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            <title level="a" type="main" rend="italic">The Dying Shepherdess./ While Coridon did her Forsake,/ who lov'd him as her Soul,/ For him poor wretch, she moan did make,/ and sadly did Condole.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
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            <edition>
               <date>1680-1682</date>
            </edition>
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            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>08/23/2007</date>
            <idno type="EMC">21396</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
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            <idno type="Pepys">3.380</idno>
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            <note type="Tune-Total">1</note>
            <note type="Tune-1">Ah Cloris, full of harmless thoughts</note>
            <note type="Tune_Simpson-1">Chloris, Full of Harmless Thoughts</note>
            <note type="Tune_Modern-1">Ah Chloris, Full of Harmless Thoughts</note>
            <note type="First_Lines">ALas my Youthful Coridon,/ now proves unkind to me,</note>
            <note type="Notes">imprint unclear: London, Printed for M. Coles, T. Vere, J&amp;lt;.&amp;gt;/ Wright, J. Clarke, W. Thackeray,/ and T. Passinger.</note>
            <note type="Source">Pepys 3.380</note>
            <note type="References">Wing D2955[A]</note>
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                        <publisher>D.S. Brewer</publisher>
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                        <date>1987</date>
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                  <note type="Reference">
                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
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                  <biblScope type="vol: p">3: 380</biblScope>
                  <title n="1" type="main" rend="italic">The Dying Shepherdess./ While Coridon did her Forsake,/ who lov'd him as her Soul,/ For him poor wretch, she moan did make,/ and sadly did Condole.</title>
                  <title n="1" type="alt" rend="italic">The Dying Shepherdess. While Coridon did her Forsake, who lov'd him as her soul, For him poor wretch, she moan did make, and sadly did Condole.</title>
                  <title n="1" type="descriptive" rend="italic">The Dying Shepherdess. While Coridon Did Her Forsake, Who Loved Him as Her Soul, for Him Poor Wretch, She Moan Did Make, and Sadly Did Condole.</title>
                  <author/>
                  <extent id="p.1">1/2 sheet oblong folio, 190 x 312</extent>
                  <damage id="1">cropped top, left and right edges, torn top corner, holed, creased</damage>
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                     <date value="1680-1682" certainty="exact">1680-1682</date>
                     <pubPlace>London, Printed for M. Coles, T. Vere, J./ Wright, J. Clarke, W. Thackeray,/ and T. Passinger.</pubPlace>
                     <publisher><orig reg="Coles, Mary; Vere, Thomas; Wright, John; Clark, John; Passinger, Thomas; Thackeray, William">M. Coles, T. Vere, J. Wright, J. Clarke, W. Thackeray, T. Passinger.</orig></publisher>
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            <p>XBallad Parsing Engine developed by Carl Stahmer.</p>
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               <category id="emc.2">
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               <category id="emc.45">
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            <date value="8/23/07">8/23/07</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Kris McAbee</name>
            </respStmt>
            <item>Deleted extra tune from metadata</item>
         </change>
         <change>
            <date value="8/23/07">8/23/07</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Rachel Mann</name>
            </respStmt>
            <item>Transcription checked, metadata updated, XML created; 2 Tunes?</item>
         </change>
         <change>
            <date value="8/17/06">8/17/06</date>
            <respStmt>
               <resp>Transcriber</resp>
               <name>Summer Star</name>
            </respStmt>
            <item>Original Transcription</item>
         </change>
         <change>
            <date value="9/9/04">9/9/04</date>
            <respStmt>
               <resp>Bibliographer</resp>
               <name>Simone Chess</name>
            </respStmt>
            <item>Bibliographic SQL Database Record Created</item>
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         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Dying Shepherdess.</hi> </seg>
                     <lb/>
                     <seg n="2" rend="left"><hi rend="bold"><hi rend="italic">While</hi></hi> <hi rend="italic">Coridon <hi rend="bold">did her Forsake</hi> ,</hi> </seg>
                     <seg n="3" rend="indent"><hi rend="italic"><hi rend="bold">who lov'd him as her soul</hi></hi> <hi rend="italic">,</hi> </seg>
                     <lb/>
                     <seg n="4" rend="left"><hi rend="bold"><hi rend="italic">For him poor wretch, she moan did make</hi></hi> <hi rend="italic">,</hi> </seg>
                     <seg n="5" rend="indent"><hi rend="italic"><hi rend="bold">and sadly did Condole</hi></hi> <hi rend="italic">.</hi> </seg>
                     <lb/>
                     <seg n="6" rend="left"><hi rend="italic">To the Tune of, <hi rend="bold">Ah</hi> Cloris <hi rend="bold">full of harmless thoughts</hi> .</hi> </seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">A</hi> Las my Youthful <hi rend="italic">Coridon</hi> ,</l>
                     <l n="2" rend="indent">now prove unkind to me,</l>
                     <l n="3" rend="left">He was the Man I doted on,</l>
                     <l n="4" rend="indent">yet slighted I must be,</l>
                     <l n="5" rend="left">O who could think a tongue so fair,</l>
                     <l n="6" rend="indent">could mean so much deceit,</l>
                     <l n="7" rend="left">And cause a Soul, thus to condole,</l>
                     <l n="8" rend="indent">beneath her pain to great.</l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">O that I ne'r had him beleiv'd,</l>
                     <l n="10" rend="indent">who prov'd a meer trappan,</l>
                     <l n="11" rend="left">Too long, too long, poor soul I griev'd</l>
                     <l n="12" rend="indent">for this False-hearted man:</l>
                     <l n="13" rend="left">And should I sigh my self to be,</l>
                     <l n="14" rend="indent">to him all one 'twould be,</l>
                     <l n="15" rend="left">For while I mourn, like one forlorn,</l>
                     <l n="16" rend="indent">he triumphs over me.</l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="17" rend="left">False Man take heed least you in time,</l>
                     <l n="18" rend="indent">are caught in Cupids Snare,</l>
                     <l n="19" rend="left">And whilst you flourish in your prime,</l>
                     <l n="20" rend="indent">of such Deceits take care:</l>
                     <l n="21" rend="left">For sometimes Cupid is so just</l>
                     <l n="22" rend="indent">that he doth those requite,</l>
                     <l n="23" rend="left">And gives a wound, that is profound,</l>
                     <l n="24" rend="indent">to those who Maids do slight.</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">But let it not to you seem strange,</l>
                     <l n="26" rend="indent">if once you feel his Dart,</l>
                     <l n="27" rend="left">For though you love the world to range</l>
                     <l n="28" rend="indent">it is but your desert,</l>
                     <l n="29" rend="left">For to be wounded to the Quick,</l>
                     <l n="30" rend="indent">that you feel such pain,</l>
                     <l n="31" rend="left">As Maidens do, when such as you,</l>
                     <l n="32" rend="indent">their tender Loves disdain,</l>
                  </lg>
               </div>
               <div type="col" n ="1.3" >
                  <lg>
                     <l n="33" rend="left">The pains of Love there's none can tell</l>
                     <l n="34" rend="indent">but those who do them feel,</l>
                     <l n="35" rend="left">No Doctors art can make them well,</l>
                     <l n="36" rend="indent">no Balsome can them heal,</l>
                     <l n="37" rend="left">Yet one poor Kiss, can oft do more,</l>
                     <l n="38" rend="indent">then tongue can well express</l>
                     <l n="39" rend="left">While we do find, false men unkind,</l>
                     <l n="40" rend="indent">and too too pittifless.</l>
                  </lg>
                  <lg>
                     <l n="41" rend="left">In dying words I now Exclaim,</l>
                     <l n="42" rend="indent">of thy Unconstancy,</l>
                     <l n="43" rend="left">By thee thy Faithful Love is slain,</l>
                     <l n="44" rend="indent">for thee I bleeding dye:</l>
                     <l n="45" rend="left">And when I am deceased and gone,</l>
                     <l n="46" rend="indent">thou surely wilt Lament,</l>
                     <l n="47" rend="left">&amp; grieve that thou didst break thy vow,</l>
                     <l n="48" rend="indent">and wilt too late Repent.</l>
                  </lg>
                  <lg>
                     <l n="49" rend="left">Whilst I in the Elizium shade,</l>
                     <l n="50" rend="indent">with many thousand more,</l>
                     <l n="51" rend="left">That by false men have been betray'd,</l>
                     <l n="52" rend="indent">in ages heretofore:</l>
                     <l n="53" rend="left">Amongst our selves shall there rejoyce:</l>
                     <l n="54" rend="indent">while we are left behind,</l>
                     <l n="55" rend="left">and your heart bleeds, for your misdeeds</l>
                     <l n="56" rend="indent">there we shall comfort find.</l>
                  </lg>
                  <lg>
                     <l n="57" rend="left">The torments then you will endure,</l>
                     <l n="58" rend="indent">will be just Punishment,</l>
                     <l n="59" rend="left">Your wounds will not admit of Cure,</l>
                     <l n="60" rend="indent">in vain you will repent:</l>
                  </lg>
               </div>
               <div type="col" n ="1.4" >
                  <lg>
                     <l n="61" rend="left">But had you to your Loves been true,</l>
                     <l n="62" rend="indent">such pains you ne'r had known,</l>
                     <l n="63" rend="left">O why should we, continually,</l>
                     <l n="64" rend="indent">in torments fry alone.</l>
                  </lg>
                  <lg>
                     <l n="65" rend="left">When on your Death-beds you shall lye</l>
                     <l n="66" rend="indent">strange Visions will appear,</l>
                     <l n="67" rend="left">Which shall amaze your wondring eye,</l>
                     <l n="68" rend="indent">strange sounds shall fill your ear,</l>
                     <l n="69" rend="left">And when your actions too unjust,</l>
                     <l n="70" rend="indent">you then shall think upon,</l>
                     <l n="71" rend="left">You'l sigh and say, Death come away,</l>
                     <l n="72" rend="indent">for helpless <hi rend="italic">Coridon</hi> ,</l>
                  </lg>
                  <lg>
                     <l n="73" rend="left">And when you lose your sweetest breath,</l>
                     <l n="74" rend="indent">as once you know you must,</l>
                     <l n="75" rend="left">You will avknowledge to grim death,</l>
                     <l n="76" rend="indent">that you have been unjust,</l>
                     <l n="77" rend="left">And those that here art left behind,</l>
                     <l n="78" rend="indent">shall write upon your Tomb,</l>
                     <l n="79" rend="left"><hi rend="italic">Here lyeth one false</hi> Coridon,</l>
                     <l n="80" rend="indent"><hi rend="italic">confin'd to this small room.</hi></l>
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                     <seg n="1" rend="left"><hi rend="bold"><hi rend="italic">FINIS</hi></hi> <hi rend="italic">.</hi> </seg>
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                  <seg n="2" rend="left"><hi rend="italic">Wright, J. Clarke, W. Thackaray,</hi>  </seg>
                  <seg n="3" rend="left"><hi rend="bold"><hi rend="italic">and</hi></hi> <hi rend="italic">T. Passinger.</hi> </seg>
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