%ISOlat1; %ISOlat2; %ISOnum; %ISOpub; ]> Poor Robins Dream commonly call'd Poor Charity; / I know no reason but this harmless Riddle / May as well be Printed as sung to a Fiddle. University of California - Santa Barbara The Early Modern Center Director Patricia Fumerton 1673-1673 Early Modern Center, University of California Santa Barbara Santa Barbara, CA 04/21/2011 30410

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Patricia Fumerton Early Modern Center - English Department University of California Santa Barbara, CA 93105 United States of America EMail: pfumer@english.ucsb.edu

R216036 2 a compleat Tune well known by Musitians and many others UNKNOWN A Complete Tune Well Known by Musicians and Many Others game at Cards UNKNOWN Game at Cards HOw now good fellow what all amort? / I pray thee tell me what is the news: Roxburghe Ballads Editor None None None None Information in this section of the Source Description refers to the original ballad manuscript. 3: 70 3: 71 Poor Robins Dream commonly call'd Poor Charity; / I know no reason but this harmless Riddle / May as well be Printed as sung to a Fiddle. Printer J. Lock 1673-1673 J. Clark

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 Early Modern Center Ballad Project Keyword Taxonomy advice affliction/ health alcohol animals/ nature Bible/ biblical figures buildings/ architecture catastrophe children class clothing/ appearance country/ nation crime death economics/ commerce entertainments family folklore gender holidays/ seasons infidelity labor/ craft law London love maritime marriage military/ war monstrosity mythology/ Classical news nobility/ court politics/ government procreation punishment race/ ethnicity religious concepts religious figures religious types & sects royalty rural life servitude sex/ sexuality supernatural/ magic The New World travel trickery/ deceit urban life vice violence virtue vulgarities/ crass humor youth/ age Library of Congress Subject Heading Taxonomy 4/21/2011 Santa Barbara, California, United States of America economics/ commerce vice Ballads, English 17th century Broadsides, England 17th century 4/21/2011 11:40:29 AM XBallad Mellon, Gillian Created XML Version of Ballad 4/21/2011 11:40:29 AM Transcription Supervisor McAbee, Kristina, Nebeker, Eric Transcription of ballad manuscript 4/21/2011 11:40:29 AM Double-Key Comparison and Merging Nebeker, Eric Transcription of ballad manuscript 4/21/2011 11:40:29 AM Transcriptionist Two Hehmeyer, Paxton Transcription of ballad manuscript 4/21/2011 11:40:29 AM Transcriptionist One Becker, Charlotte Transcription of ballad manuscript 7/24/2008 Bibliographer Giles Bergel Initial Ballad Catalogue Record Created 11/2/2010 Checker Grafals Michael Edited Ballad Catalogue Record 10/29/2010 Checker Grafals Michael Edited Ballad Catalogue Record 10/29/2010 Checker Grafals Michael Edited Ballad Catalogue Record 10/29/2010 Checker Grafals Michael Edited Ballad Catalogue Record 10/29/2010 Checker Grafals Michael Edited Ballad Catalogue Record 10/15/2008 Checker Shannon Meyer Edited Ballad Catalogue Record 1/18/2011 Checker Grafals Michael Edited Ballad Catalogue Record
<seg n="1" rend="left"><hi rend="bold"><hi rend="italic">Poor Robins D</hi></hi><hi rend="italic">ream commonly calld Poor Charity;</hi></seg> <lb/> <seg n="2" rend="left"><hi rend="italic">I know no reason but this harmless Riddle</hi></seg> <seg n="3" rend="left"><hi rend="italic">May as well be Printed as sung to a Fiddle.</hi></seg> <lb/> <seg n="4" rend="left"><hi rend="italic">To a compleat Tune well known by Musitians and many others, or game at Cards.</hi></seg>
HOw now good fellow what all amort? I pray thee tell me what is the news: Trading is dead and I am sorry fort which makes me look worse then I use. If a man hath no employment whereby to get penny He hath no enjoyment if that he wanteth mone And Charity is not used by many. I have nothing to spend nor ive nothing to lend ive nothing to do I tarry at home, Sitting in my chair drawing near to the fire I fall into a sleep like an id[l]e drone, And as I slept I fell into a dream I see a play acted without ere a theam, But I could not tell what the play did mean.
But afterwards I did perceive and something more I did understand, The Stage was the World wherein we live the Actors they were all mankind, And when the play is ended the Stage down they fling Then there will [b]e no difference in this thing Between a Beggar and a King. The first that acted I protest was time with a Glass and a Sithe in his hand, With the Glove of the World upon his breast to shew that he could the same command: Theirs a time for to Work, & a time for to play A time for to borrow, and a time for to pay And a time that doth call us all away.
COnscience in order takes his place and very gallantly plays his part, He fears not [t]o fly in a Rulers face although it cuts him to the heart: He tells them all this is the latter Age Which put the Actors into such a Rage, That they kickt poor Conscience off the Stage. Plain-dealing presently appears in habit like a simple Man, The Actors at him mocks and jears pointing their fingers as they ran: How came this fellow into our Company Away with him many a Gallant did cry For Plain-Dealing will a Beggar dye. Dissimulation mounted the Stage but he was cloathed in gallant attire, He was acquainted with Youth and Age many his company did desire: They entertaind him in their very breast There he could have harbor and quietly rest For Dissemblers and Turn-coats fares the best.
Then cometh in poor Charity methinks she looked wondrous old, She quiverd and she quakt most piteously it grievd me to think she was grown so cold, She had been ith City, and in the Country Amongst the Lawyers and Nobility But there was no Room for poor Charity. Then comes in Truth not cloathed in Wool but like unto youth in his white lawn sleeves, And says the Land it is full, full, full, too full of Rebels worse then Theeves: The Citys full of poverty, the French are full of pride Fanaticks full of envy which order cant abide And the Userers bags are full beside. Hark how Bellonas Drums they do beat methinks it goes ratling through the Town, Hark how they thunder through the street as tho they would shake the Chimbneys down, Then comes in Mars the great God of War And bids us face about and be as we were But when I awakt I sate in my Chair.
Finis Printed by J. Lock for J. Clark at the Harp and Bible in West -Smith-field. With Allowance