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            <title level="a" type="main" rend="italic">Poor Robins Dream; commonly called Poor Charity. / I know no Reason but this harmless Riddle / May as well be Printed as Sung to a Fiddle.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
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            <edition>
               <date>1684-1686</date>
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            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>04/10/2008</date>
            <idno type="EMC">21957</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
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            <idno type="Pepys">4.295</idno>
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            <note type="Tune-Total">2</note>
            <note type="Tune-1">A game at Cards</note>
            <note type="Tune_Simpson-1">A New Game at Cards</note>
            <note type="Tune_Modern-1">A Game at Cards</note>
            <note type="Tune-2">a compleat Tune, well known by Musicians, and many others:</note>
            <note type="Tune_Modern-2">A Complete Tune, Well Known by Musicians, and Many Others:</note>
            <note type="First_Lines">HOw now good fellow what all amort; / I pray thee tell me what is the news,</note>
            <note type="Source">Pepys 4.295</note>
            <note type="References">Wing P2880C; Rollins (2) 2139 (Jan. 15, 1668, ii, 383, Jno. Clark); Rollins (2) 2140 (Mch. 1, 1675, ii, 500)</note>
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                     <title>The Pepys ballads : facsimile volume</title>
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                        <date>1987</date>
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                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">4: 295</biblScope>
                  <title n="1" type="main" rend="italic">Poor Robins Dream; commonly called Poor Charity. / I know no Reason but this harmless Riddle / May as well be Printed as Sung to a Fiddle.</title>
                  <title n="1" type="alt" rend="italic">Poor Robins Dream; commonly called Poor Charity. I know no Reason but this harmless Riddle May as well be Printed as Sung to a Fiddle.</title>
                  <title n="1" type="descriptive" rend="italic">Poor Robin's Dream; Commonly Called Poor Charity.  I Know No Reason but this Harmless Riddle May as Well be Printed as Sung to a Fiddle.</title>
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                     <date value="1684-1686" certainty="exact">1684-1686</date>
                     <pubPlace>Printed for J. Clark, W. Thackeray, and T. Passinger.</pubPlace>
                     <publisher><orig reg="Clark, John; Passinger, Thomas; Thackeray, William">J. Clark, W. Thackeray, T. Passinger</orig></publisher>
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            <item>Metadata updated, xml created</item>
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            <date value="07/18/07">07/18/07</date>
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               <resp>Checker</resp>
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            <date value="02/12/07">02/12/07</date>
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               <name>Talya Meyers</name>
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            <item>Original transcription</item>
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         <change>
            <date value="9/7/2004">9/7/2004</date>
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         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="bold"><hi rend="italic">Poor Robins</hi></hi> <hi rend="italic">Dream; commonly called <hi rend="bold">Poor Charity.</hi></hi></seg>
                     <lb/>
                     <seg n="2" rend="left"><hi rend="italic">I know no Reason but this harmless Riddle</hi></seg>
                     <seg n="3" rend="left"><hi rend="italic">May as well be Printed as Sung to a Fiddle.</hi></seg>
                     <lb/>
                     <seg n="4" rend="left"><hi rend="italic">To a compleat Tune, well known by Musicians, and many others: Or, A game at cards.</hi></seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">H</hi>Ow now good fellow what all amort;</l>
                     <l n="2" rend="indent">I pray thee tell me what is the news,</l>
                     <l n="3" rend="left">Trading is dead and I am sorry for't</l>
                     <l n="4" rend="indent">which makes me look wors then I use,</l>
                     <l n="5" rend="left">If a man hath no employment whereby to get a penny</l>
                     <l n="6" rend="indent">he hath no enjoyment if that he wanteth money</l>
                     <l n="7" rend="left">And Charity is not used by many.</l>
                  </lg>
                  <lg>
                     <l n="8" rend="left">I have nothing to spend nor i've nothing to lend</l>
                     <l n="9" rend="indent">i've nothing to do, I tarry at home,</l>
                     <l n="10" rend="left">Sitting in my Chair, drawing near to the fire,</l>
                     <l n="11" rend="indent">I fell into a sleepe like an idle drone.</l>
                     <l n="12" rend="left">And as I slept I fell into a dream,</l>
                     <l n="13" rend="indent">I see a Play acted without e're Theam,</l>
                     <l n="14" rend="left">But I could not tell what the Play did mean.</l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="15" rend="left">But afterwards I did perceive</l>
                     <l n="16" rend="indent">and something more I did understand,</l>
                     <l n="17" rend="left">The Stage was the world wherein we live,</l>
                     <l n="18" rend="indent">the Actors they were all mankind,</l>
                     <l n="19" rend="left">And when the play is ended the Stage down they fling</l>
                     <l n="20" rend="indent">then there will be no difference in this thing,</l>
                     <l n="21" rend="left">Between a Beggar and a King.</l>
                  </lg>
                  <lg>
                     <l n="22" rend="left">The first that Acted I protest,</l>
                     <l n="23" rend="indent">was Time with a Glass &amp; a Sithe in his hand</l>
                     <l n="24" rend="left">With the Globe of the World upon his breast,</l>
                     <l n="25" rend="indent">to shew that he could the same command:</l>
                     <l n="26" rend="left">There's a time for to work, and a time for to play</l>
                     <l n="27" rend="indent">a time for to borrow, and a time for to pay,</l>
                     <l n="28" rend="left">And a time that doth call us all away,</l>
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               </div>
               <div type="col" n ="1.3" >
                  <lg>
                     <l n="29" rend="left"><hi rend="italic">C</hi>Onscience in order takes his place,</l>
                     <l n="30" rend="indent">and very gallantly plays his part,</l>
                     <l n="31" rend="left">He fears not to fly in a Rulers face,</l>
                     <l n="32" rend="indent">although it cuts him to the heart:</l>
                     <l n="33" rend="left">He tells him that all this is the later Age</l>
                     <l n="34" rend="left">Which put the Actors into such a rage,</l>
                     <l n="35" rend="left">That they kick'd poor Conscience off the stage.</l>
                  </lg>
                  <lg>
                     <l n="36" rend="left">Plain-Dealing presently appears</l>
                     <l n="37" rend="indent">in habit like a simple man,</l>
                     <l n="38" rend="left">The Actors at him mocks and jears;</l>
                     <l n="39" rend="indent">pointing their fingers as they ran:</l>
                     <l n="40" rend="left">How came this fellow into our company,</l>
                     <l n="41" rend="indent">away with him many a gallant did cry.</l>
                     <l n="42" rend="left">For Plain-dealing will a Beggar dye.</l>
                  </lg>
                  <lg>
                     <l n="43" rend="left">Dissimulation mounted the Stage,</l>
                     <l n="44" rend="indent">but he was cloathed in gallant attire,</l>
                     <l n="45" rend="left">He was acquainted with Youth and Age,</l>
                     <l n="46" rend="indent">many his company did desire;</l>
                     <l n="47" rend="left">They entertain'd him in their very breast,</l>
                     <l n="48" rend="left">There he could have harbour, and quietly rest,</l>
                     <l n="49" rend="left">For Dissemblers and Turn-coats fare the best.</l>
                  </lg>
               </div>
               <div type="col" n ="1.4" >
                  <lg>
                     <l n="50" rend="left">Then cometh in poor Charity</l>
                     <l n="51" rend="indent">methinks she looked wondrous old,</l>
                     <l n="52" rend="left">She quiver'd and she quak'd most piteously,</l>
                     <l n="53" rend="indent">it griev'd me to think she was grown so cold:</l>
                     <l n="54" rend="left">She had been i'th' City, &amp; in the Country,</l>
                     <l n="55" rend="left">Amongst the Lawyers and Nobility,</l>
                     <l n="56" rend="left">But there was no room for poor Charity.</l>
                  </lg>
                  <lg>
                     <l n="57" rend="left">Then in comes Truth, not cloathed in Wool,</l>
                     <l n="58" rend="indent">but like unto youth in his white Laun sleeves</l>
                     <l n="59" rend="left">And sayes the Land it is full, full, full,</l>
                     <l n="60" rend="indent">too full of Rebels worse than Thieves.</l>
                     <l n="61" rend="left">The City's full of poverty, the French are full of pride</l>
                     <l n="62" rend="left">Phanaticks full of Envy, which order can't abide</l>
                     <l n="63" rend="left">And the Usurers Bags are full beside.</l>
                  </lg>
                  <lg>
                     <l n="64" rend="left">Hark how <hi rend="italic">Bellona</hi>'s Drums they do beat,</l>
                     <l n="65" rend="indent">methinks they go rattling through the Town</l>
                     <l n="66" rend="left">Hark how they thunder through the street</l>
                     <l n="67" rend="indent">as tho they would shake the Chimneys down,</l>
                     <l n="68" rend="left">Then comes in <hi rend="italic">Mars,</hi> the great God of War,</l>
                     <l n="69" rend="left">And bids us face about and be as we were:</l>
                     <l n="70" rend="left">But when I awak'd I sate in my Chair.</l>
                  </lg>
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                  <seg n="1" rend="left"><hi rend="italic">Printed for J. Clark, W. Thackeray, and T. Passinger.</hi></seg>
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