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            <title level="a" type="main" rend="italic">A Yong-mans most earnest affection to his Sweetheart, / Exprest in a dainty Courtly Sonnet: / First read and heare it, then censure vpon it.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
            </respStmt>
         </titleStmt>
         <editionStmt>
            <edition>
               <date>?-?</date>
            </edition>
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            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>04/27/2011</date>
            <idno type="EMC">30296</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
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            <idno type="ESTC">S102224</idno>
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            <note type="Tune-Total">2</note>
            <note type="Tune-1">a curious new Northerne tune</note>
            <note type="Tune_Simpson-1">UNKNOWN</note>
            <note type="Tune_Modern-1">A Curious New Northern Tune</note>
            <note type="Tune-2">the same tune</note>
            <note type="Tune_Simpson-2">UNKNOWN</note>
            <note type="Tune_Modern-2">The Same Tune</note>
            <note type="First_Lines-1">COme come my Deare that art so pretty, / attend my suite and yeeld some pitty,</note>
            <note type="First_Lines-2">And as thu proper art and pretty / So art thou courteous prompt and witty,</note>
            <note type="Refrain-1">And all the birds in euery valley / Will gladly sing the praise of Iacke and Dolly.</note>
            <note type="Refrain-2">And all the birds in euery valley / Will gladly sing the praise of Iacke and Dolly.</note>
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                     <title>Roxburghe Ballads</title>
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                        <date>None</date>
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               <bibl>
                  <note type="Reference">
                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">1: 438</biblScope>
                  <biblScope type="vol: p">1: 439</biblScope>
                  <title n="1" type="main" rend="italic">A Yong-mans most earnest affection to his Sweetheart, / Exprest in a dainty Courtly Sonnet: / First read and heare it, then censure vpon it.</title>
                  <title n="1" type="alt" rend="italic">A Yong-mans most earnest affection to his Sweetheart,

Exprest in a dainty Courtly Sonnet:
First read and heare it, then censure upon it.
</title>
                  <title n="1" type="descriptive" rend="italic">A Young man's most earnest affection to his Sweetheart,

Expressed in a dainty Courtly Sonnet:
First read and hear it, then censure upon it.
</title>
                  <author/>
                  <imprint>
                     <date value="?-?" certainty="approx">?-?</date>
                     <publisher/>
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            <p>This document follows the guidelines specified for TEI.</p>
            <p>XML Generated Automatically  at 4/27/2011 2:11:23 PM Using EMC</p>
            <p>XBallad Parsing Engine developed by Carl Stahmer.</p>
            <p>TEI Template developed by Gerald Egan and Modified by Carl Stahmer</p>
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               <bibl>Early Modern Center Ballad Project Keyword Taxonomy</bibl>
               <category id="emc.7">
                  <catDesc>advice</catDesc>
               </category>
               <category id="emc.23">
                  <catDesc>affliction/ health</catDesc>
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               <category id="emc.21">
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                  <catDesc>buildings/ architecture</catDesc>
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               <category id="emc.28">
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                  <catDesc>economics/ commerce</catDesc>
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                  <catDesc>folklore</catDesc>
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                  <catDesc>gender</catDesc>
               </category>
               <category id="emc.16">
                  <catDesc>holidays/ seasons</catDesc>
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                  <catDesc>London</catDesc>
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               <category id="emc.26">
                  <catDesc>maritime</catDesc>
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                  <catDesc>military/ war</catDesc>
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                  <catDesc>mythology/ Classical</catDesc>
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               <category id="emc.52">
                  <catDesc>The New World</catDesc>
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                  <catDesc>trickery/ deceit</catDesc>
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                  <catDesc>urban life</catDesc>
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                  <catDesc>virtue</catDesc>
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                  <catDesc>vulgarities/ crass humor</catDesc>
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                  <catDesc>youth/ age</catDesc>
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               <bibl>Library of Congress Subject Heading Taxonomy</bibl>
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            <date value="4/27/2011">4/27/2011</date>
            <name type="place">Santa Barbara, California, United States of America</name>
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                  <item>love</item>
                  <item>marriage</item>
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                  <item>Ballads, English 17th century</item>
                  <item>Broadsides, England 17th century</item>
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            <date value="4/27/2011 2:11:23 PM">4/27/2011 2:11:23 PM</date>
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               <name>Doss, MacKenzie</name>
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            <item>Created XML Version of Ballad</item>
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         <change>
            <date value="4/27/2011 2:11:23 PM">4/27/2011 2:11:23 PM</date>
            <respStmt>
               <resp>Transcription Supervisor</resp>
               <name>McAbee, Kristina, Nebeker, Eric </name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
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         <change>
            <date value="4/27/2011 2:11:23 PM">4/27/2011 2:11:23 PM</date>
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               <resp>Double-Key Comparison and Merging</resp>
               <name>Meyer, Shannon</name>
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            <item>Transcription of ballad manuscript</item>
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         <change>
            <date value="4/27/2011 2:11:23 PM">4/27/2011 2:11:23 PM</date>
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               <resp>Transcriptionist Two</resp>
               <name>Hehmeyer, Paxton</name>
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            <item>Transcription of ballad manuscript</item>
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         <change>
            <date value="4/27/2011 2:11:23 PM">4/27/2011 2:11:23 PM</date>
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               <resp>Transcriptionist One</resp>
               <name>Becker, Charlotte</name>
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            <item>Transcription of ballad manuscript</item>
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         <change>
            <date value="7/17/2008">7/17/2008</date>
            <respStmt>
               <resp>Bibliographer</resp>
               <name>Giles Bergel</name>
            </respStmt>
            <item>Initial Ballad Catalogue Record Created</item>
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         <change>
            <date value="2/15/2011">2/15/2011</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Bethany Wong</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
         </change>
         <change>
            <date value="10/7/2010">10/7/2010</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Danielle Davey</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
         </change>
         <change>
            <date value="10/24/2008">10/24/2008</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Shannon Meyer</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
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         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">A Yong-mans most earnest affection to his Sweetheart,</hi></seg>
                     <lb/>
                     <seg n="2" rend="left"><hi rend="italic">Exprest in a dainty Courtly Sonnet:</hi></seg>
                     <seg n="3" rend="left"><hi rend="italic">First read and heare it, then censure upon it.</hi></seg>
                     <lb/>
                     <seg n="4" rend="left"><hi rend="italic"><hi rend="bold">To a curious new Northerne tune.</hi></hi></seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">C</hi>Ome come my Deare that art so pretty,</l>
                     <l n="2" rend="left">Attend my suite and yeeld some pitty,</l>
                     <l n="3" rend="left">For all the world shall nere remove me,</l>
                     <l n="4" rend="left">Untill the day <hi rend="italic">I</hi> die <hi rend="italic">I</hi> vow to love thee:</l>
                     <l n="5" rend="indent"><hi rend="italic">And all the birds in every valley,</hi></l>
                     <l n="6" rend="indent"><hi rend="italic">Will gladly sing the praise of <hi rend="bold">Jacke</hi> and <hi rend="bold">Dolly.</hi></hi></l>
                  </lg>
                  <lg>
                     <l n="7" rend="left">Thy rare perfection <hi rend="italic">I</hi> admire,</l>
                     <l n="8" rend="left">Thy company <hi rend="italic">I</hi> doe desire,</l>
                     <l n="9" rend="left">Thy presence yeelds to me such pleasure,</l>
                     <l n="10" rend="left"><hi rend="italic">I</hi> would not misse thy sight for any treasure.</l>
                  </lg>
                  <lg>
                     <l n="11" rend="left">Be thou my sweeting constant ever,</l>
                     <l n="12" rend="left">And <hi rend="italic">I</hi> in love will still persever:</l>
                     <l n="13" rend="left">The Ocean sooner shall be dryed,</l>
                     <l n="14" rend="left">Than my firme love to thee shall be denyed.</l>
                  </lg>
                  <lg>
                     <l n="15" rend="left">Let me enjoy thy lovely presence,</l>
                     <l n="16" rend="left">Which <hi rend="italic">I</hi> do hold my earthly essence,</l>
                     <l n="17" rend="left">And with reciprocall affection</l>
                     <l n="18" rend="left"><hi rend="italic">I</hi> will be constant to my first election.</l>
                  </lg>
                  <lg>
                     <l n="19" rend="left">Though both my parents friends and kindred</l>
                     <l n="20" rend="left">Seeke meanes to have my meaning hindred,</l>
                     <l n="21" rend="left"><hi rend="italic">I</hi> will not change my resolution.</l>
                     <l n="22" rend="left">Though I were sure the same were my confusion</l>
                  </lg>
                  <lg>
                     <l n="23" rend="left">Though <hi rend="italic">I</hi> desire in haste to marry,</l>
                     <l n="24" rend="left">Yet if <hi rend="italic">I</hi> were constrayned to tarry</l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="25" rend="left">A doozen yeares for that happy meeting,</l>
                     <l n="26" rend="left"><hi rend="italic">I</hi> patiently would stay for thee my sweeting.</l>
                  </lg>
                  <lg>
                     <l n="27" rend="left">Then let not thy affections waver,</l>
                     <l n="28" rend="left">[B]ut let me still retain thy favour:</l>
                     <l n="29" rend="left">Be not unkind nor fickle minded,</l>
                     <l n="30" rend="left">My hart hath found more wo then ever thine d[id].</l>
                  </lg>
                  <lg>
                     <l n="31" rend="left"><hi rend="italic">I</hi> many proffers have refused,</l>
                     <l n="32" rend="left">Thereat my friends have greatly mused:</l>
                     <l n="33" rend="left">When <hi rend="italic">I</hi> thinke on thee that so surpasses,</l>
                     <l n="34" rend="left">Then for thy sake <hi rend="italic">I</hi> loath all other Lasses.</l>
                  </lg>
                  <lg>
                     <l n="35" rend="left">Methinks thy sparkling eyes <hi rend="italic">I</hi> see still,</l>
                     <l n="36" rend="left">Which is a comfort unto me still,</l>
                     <l n="37" rend="left"><hi rend="italic">I</hi> dreaming see thy shadow nightly,</l>
                     <l n="38" rend="left">And waking wish to see the substance rightly.</l>
                  </lg>
                  <lg>
                     <l n="39" rend="left">Thy body is straight, small and slender,</l>
                     <l n="40" rend="left">Thy skin is white, smooth, soft and tender:</l>
                     <l n="41" rend="left">Thy leg and foote is framed neatly,</l>
                     <l n="42" rend="left">And all thy lineaments are made compleatly.</l>
                  </lg>
                  <lg>
                     <l n="43" rend="left">The Poet with his witty phrases,</l>
                     <l n="44" rend="left">Will gladly write thy pretty praises,</l>
                     <l n="45" rend="left"><hi rend="italic">And all the Birds in every valley.</hi></l>
                     <l n="46" rend="left"><hi rend="italic">Will gladly sing the praise of <hi rend="bold">Jacke</hi> and <hi rend="bold">Dolly.</hi></hi></l>
                  </lg>
               </div>
               <closer>
               </closer>
            </div>
            <div type="part" n="2" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Second part. To the same tune.</hi></seg>
                  </title>
               </head>
               <div type="col" n ="2.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">A</hi>Nd as thou proper art and pretty,</l>
                     <l n="2" rend="left">So art thou courteous prompt and witty,</l>
                     <l n="3" rend="left">Both Art and Nature are combined,</l>
                     <l n="4" rend="left">To make o[f] thee a piece of Earth refined.</l>
                     <l n="5" rend="indent"><hi rend="italic">And all the birds in every valle[y]</hi></l>
                     <l n="6" rend="indent"><hi rend="italic">Will gladly sing the praise of <hi rend="bold">Jacke</hi> and <hi rend="bold">Dolly.</hi></hi></l>
                  </lg>
                  <lg>
                     <l n="7" rend="left">How can I then be discontented?</l>
                     <l n="8" rend="left">Or why should my choice be pr[e]vented?</l>
                     <l n="9" rend="left">Though thou hadst not one copper Token,</l>
                     <l n="10" rend="left">Ile not recant the words that I have spoken.</l>
                  </lg>
                  <lg>
                     <l n="11" rend="left">I might have riches out of measure,</l>
                     <l n="12" rend="left">But what care I for worldly treasure?</l>
                     <l n="13" rend="left">Give me a Lasse endowed by nature,</l>
                     <l n="14" rend="left">Ile labour hard or beg for such a creature.</l>
                  </lg>
                  <lg>
                     <l n="15" rend="left">No tortures that man can indure,</l>
                     <l n="16" rend="left">Shall make my fancy prove impure:</l>
                     <l n="17" rend="left">No parents frowne, nor friends reproving,</l>
                     <l n="18" rend="left">Shall make my setled mind to be removing.</l>
                  </lg>
                  <lg>
                     <l n="19" rend="left">Then sith my permament affection</l>
                     <l n="20" rend="left">Submits it selfe to thy direction,</l>
                     <l n="21" rend="left">Let not thy heart, my only s[?]w[?]ting,</l>
                     <l n="22" rend="left">(Like <hi rend="italic">Cresida</hi>) be mutable or fl[ee]ting.</l>
                  </lg>
                  <lg>
                     <l n="23" rend="left">Be thou like <hi rend="italic">Hero</hi> to <hi rend="italic">Leand</hi>[<hi rend="italic">e</hi>]<hi rend="italic">r,</hi></l>
                     <l n="24" rend="left">Let not thy thoughts like <hi rend="italic">H[e]lens</hi> wander,</l>
                     <l n="25" rend="left">To leave thy first Love for a stranger,</l>
                     <l n="26" rend="left">Duplicity in choice hath still [bred] danger.</l>
                  </lg>
               </div>
               <div type="col" n ="2.2" >
                  <lg>
                     <l n="27" rend="left">That which twixt faithfull friends is vowed,</l>
                     <l n="28" rend="left">Ith Court of heaven is allowed,</l>
                     <l n="29" rend="left">And he or she that the same infringeth,</l>
                     <l n="30" rend="left">Must know that such contempt great <hi rend="italic">Jove</hi> avengeth.</l>
                  </lg>
                  <lg>
                     <l n="31" rend="left">But why seem I to misdoubt thy doing,</l>
                     <l n="32" rend="left">No just oc[cas]ion by thee knowing?</l>
                     <l n="33" rend="left">No, though I speake all this in passion,</l>
                     <l n="34" rend="left">I dare be sworne thou hatst all of that fashion.</l>
                  </lg>
                  <lg>
                     <l n="35" rend="left">Then be not thou my Deare offended,</l>
                     <l n="36" rend="left">Nor let thy angry brow be bended:</l>
                     <l n="37" rend="left">Yet if thou speake, to thee <hi rend="italic">I</hi>le be beholding,</l>
                     <l n="38" rend="left">I love to heare thy voice, thought be in scolding.</l>
                  </lg>
                  <lg>
                     <l n="39" rend="left">Then be thou constant in thy carriage,</l>
                     <l n="40" rend="left">Untill that we be linkt in marriage,</l>
                     <l n="41" rend="left">Then farewell care and melancholly.</l>
                     <l n="42" rend="left">Since <hi rend="italic">Jockie</hi> hath possest his dearest <hi rend="italic">Dolly.</hi></l>
                     <l n="43" rend="indent"><hi rend="italic">And all the Birds in every valley,</hi></l>
                     <l n="44" rend="indent"><hi rend="italic">Will sweetly sing in praise of <hi rend="bold">Jacke</hi> and <hi rend="bold">Dolly.</hi></hi></l>
                  </lg>
               </div>
               <closer>
               </closer>
            </div>
            <closer>
                  <seg n="1" rend="left"><hi rend="italic">FINIS.</hi></seg>
            </closer>
         </div>

      </body>
   </text>
</TEI.2>