%ISOlat1; %ISOlat2; %ISOnum; %ISOpub; ]> THE/ Private ENCOUNTER/ BETWEEN TWO/ YOUNG LOVERS,/ Being Sung in the last new PLAY, call'd,/ The Married BEAU. University of California - Santa Barbara The Early Modern Center Director Patricia Fumerton 1694 Early Modern Center, University of California Santa Barbara Santa Barbara, CA 08/11/2008 22075

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Patricia Fumerton Early Modern Center - English Department University of California Santa Barbara, CA 93105 United States of America EMail: pfumer@english.ucsb.edu

5.240 R187335 1 Alas! What mean I, foolish Maid? O Fie! What Mean I, Foolish Maid Alas! What Mean I, Foolish Maid? OH f[y]e! what mean I foolish Maid,/ In this remote and silent Shade, Oh! oh! oh! I shall, I shall, I shall be undone,/ Oh! oh! oh! oh! I shall be undone. [stanzas 1,2,4; with variations] date from Simpson Pepys 5.240 Wing P3529A Pepys Library The Pepys ballads : facsimile volume Editor W.G. Day D.S. Brewer Cambridge [England] 1987 Information in this section of the Source Description refers to the original ballad manuscript. 5: 240 THE/ Private ENCOUNTER/ BETWEEN TWO/ YOUNG LOVERS,/ Being Sung in the last new PLAY, call'd,/ The Married BEAU. THE Private ENCOUNTER BETWEEN TWO YOUNG LOVERS, Being Sung in the last new PLAY, call'd, The Married BEAU. The Private Encounter Between Two Young Lovers, Being Sung in the Last New Play, Called, the Married Beau. 1/2 sheet folio, 244 x 170 creased, damaged surface 1694 LONDON: Printed for P.P. near West-smiohfield. P. P. Simpson

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 Taxonomy used by Pepys to Organize Ballads in Albums A Small Promiscuous Supplement Devotion & Morality Drinking & Good Fellowship History - True & Fabulous Humour, Frollicks &c Love Pleasant Love Pleasant and Unfortunate Love Unfortunate Marriage Sea State & Times Tragedy Various Subjects Early Modern Center Ballad Project Keyword Taxonomy advice affliction/health alcohol animals/nature appearance Bible/biblical figures buildings/architecture catastrophe children class clothing/fashion country/nation crime death economics/trade entertainment family/procreation folklore gender historical figures & events holidays/seasons infidelity law London love maritime marriage military/war monstrosity mythology/Classical world news nobility/court politics/government punishment religious concepts religious figures religious types & sects royalty rural life servitude sex/sexuality supernatural/magic The New World travel trickery/deceit urban life vice violence virtue vulgarities/crass humor Library of Congress Subject Heading Taxonomy 8/11/2008 Santa Barbara, California, United States of America Love Pleasant love sex/sexuality 8/11/2008 Checker Cat Zusky Checked transcription, updated metadata, created XML 8/22/2006 Transcriber Liberty Stanavage Original transcription 9/27/2004 Bibliographer Maggie Sloan Bibliographic SQL Database Record Created
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OH fye! what mean I foolish Maid, In this remote and silent Shade, To meet with you alone: My Heart does with the Place combine, And both are more your Friends then mine, And both are more your Friends then mine. Oh! oh! oh! I shall, I shall, I shall be undone, Oh! oh! oh! oh! I shall be undone. A savage Beast I would not fear, Or should I meet with Villians here; I to some Cave wou'd run: But such inchanting Art you shew, I cannot strive, I cannot go, I cannot strive, I cannot go; Oh! oh! oh! I shall, I shall, I shall be undone, Oh! oh! oh! oh! I shall be undone. Oh fye, leave off this foolish Fear, For I am glad to meet you here, And I must you injoy: This silent Grove, and pleasant Shade, Were for true Lovers Pastime made, Were for true Lovers Pastime made; Then oh! then do not, do not, do not me deny, Oh! then, oh! then do not me deny.
Your Beauty can wild Monsters tame, And likewise Villains Hearts inflame, That they will not annoy: Your Looks, Your Eyes have charm'd me so, I have no power for to go, I have no power for to go, Come, come, come, I must, I must, I must thee enjoy, Come, come, come, I must thee enjoy. Ah! give your sweet Temptations o'er, I'll touch those dangerous Lips no more, What, must we yet fool on? Ah! now I yield, ah! now I fall; Ah! now I have no breath at all; Ah! now I have no breath at all; And now, now I am, I am, I am quite undone Ah! now, now, now, I am quite undone. 'Tis none but you I do adore, Nay, I must love you more and more, Although for Love I die: My Passion ever shall endure, My Love shall still be firm and pure, My Love shall still be firm and pure, And, and, and in thy, in thy Arms I'll lie, And, and, and in thy Arms I'll lie.
LONDON: Printed for P. P. near West-smiohfield .