ magic</catDesc>
               </category>
               <category id="emc.52">
                  <catDesc>The New World</catDesc>
               </category>
               <category id="emc.49">
                  <catDesc>travel</catDesc>
               </category>
               <category id="emc.19">
                  <catDesc>trickery/ deceit</catDesc>
               </category>
               <category id="emc.44">
                  <catDesc>urban life</catDesc>
               </category>
               <category id="emc.37">
                  <catDesc>vice</catDesc>
               </category>
               <category id="emc.27">
                  <catDesc>violence</catDesc>
               </category>
               <category id="emc.12">
                  <catDesc>virtue</catDesc>
               </category>
               <category id="emc.45">
                  <catDesc>vulgarities/ crass humor</catDesc>
               </category>
               <category id="emc.63">
                  <catDesc>youth/ age</catDesc>
               </category>
            </taxonomy>
            <taxonomy id="LOCSH">
               <bibl>Library of Congress Subject Heading Taxonomy</bibl>
            </taxonomy>
         </classDecl>
      </encodingDesc>
      <profileDesc>
         <creation>
            <date value="5/2/2011">5/2/2011</date>
            <name type="place">Santa Barbara, California, United States of America</name>
         </creation>
         <textClass>
            <keywords scheme="EMCKEYWORDS">
               <list>
                  <item>affliction/ health</item>
                  <item>love</item>
               </list>
            </keywords>
            <keywords scheme="LOCSH">
               <list>
                  <item>Ballads, English 17th century</item>
                  <item>Broadsides, England 17th century</item>
               </list>
            </keywords>
         </textClass>
      </profileDesc>
      <revisionDesc>
         <change>
            <date value="5/2/2011 2:02:27 PM">5/2/2011 2:02:27 PM</date>
            <respStmt>
               <resp>XBallad</resp>
               <name>Shaughnessy, Elizabeth</name>
            </respStmt>
            <item>Created XML Version of Ballad</item>
         </change>
         <change>
            <date value="5/2/2011 2:02:27 PM">5/2/2011 2:02:27 PM</date>
            <respStmt>
               <resp>Transcription Supervisor</resp>
               <name>McAbee, Kristina, Nebeker, Eric </name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
         </change>
         <change>
            <date value="5/2/2011 2:02:27 PM">5/2/2011 2:02:27 PM</date>
            <respStmt>
               <resp>Double-Key Comparison and Merging</resp>
               <name>Becker, Charlotte</name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
         </change>
         <change>
            <date value="5/2/2011 2:02:27 PM">5/2/2011 2:02:27 PM</date>
            <respStmt>
               <resp>Transcriptionist Two</resp>
               <name>Ellard, Donna Beth</name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
         </change>
         <change>
            <date value="5/2/2011 2:02:27 PM">5/2/2011 2:02:27 PM</date>
            <respStmt>
               <resp>Transcriptionist One</resp>
               <name>Ludolph, Patrick</name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
         </change>
         <change>
            <date value="4/4/2011">4/4/2011</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Shannon Meyer</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
         </change>
         <change>
            <date value="4/13/2011">4/13/2011</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Bethany Wong</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
         </change>
         <change>
            <date value="4/11/2011">4/11/2011</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Grafals Michael</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
         </change>
         <change>
            <date value="4/11/2011">4/11/2011</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Grafals Michael</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
         </change>
         <change>
            <date value="4/11/2011">4/11/2011</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Bethany Wong</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
         </change>
         <change>
            <date value="1/14/2009">1/14/2009</date>
            <respStmt>
               <resp>Bibliographer</resp>
               <name>Shannon Meyer</name>
            </respStmt>
            <item>Initial Ballad Catalogue Record Created</item>
         </change>
      </revisionDesc>
   </teiHeader>
   <text>
      <body>
         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">Triumph at an End,</hi></seg>
                     <seg n="2" rend="left"><hi rend="italic"><hi rend="bold">Or,</hi> The Tyranness Defeated.</hi></seg>
                     <lb/>
                     <seg n="3" rend="left"><hi rend="italic"><hi rend="bold">Behold how rashly Lovers hurry on</hi></hi></seg>
                     <seg n="4" rend="left"><hi rend="bold"><hi rend="italic">Upon the point of sure destruction,</hi></hi></seg>
                     <seg n="5" rend="left"><hi rend="bold"><hi rend="italic">Females are Tyrants; for when they see</hi></hi></seg>
                     <seg n="6" rend="left"><hi rend="bold"><hi rend="italic">They are admird &amp; lovd, theyl cruel be:</hi></hi></seg>
                     <lb/>
                     <seg n="7" rend="left"><hi rend="bold"><hi rend="italic">When most you shun them, then they most do love,</hi></hi></seg>
                     <seg n="8" rend="left"><hi rend="bold"><hi rend="italic">Then let all mankind in a mean Still move:</hi></hi></seg>
                     <seg n="9" rend="left"><hi rend="bold"><hi rend="italic">Or if your flame burn bright let them not know it,</hi></hi></seg>
                     <seg n="10" rend="left"><hi rend="bold"><hi rend="italic">Your hopes are ruind if you once but show it.</hi></hi></seg>
                     <lb/>
                     <seg n="11" rend="left"><hi rend="italic">To the pleasant new tune of, <hi rend="bold">How bright art thou</hi> etc. Or. <hi rend="bold">Young</hi> Jamey.</hi></seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">H</hi>Ow bright art thou whose Starry eyes</l>
                     <l n="2" rend="indent">two cruel Tyrants prove!</l>
                     <l n="3" rend="left">And though I fall your Sacrifice,</l>
                     <l n="4" rend="indent">can no compassion move:</l>
                     <l n="5" rend="left">I dye, I languish in despair,</l>
                     <l n="6" rend="indent">and [y]et no pitty find;</l>
                     <l n="7" rend="left">O hear at last, loved Nymph, my Prayer:</l>
                     <l n="8" rend="indent"><hi rend="italic">Sweet</hi> Phillada <hi rend="italic">be kind.</hi></l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">How oft beneath the Myrtle shade</l>
                     <l n="10" rend="indent">have I adored thy Name,</l>
                     <l n="11" rend="left">And with thy charming beauty playd</l>
                     <l n="12" rend="indent">until I catchd this Flame,</l>
                     <l n="13" rend="left">Kindled a Feaver in my Brest,</l>
                     <l n="14" rend="indent">inragd by Loves fierce wind;</l>
                     <l n="15" rend="left">Then pitty him who is opprest:</l>
                     <l n="16" rend="indent"><hi rend="italic">sweet</hi> Phillada <hi rend="italic">be kind,</hi></l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="17" rend="left">Be soft thou wonder of thy sex,</l>
                     <l n="18" rend="indent">as Down off silver Swans,</l>
                     <l n="19" rend="left">Such beauty ner was made to vex</l>
                     <l n="20" rend="indent">Heavens Earthly darling Sons:</l>
                     <l n="21" rend="left">Pitty my sighs and groans; Oh hear</l>
                     <l n="22" rend="indent">poor me express my mind;</l>
                     <l n="23" rend="left">To his melancholly moans give ear:</l>
                     <l n="24" rend="indent"><hi rend="italic">sweet</hi> Phillada <hi rend="italic">be kind.</hi></l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">A truer Swain no Nymph can love,</l>
                     <l n="26" rend="indent">nor nobler passion gain;</l>
                     <l n="27" rend="left">A chaster flame in none can move,</l>
                     <l n="28" rend="indent">Though here it finds disdain,</l>
                     <l n="29" rend="left">Though all in vain I grieve and moan,</l>
                     <l n="30" rend="indent">and can no favour find;</l>
                     <l n="31" rend="left">But though disdain despair drives on,</l>
                     <l n="32" rend="indent"><hi rend="italic">sweet</hi> Phillada <hi rend="italic">be kind.</hi></l>
                  </lg>
               </div>
               <div type="col" n ="1.3" >
                  <lg>
                     <l n="33" rend="left">Poor <hi rend="italic">Coridon</hi> implores thy Love,</l>
                     <l n="34" rend="indent">no longer cruel be,</l>
                     <l n="35" rend="left">For if you still disdainful prove,</l>
                     <l n="36" rend="indent">and still will torture me,</l>
                     <l n="37" rend="left">Behold unto the shades I go,</l>
                     <l n="38" rend="indent">for restless Love assignd,</l>
                     <l n="39" rend="left">To hinder me from shades below,</l>
                     <l n="40" rend="indent"><hi rend="italic">sweet</hi> Phillada <hi rend="italic">be kind.</hi></l>
                  </lg>
                  <lg>
                     <l n="41" rend="left">And on the Rock let me not lie</l>
                     <l n="42" rend="indent">of doubt and sad despair.</l>
                     <l n="43" rend="left">Tis better far at once to die,</l>
                     <l n="44" rend="indent">than wade through Seas of care;</l>
                     <l n="45" rend="left">Where pevish coyness and disdain</l>
                     <l n="46" rend="indent">do Tempest-toss the mind:</l>
                     <l n="47" rend="left">To ease me of my wretched pain,</l>
                     <l n="48" rend="indent"><hi rend="italic">sweet</hi> Phillada <hi rend="italic">be kind.</hi></l>
                  </lg>
                  <lg>
                     <l n="49" rend="left">By all the Woods, the Hills, and Springs,</l>
                     <l n="50" rend="indent">where ere our flocks have been,</l>
                     <l n="51" rend="left">And by the Bird that nightly sings,</l>
                     <l n="52" rend="indent">and all the Stars ive seen,</l>
                     <l n="53" rend="left">My passion shall for ever burn</l>
                     <l n="54" rend="indent">till I a Grave do find;</l>
                     <l n="55" rend="left">Then let me not thus sigh and mourn,</l>
                     <l n="56" rend="indent"><hi rend="italic">sweet <hi rend="bold">Phillada</hi> be kind.</hi></l>
                  </lg>
               </div>
               <div type="col" n ="1.4" >
                  <lg>
                     <l n="57" rend="left">How often have you whisperd Charms</l>
                     <l n="58" rend="indent">into my willing ear?</l>
                     <l n="59" rend="left">How oft been panting in my Arms,</l>
                     <l n="60" rend="indent">my ravishd thoughts to chear?</l>
                     <l n="61" rend="left">But, Oh the state of things below!</l>
                     <l n="62" rend="indent">they change as doth the wind:</l>
                     <l n="63" rend="left">Yet ere I to Deaths slumber go,</l>
                     <l n="64" rend="indent"><hi rend="italic">sweet <hi rend="bold">Phillada</hi> be kind.</hi></l>
                  </lg>
                  <lg>
                     <l n="65" rend="left">Triumph not in my misery,</l>
                     <l n="66" rend="indent">nor smile to see me grieve;</l>
                     <l n="67" rend="left">Oh pitty me or else I die,</l>
                     <l n="68" rend="indent">none else can me reprieve:</l>
                     <l n="69" rend="left">Injure not your Sex by thus</l>
                     <l n="70" rend="indent">bearing a cruel mind,</l>
                     <l n="71" rend="left">Lest for your sake disdaind they curse:</l>
                     <l n="72" rend="indent"><hi rend="italic">then <hi rend="bold">Phillada</hi> be kind.</hi></l>
                  </lg>
                  <lg>
                     <l n="73" rend="left">Alas! tis all in vain I plead,</l>
                     <l n="74" rend="indent">she triumphs in my woe;</l>
                     <l n="75" rend="left">Oh! thus tis better for to bleed,</l>
                     <l n="76" rend="indent">than Loves fierce tortures know:</l>
                     <l n="77" rend="left">Ah! welcome Death thou certain Cure</l>
                     <l n="78" rend="indent">for a diseased mind,</l>
                     <l n="79" rend="left">Thy scorns no longer ile indure,</l>
                     <l n="80" rend="indent"><hi rend="italic">Proud, Cruel, and unkind.</hi></l>
                  </lg>
               </div>
               <closer>
               </closer>
            </div>
            <closer>
                  <seg n="1" rend="left"><hi rend="bold"><hi rend="italic">Printed for J.</hi></hi> Wright <hi rend="italic"><hi rend="bold">J.</hi></hi> Clark <hi rend="italic"><hi rend="bold">W.</hi></hi> Thackery &amp; <hi rend="italic"><hi rend="bold">T.</hi></hi> Passenger</seg>
            </closer>
         </div>

      </body>
   </text>
</TEI.2>