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            <title level="a" type="main" rend="italic">Fond Loue why dost thou dally: / OR, / The passionate Louers Ditty, / In praise of his Loue thats faire and witty.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
            </respStmt>
         </titleStmt>
         <editionStmt>
            <edition>
               <date>1624-1624</date>
            </edition>
         </editionStmt>
         <publicationStmt>
            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>04/18/2011</date>
            <idno type="EMC">30079</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
                  </address>
               </p>
            </availability>
            <idno type="ESTC">S120578</idno>
         </publicationStmt>
         <notesStmt>
            <note type="Tune-Total">2</note>
            <note type="Tune-1">The mocke Widdow</note>
            <note type="Tune_Simpson-1">UNKNOWN</note>
            <note type="Tune_Modern-1">The Mock Widow</note>
            <note type="Tune-2">the same tune</note>
            <note type="Tune_Simpson-2">UNKNOWN</note>
            <note type="Tune_Modern-2">The Same Tune</note>
            <note type="First_Lines-1">FOnd Loue why dost thou dally, / And mocke my passions with thy disdaine?</note>
            <note type="First_Lines-2">O How I am astonish't, / To view the feature of my true loue,</note>
         </notesStmt>
         <sourceDesc>
            <listBibl>
               <biblStruct>
                  <monogr>
                     <title>Roxburghe Ballads</title>
                     <respStmt>
                        <resp>Editor</resp>
                        <name>None</name>
                     </respStmt>
                     <imprint>
                        <publisher>None</publisher>
                        <pubPlace>None</pubPlace>
                        <date>None</date>
                     </imprint>
                  </monogr>
               </biblStruct>
               <bibl>
                  <note type="Reference">
                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">1: 126</biblScope>
                  <biblScope type="vol: p">1: 127</biblScope>
                  <title n="1" type="main" rend="italic">Fond Loue why dost thou dally: / OR, / The passionate Louers Ditty, / In praise of his Loue thats faire and witty.</title>
                  <title n="1" type="alt" rend="italic">Fond Love why dost thou dally:
OR,
The passionate Lovers Ditty,
In praise of his Love thats faire and witty.
</title>
                  <title n="1" type="descriptive" rend="italic">Fond Love why do you dally:
OR,
The passionate Lovers Ditty,
In praise of his Love that's fair and witty.
</title>
                  <author/>
                  <imprint>
                     <date value="1624-1624" certainty="approx">1624-1624</date>
                     <publisher><orig reg="Coles, Francis; Matthews, Augustine">Francis Coules</orig></publisher>
                  </imprint>
               </bibl>
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            <p>This document follows the guidelines specified for TEI.</p>
            <p>XML Generated Automatically  at 4/18/2011 2:24:25 PM Using EMC</p>
            <p>XBallad Parsing Engine developed by Carl Stahmer.</p>
            <p>TEI Template developed by Gerald Egan and Modified by Carl Stahmer</p>
            <p>All apostrophes are encoded as &amp;apos;.</p>
            <p>Any dashs occurring in line breaks have been removed;</p>
            <p>All dashs are encoded as &amp;dash; and all em dashes as &amp;mdash;.</p>
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            <taxonomy id="EMCKEYWORDS">
               <bibl>Early Modern Center Ballad Project Keyword Taxonomy</bibl>
               <category id="emc.7">
                  <catDesc>advice</catDesc>
               </category>
               <category id="emc.23">
                  <catDesc>affliction/ health</catDesc>
               </category>
               <category id="emc.15">
                  <catDesc>alcohol</catDesc>
               </category>
               <category id="emc.21">
                  <catDesc>animals/ nature</catDesc>
               </category>
               <category id="emc.47">
                  <catDesc>Bible/ biblical figures</catDesc>
               </category>
               <category id="emc.53">
                  <catDesc>buildings/ architecture</catDesc>
               </category>
               <category id="emc.28">
                  <catDesc>catastrophe</catDesc>
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               <category id="emc.50">
                  <catDesc>children</catDesc>
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                  <catDesc>clothing/ appearance</catDesc>
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               <category id="emc.24">
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               <category id="emc.35">
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               <category id="emc.8">
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               <category id="emc.38">
                  <catDesc>entertainments</catDesc>
               </category>
               <category id="emc.43">
                  <catDesc>family</catDesc>
               </category>
               <category id="emc.56">
                  <catDesc>folklore</catDesc>
               </category>
               <category id="emc.34">
                  <catDesc>gender</catDesc>
               </category>
               <category id="emc.16">
                  <catDesc>holidays/ seasons</catDesc>
               </category>
               <category id="emc.18">
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               </category>
               <category id="emc.64">
                  <catDesc>labor/ craft</catDesc>
               </category>
               <category id="emc.55">
                  <catDesc>law</catDesc>
               </category>
               <category id="emc.36">
                  <catDesc>London</catDesc>
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               <category id="emc.9">
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               <category id="emc.26">
                  <catDesc>maritime</catDesc>
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               <category id="emc.13">
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               <category id="emc.25">
                  <catDesc>military/ war</catDesc>
               </category>
               <category id="emc.39">
                  <catDesc>monstrosity</catDesc>
               </category>
               <category id="emc.22">
                  <catDesc>mythology/ Classical</catDesc>
               </category>
               <category id="emc.51">
                  <catDesc>news</catDesc>
               </category>
               <category id="emc.17">
                  <catDesc>nobility/ court</catDesc>
               </category>
               <category id="emc.29">
                  <catDesc>politics/ government</catDesc>
               </category>
               <category id="emc.65">
                  <catDesc>procreation</catDesc>
               </category>
               <category id="emc.42">
                  <catDesc>punishment</catDesc>
               </category>
               <category id="emc.62">
                  <catDesc>race/ ethnicity</catDesc>
               </category>
               <category id="emc.54">
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               <category id="emc.48">
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               </category>
               <category id="emc.30">
                  <catDesc>religious types &amp; sects</catDesc>
               </category>
               <category id="emc.32">
                  <catDesc>royalty</catDesc>
               </category>
               <category id="emc.14">
                  <catDesc>rural life</catDesc>
               </category>
               <category id="emc.20">
                  <catDesc>servitude</catDesc>
               </category>
               <category id="emc.10">
                  <catDesc>sex/ sexuality</catDesc>
               </category>
               <category id="emc.40">
                  <catDesc>supernatural/ magic</catDesc>
               </category>
               <category id="emc.52">
                  <catDesc>The New World</catDesc>
               </category>
               <category id="emc.49">
                  <catDesc>travel</catDesc>
               </category>
               <category id="emc.19">
                  <catDesc>trickery/ deceit</catDesc>
               </category>
               <category id="emc.44">
                  <catDesc>urban life</catDesc>
               </category>
               <category id="emc.37">
                  <catDesc>vice</catDesc>
               </category>
               <category id="emc.27">
                  <catDesc>violence</catDesc>
               </category>
               <category id="emc.12">
                  <catDesc>virtue</catDesc>
               </category>
               <category id="emc.45">
                  <catDesc>vulgarities/ crass humor</catDesc>
               </category>
               <category id="emc.63">
                  <catDesc>youth/ age</catDesc>
               </category>
            </taxonomy>
            <taxonomy id="LOCSH">
               <bibl>Library of Congress Subject Heading Taxonomy</bibl>
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            <date value="4/18/2011">4/18/2011</date>
            <name type="place">Santa Barbara, California, United States of America</name>
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                  <item>mythology/ Classical</item>
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                  <item>Ballads, English 17th century</item>
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            <date value="4/18/2011 2:24:25 PM">4/18/2011 2:24:25 PM</date>
            <respStmt>
               <resp>XBallad</resp>
               <name>Doss, MacKenzie</name>
            </respStmt>
            <item>Created XML Version of Ballad</item>
         </change>
         <change>
            <date value="4/18/2011 2:24:25 PM">4/18/2011 2:24:25 PM</date>
            <respStmt>
               <resp>Transcription Supervisor</resp>
               <name>McAbee, Kristina, Nebeker, Eric </name>
            </respStmt>
            <item>Transcription of ballad manuscript</item>
         </change>
         <change>
            <date value="4/18/2011 2:24:25 PM">4/18/2011 2:24:25 PM</date>
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               <resp>Double-Key Comparison and Merging</resp>
               <name>Zusky, Catherine</name>
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         <change>
            <date value="4/18/2011 2:24:25 PM">4/18/2011 2:24:25 PM</date>
            <respStmt>
               <resp>Transcriptionist Two</resp>
               <name>Meyer, Shannon</name>
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            <date value="4/18/2011 2:24:25 PM">4/18/2011 2:24:25 PM</date>
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         <change>
            <date value="9/7/2010">9/7/2010</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Shannon Meyer</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
         </change>
         <change>
            <date value="7/7/2008">7/7/2008</date>
            <respStmt>
               <resp>Bibliographer</resp>
               <name>Giles Bergel</name>
            </respStmt>
            <item>Initial Ballad Catalogue Record Created</item>
         </change>
         <change>
            <date value="4/15/2011">4/15/2011</date>
            <respStmt>
               <resp>Transcriber</resp>
               <name>Becker, Charlotte</name>
            </respStmt>
            <item>Created Ballad XML</item>
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         <change>
            <date value="4/15/2011">4/15/2011</date>
            <respStmt>
               <resp>Transcriber</resp>
               <name>Meyer, Shannon</name>
            </respStmt>
            <item>Created Ballad XML</item>
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         <change>
            <date value="4/15/2011">4/15/2011</date>
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               <resp>Double-Key Transcription Merger</resp>
               <name>Zusky, Catherine</name>
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            <item>Created Ballad XML</item>
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         <change>
            <date value="4/15/2011">4/15/2011</date>
            <respStmt>
               <resp>Transcription Supervisor</resp>
               <name>McAbee, Kristina, Nebeker, Eric </name>
            </respStmt>
            <item>Created Ballad XML</item>
         </change>
         <change>
            <date value="4/15/2011">4/15/2011</date>
            <respStmt>
               <resp>XBallad</resp>
               <name>Doss, MacKenzie</name>
            </respStmt>
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         <change>
            <date value="10/31/2008">10/31/2008</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Shannon Meyer</name>
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            <item>Edited Ballad Catalogue Record</item>
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         <change>
            <date value="1/18/2011">1/18/2011</date>
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               <resp>Checker</resp>
               <name>Bethany Wong</name>
            </respStmt>
            <item>Edited Ballad Catalogue Record</item>
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      <body>
         <div type="ballad">
            <opener>
            </opener>
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">Fond Love why dost thou dally:</hi></seg>
                     <seg n="2" rend="left"><hi rend="italic"><hi rend="bold">OR,</hi></hi></seg>
                     <seg n="3" rend="left"><hi rend="italic">The passionate Lovers Ditty,</hi></seg>
                     <seg n="4" rend="left"><hi rend="italic">In praise of his Love thats faire and witty.</hi></seg>
                     <lb/>
                     <seg n="5" rend="left"><hi rend="italic">To the tune of     <hi rend="bold">The mocke Widdow.</hi></hi></seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">F</hi>Ond Love why dost thou dally,</l>
                     <l n="2" rend="left">And mocke my passions with thy disdaine?</l>
                     <l n="3" rend="indent">     there is no blisse,</l>
                     <l n="4" rend="indent">     where coynesse is,</l>
                     <l n="5" rend="indent">Seeke not thy pleasure in my paine:</l>
                     <l n="6" rend="left">But let the chast torments of my desire,</l>
                     <l n="7" rend="left">Kindle in thee propitious fire:</l>
                     <l n="8" rend="left">So shall the pleasures of thy sweet imbraces,</l>
                     <l n="9" rend="left">Conquer the griefe of my former disgraces,</l>
                     <l n="10" rend="left">Then those stormes past, shall mercie appeare,</l>
                     <l n="11" rend="left">And thou of cruelty goe quit and cleare.</l>
                  </lg>
                  <lg>
                     <l n="12" rend="left">If not, thou art accused,</l>
                     <l n="13" rend="left">For being a lure of my griefe and care,</l>
                     <l n="14" rend="indent">     for from thy sight,</l>
                     <l n="15" rend="indent">     comes my delight,</l>
                     <l n="16" rend="indent">Thy frowne onely procures despaire:</l>
                     <l n="17" rend="left">But in thy smiles there dwell eternall joyes,</l>
                     <l n="18" rend="left">Which from my heart all flouds of woes destroies,</l>
                     <l n="19" rend="left">Then be not thou obdurate unto me,</l>
                     <l n="20" rend="left">Seeing thou art my chiefe felicity:</l>
                     <l n="21" rend="left">Thou seest how passionate I am for thee,</l>
                     <l n="22" rend="left">O then grant Love, forgetting cruelty.</l>
                  </lg>
                  <lg>
                     <l n="23" rend="left">Sweet Jove thou art my goddesse</l>
                     <l n="24" rend="left">To whom my heart I soly dedicate,</l>
                     <l n="25" rend="indent">     then mercie send,</l>
                     <l n="26" rend="indent">     to me thy friend,</l>
                     <l n="27" rend="indent">My sad griefe to abreviate:</l>
                     <l n="28" rend="left">Then shall I praise thy goodly tresses,</l>
                     <l n="29" rend="left">Shining like gold as all the Gods confesses,</l>
                     <l n="30" rend="left">And eke the splendor of thy comely face,</l>
                     <l n="31" rend="left">Which doth so well thy compleat body grace,</l>
                     <l n="32" rend="left">As thou appearst like <hi rend="italic">Cynthia</hi> in her spheare,</l>
                     <l n="33" rend="left">Or like <hi rend="italic">Apollo</hi> in the dayes bright chaire.</l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="34" rend="left">Never was framd by nature,</l>
                     <l n="35" rend="left">A Mayd of rarer forme and beauty</l>
                     <l n="36" rend="indent">     then is my Love,</l>
                     <l n="37" rend="indent">     to whom Ile prove,</l>
                     <l n="38" rend="indent">Officious in my duty,</l>
                     <l n="39" rend="left">Her breath more sweeter farre then Civet can be,</l>
                     <l n="40" rend="left">Delicious honey, or rare Sugar-Candy,</l>
                     <l n="41" rend="left">Her rosie Cheekes most comely to the view,</l>
                     <l n="42" rend="left">Which causeth me her Love for to pursue,</l>
                     <l n="43" rend="left">And for <hi rend="italic">Lorina</hi> languish I in griefe,</l>
                     <l n="44" rend="left">For from her smiles my pleasures come in briefe.</l>
                  </lg>
                  <lg>
                     <l n="45" rend="left">Come sweet sit thee downe by me,</l>
                     <l n="46" rend="left">And pay just tribute for our true love,</l>
                     <l n="47" rend="indent">     come lets court,</l>
                     <l n="48" rend="indent">     and merrily sport,</l>
                     <l n="49" rend="indent">Here is the pleasant shady grove,</l>
                     <l n="50" rend="left">Where nothing is wanting that pleasures may bring,</l>
                     <l n="51" rend="left">Where natures harmonious Musicioners sing,</l>
                     <l n="52" rend="left">And <hi rend="italic">Philomel</hi> amongst them the sweetest,</l>
                     <l n="53" rend="left">To love recording those notes that are meetest,</l>
                     <l n="54" rend="left">Where soft winds murmure the joy of our blisse,</l>
                     <l n="55" rend="left">And glyding by thy lips, oft steale a kisse.</l>
                  </lg>
                  <lg>
                     <l n="56" rend="left">Heare the nimble Faunes caper,</l>
                     <l n="57" rend="left">And old <hi rend="italic">Silvanus</hi> traine doth trip and dance,</l>
                     <l n="58" rend="indent">     thy forme to grace,</l>
                     <l n="59" rend="indent">     in this faire place,</l>
                     <l n="60" rend="indent">Woods Nymphs doe their notes advance,</l>
                     <l n="61" rend="left">Here all pleasure and content doth dwell,</l>
                     <l n="62" rend="left">Joy doth all sorrow from this place expell,</l>
                     <l n="63" rend="left">O I could surfet with this goodly sight,</l>
                     <l n="64" rend="left">Wherein my heart and senses take delight,</l>
                     <l n="65" rend="left">Thou art the Soveraigne of my love-sicke mind,</l>
                     <l n="66" rend="left">In whom a Map of vertues are inshrind.</l>
                  </lg>
               </div>
               <closer>
               </closer>
            </div>
            <div type="part" n="2" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The second part     To the same tune.</hi></seg>
                  </title>
               </head>
               <div type="col" n ="2.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">O</hi> How I am astonisht,</l>
                     <l n="2" rend="left">To view the feature of my true love,</l>
                     <l n="3" rend="indent">     thy sweet face,</l>
                     <l n="4" rend="indent">     and comely grace,</l>
                     <l n="5" rend="indent">Would in an Angel envy move,</l>
                     <l n="6" rend="left">Thy eyes give luster these shadowes ore-spread,</l>
                     <l n="7" rend="left">And thy sweet language would waken the dead,</l>
                     <l n="8" rend="left">The musicke of the spheares is but a dull noise</l>
                     <l n="9" rend="left">When we shall heare thee, in thy sweetest voyce,</l>
                     <l n="10" rend="left">Curious wonders within thee doe shine,</l>
                     <l n="11" rend="left">Which doe perswade me that thou art divine.</l>
                  </lg>
                  <lg>
                     <l n="12" rend="left"><hi rend="italic">Juno</hi> the Queene of glory,</l>
                     <l n="13" rend="left">Cannot come neare thee for thy vertuous grace:</l>
                     <l n="14" rend="indent">     thou art more faire,</l>
                     <l n="15" rend="indent">     in beauty rare,</l>
                     <l n="16" rend="indent">And dost deserve as well that place,</l>
                     <l n="17" rend="left">Wherein <hi rend="italic">Joves</hi> darling in her glory moves,</l>
                     <l n="18" rend="left">Thy hands farre whiter then faire <hi rend="italic">Venus</hi> Doves,</l>
                     <l n="19" rend="left">And thou thy selfe compleat in each degree,</l>
                     <l n="20" rend="left">Upon thy forehead dwels rare Majestie:</l>
                     <l n="21" rend="left">Thou art indeed a lampe of heavenly wonder,</l>
                     <l n="22" rend="left">And for thy vertues keepst all creatures under.</l>
                  </lg>
                  <lg>
                     <l n="23" rend="left">All earthly joyes and pleasures</l>
                     <l n="24" rend="left">Are to be had in thy society,</l>
                     <l n="25" rend="indent">     <hi rend="italic">Lorinas</hi> name,</l>
                     <l n="26" rend="indent">     deserves true fame,</l>
                     <l n="27" rend="indent">She is indued with pietie,</l>
                     <l n="28" rend="left">Fairer she is by ods then rocks of pearle:</l>
                     <l n="29" rend="left"><hi rend="italic">Jove</hi> till this time nere saw a braver Girle.</l>
                     <l n="30" rend="left">The Phenix rare makes not a gayer show,</l>
                     <l n="31" rend="left">Nor yet the Lillies on the banke of <hi rend="italic">Poe,</hi></l>
                     <l n="32" rend="left">She is indeed the mirror of our age,</l>
                     <l n="33" rend="left">And with <hi rend="italic">Joves</hi> Queene may walke in equipage.</l>
                  </lg>
               </div>
               <div type="col" n ="2.2" >
                  <lg>
                     <l n="34" rend="left">Wherefore should I dally then,</l>
                     <l n="35" rend="left">To court this glory, and to imbrace,</l>
                     <l n="36" rend="indent">     even in thee,</l>
                     <l n="37" rend="indent">     all blisse I see,</l>
                     <l n="38" rend="indent">Lively depainted in thy face,</l>
                     <l n="39" rend="left">Come then lets dally, and to the wanton ayre,</l>
                     <l n="40" rend="left">Change loves delightments, so shall we declare</l>
                     <l n="41" rend="left">Our loves by our kisses, whilst I nothing fearing</l>
                     <l n="42" rend="left">Breath my best wish, in my wisht beauties hearin[g]</l>
                     <l n="43" rend="left">Which when I have done thy captive Ile be,</l>
                     <l n="44" rend="left">Yet thinke I have a glorious liberty.</l>
                  </lg>
                  <lg>
                     <l n="45" rend="left">Come then, come my <hi rend="italic">Lorina,</hi></l>
                     <l n="46" rend="left">And yeeld that treasure, which who so knowes,</l>
                     <l n="47" rend="indent">     knowes a blisse,</l>
                     <l n="48" rend="indent">     by which he is</l>
                     <l n="49" rend="indent">Eternally exempt from woes,</l>
                     <l n="50" rend="left">Should <hi rend="italic">Jove</hi> himselfe envy at our best delight,</l>
                     <l n="51" rend="left">These joyes weele enjoy still in envies despight:</l>
                     <l n="52" rend="left">Nay should his anger descend so upon me,</l>
                     <l n="53" rend="left">As my <hi rend="italic">Lorina</hi> to ravish thee from me,</l>
                     <l n="54" rend="left">Ide flye in my fury as high as his spheare,</l>
                     <l n="55" rend="left">And snatch thee from his armes or perish there.</l>
                  </lg>
                  <lg>
                     <l n="56" rend="left">Come then let me enjoy thee,</l>
                     <l n="57" rend="left">Whilst beauties florish on thee doth dwell,</l>
                     <l n="58" rend="indent">     Colour fades,</l>
                     <l n="59" rend="indent">     and foolish Mayds,</l>
                     <l n="60" rend="indent">That so dye lead Apes in hell,</l>
                     <l n="61" rend="left">O then be wiser and grant to my desire,</l>
                     <l n="62" rend="left">In thy snow white bosome quench my loves quic[k] fi[re]</l>
                     <l n="63" rend="left">Let not unfaigned love goe unrewarded,</l>
                     <l n="64" rend="left">Nor true affections be sleightly regarded,</l>
                     <l n="65" rend="left">So shall I still live, and all sorrowes defie,</l>
                     <l n="66" rend="left">Or else a Martyre to thy beauty dye.</l>
                  </lg>
               </div>
               <closer>
               </closer>
            </div>
            <closer>
                  <seg n="1" rend="left"><hi rend="italic">Printed at London for Francis Coules.     FINIS.</hi></seg>
            </closer>
         </div>

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   </text>
</TEI.2>