<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE TEI.2 PUBLIC "-//TEI P4//DTD Main DTD Driver File//EN" "http://www.tei-c.org/Guidelines/DTD/tei2.dtd" [
   <!ENTITY % TEI.verse 'INCLUDE'>
   <!ENTITY % TEI.linking 'INCLUDE'>
   <!ENTITY % TEI.figures 'INCLUDE'>
   <!ENTITY % TEI.analysis 'INCLUDE'>
   <!ENTITY % TEI.XML 'INCLUDE'>
   <!ENTITY % ISOlat1 SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-lat1.ent'>
   %ISOlat1;
   <!ENTITY % ISOlat2 SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-lat2.ent'>
   %ISOlat2;
   <!ENTITY % ISOnum SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-num.ent'>
   %ISOnum;
   <!ENTITY % ISOpub SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-pub.ent'>
   %ISOpub;
   <!-- The following entities have been added by Gerald Egan on 27 September 2004 -->
   <!-- The files 'urls.ent' and 'figures.ent' contain entity declarations -->
   <!-- for all external entities needed by this document -->
   <!NOTATION jpeg PUBLIC
   'ISO DIS 10918//NOTATION JPEG Graphics Format//EN'>
   <!NOTATION gif PUBLIC
   '-//TEI//NOTATION
   Compuserve Graphics Interchange Format//EN'>
   <!NOTATION tiff PUBLIC
   '-//TEI//NOTATION Aldus Tagged Image File Format//EN'>
   <!NOTATION png PUBLIC
   '-//TEI//NOTATION IETF RFC2083 Portable Network Graphics//EN'>
   <!NOTATION HTML SYSTEM "text/html">
   <!-- The following elements were added by Carl Stahmer  on 19 June 2007 -->
   <!-- The TEI P4 Documentation at the below URL's States that these elements -->
   <!-- should be part of the base tei declaration, but OXYGEN's validation engine -->
   <!-- stated that they wer undeclared.  These declarations match the online TEI P4 -->
   <!-- documentation.  See:  -->
   <!-- http://www.tei-c.org/P4X/ref-DAMAGE.html -->
   <!-- http://www.tei-c.org/P4X/ref-CERTAIN.html -->
   <!ELEMENT damage (#PCDATA)>
   <!ATTLIST damage
   id CDATA #IMPLIED>
   <!ELEMENT certainty (#PCDATA)>
   <!ATTLIST certainty
   target CDATA #IMPLIED
   locus CDATA #IMPLIED
   degree CDATA #IMPLIED
   >
]>
<TEI.2>
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title level="a" type="main" rend="italic">The Tragedy of Phillis, Complaining of the Disloyal/ love of Amintas.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
            </respStmt>
         </titleStmt>
         <editionStmt>
            <edition>
               <date>1674-1679</date>
            </edition>
         </editionStmt>
         <publicationStmt>
            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>05/22/2008</date>
            <idno type="EMC">21334</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
                  </address>
               </p>
            </availability>
            <idno type="Pepys">3.319</idno>
            <idno type="ESTC">R187520</idno>
         </publicationStmt>
         <notesStmt>
            <note type="Tune-Total">2</note>
            <note type="Tune-1">a new Court Tune</note>
            <note type="Tune_Modern-1">A New Court Tune</note>
            <note type="Tune-2">a New Tune</note>
            <note type="Tune_Modern-2">a New Tune</note>
            <note type="First_Lines">AMintas on a Summers Day,/ to shun Apollo's Beams,</note>
            <note type="First_Lines2">POOR Harpalus opprest with Love,/ sat by a Christial Brook,</note>
            <note type="Source">Pepys 3.319</note>
            <note type="References">Wing T2010D; Rollins (2) 71 (Dec. 14, 1624, IV, 131) {Part 1}</note>
         </notesStmt>
         <sourceDesc>
            <listBibl>
               <biblStruct>
                  <monogr>
                     <author>Pepys Library</author>
                     <title>The Pepys ballads : facsimile volume</title>
                     <respStmt>
                        <resp>Editor</resp>
                        <name>W.G. Day</name>
                     </respStmt>
                     <imprint>
                        <publisher>D.S. Brewer</publisher>
                        <pubPlace>Cambridge [England]</pubPlace>
                        <date>1987</date>
                     </imprint>
                  </monogr>
               </biblStruct>
               <bibl>
                  <note type="Reference">
                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">3: 319</biblScope>
                  <title n="1" type="main" rend="italic">The Tragedy of Phillis, Complaining of the Disloyal/ love of Amintas.</title>
                  <title n="1" type="alt" rend="italic">The Tragedy of Phillis, Complaining of the Disloyal love of Amintas.</title>
                  <title n="1" type="descriptive" rend="italic">The Tragedy of Phillis, Complaining of the Disloyal Love of Amintas.</title>
                  <title n="2" type="main" rend="italic">The Complaint of the Shepherd Harpalus.</title>
                  <title n="2" type="alt" rend="italic">The Complaint of the Shepherd Harpalus.</title>
                  <title n="2" type="descriptive" rend="italic">The Complaint of the Shepherd Harpalus.</title>
                  <author/>
                  <extent id="p.1">1/2 sheet oblong folio, ?210 x 296</extent>
                  <note type="Ornamentation">cast fleurons</note>
                  <note type="Ornamentation2">cast fleurons</note>
                  <imprint>
                     <date value="1674-1679" certainty="exact">1674-1679</date>
                     <pubPlace>Printed for F. Coles,  T. Vere, I. Wright, and I. Clarke.</pubPlace>
                     <publisher><orig reg="Coles, Francis; Vere, Thomas; Wright, John; Clark, John">F. Coles,  T. Vere, I. Wright, I. Clarke</orig></publisher>
                  </imprint>
                  <note type="ImprintSource">Blagden</note>
               </bibl>
            </listBibl>
         </sourceDesc>
      </fileDesc>
      <encodingDesc>
         <editorialDecl>
            <p>This document follows the guidelines specified for TEI.</p>
            <p>XML Generated Automatically  at 5/22/2008 4:23:47 PM Using EMC</p>
            <p>XBallad Parsing Engine developed by Carl Stahmer.</p>
            <p>TEI Template developed by Gerald Egan and Modified by Carl Stahmer</p>
            <p>All apostrophes are encoded as &amp;apos;.</p>
            <p>Any dashs occurring in line breaks have been removed;</p>
            <p>All dashs are encoded as &amp;dash; and all em dashes as &amp;mdash;.</p>
         </editorialDecl>
         <classDecl>
            <taxonomy id="PEPYSCATEGORY">
               <bibl>Taxonomy used by Pepys to Organize Ballads in Albums</bibl>
               <category id="pc.1">
                  <catDesc>A Small Promiscuous Supplement</catDesc>
               </category>
               <category id="pc.2">
                  <catDesc>Devotion &amp; Morality</catDesc>
               </category>
               <category id="pc.3">
                  <catDesc>Drinking &amp; Good Fellowship</catDesc>
               </category>
               <category id="pc.4">
                  <catDesc>History - True &amp; Fabulous</catDesc>
               </category>
               <category id="pc.5">
                  <catDesc>Humour, Frollicks &amp;c</catDesc>
               </category>
               <category id="pc.6">
                  <catDesc>Love Pleasant</catDesc>
               </category>
               <category id="pc.7">
                  <catDesc>Love Pleasant and Unfortunate</catDesc>
               </category>
               <category id="pc.8">
                  <catDesc>Love Unfortunate</catDesc>
               </category>
               <category id="pc.9">
                  <catDesc>Marriage</catDesc>
               </category>
               <category id="pc.10">
                  <catDesc>Sea</catDesc>
               </category>
               <category id="pc.11">
                  <catDesc>State &amp; Times</catDesc>
               </category>
               <category id="pc.12">
                  <catDesc>Tragedy</catDesc>
               </category>
               <category id="pc.13">
                  <catDesc>Various Subjects</catDesc>
               </category>
            </taxonomy>
            <taxonomy id="EMCKEYWORDS">
               <bibl>Early Modern Center Ballad Project Keyword Taxonomy</bibl>
               <category id="emc.1">
                  <catDesc>advice</catDesc>
               </category>
               <category id="emc.2">
                  <catDesc>affliction/health</catDesc>
               </category>
               <category id="emc.3">
                  <catDesc>alcohol</catDesc>
               </category>
               <category id="emc.4">
                  <catDesc>animals/nature</catDesc>
               </category>
               <category id="emc.5">
                  <catDesc>appearance</catDesc>
               </category>
               <category id="emc.6">
                  <catDesc>Bible/biblical figures</catDesc>
               </category>
               <category id="emc.7">
                  <catDesc>buildings/architecture</catDesc>
               </category>
               <category id="emc.8">
                  <catDesc>catastrophe</catDesc>
               </category>
               <category id="emc.9">
                  <catDesc>children</catDesc>
               </category>
               <category id="emc.10">
                  <catDesc>class</catDesc>
               </category>
               <category id="emc.11">
                  <catDesc>clothing/fashion</catDesc>
               </category>
               <category id="emc.12">
                  <catDesc>country/nation</catDesc>
               </category>
               <category id="emc.13">
                  <catDesc>crime</catDesc>
               </category>
               <category id="emc.14">
                  <catDesc>death</catDesc>
               </category>
               <category id="emc.15">
                  <catDesc>economics/trade</catDesc>
               </category>
               <category id="emc.16">
                  <catDesc>entertainment</catDesc>
               </category>
               <category id="emc.17">
                  <catDesc>family/procreation</catDesc>
               </category>
               <category id="emc.18">
                  <catDesc>folklore</catDesc>
               </category>
               <category id="emc.19">
                  <catDesc>gender</catDesc>
               </category>
               <category id="emc.20">
                  <catDesc>historical figures &amp; events</catDesc>
               </category>
               <category id="emc.21">
                  <catDesc>holidays/seasons</catDesc>
               </category>
               <category id="emc.22">
                  <catDesc>infidelity</catDesc>
               </category>
               <category id="emc.23">
                  <catDesc>law</catDesc>
               </category>
               <category id="emc.24">
                  <catDesc>London</catDesc>
               </category>
               <category id="emc.25">
                  <catDesc>love</catDesc>
               </category>
               <category id="emc.26">
                  <catDesc>maritime</catDesc>
               </category>
               <category id="emc.27">
                  <catDesc>marriage</catDesc>
               </category>
               <category id="emc.28">
                  <catDesc>military/war</catDesc>
               </category>
               <category id="emc.29">
                  <catDesc>monstrosity</catDesc>
               </category>
               <category id="emc.30">
                  <catDesc>mythology/Classical world</catDesc>
               </category>
               <category id="emc.31">
                  <catDesc>news</catDesc>
               </category>
               <category id="emc.32">
                  <catDesc>nobility/court</catDesc>
               </category>
               <category id="emc.33">
                  <catDesc>politics/government</catDesc>
               </category>
               <category id="emc.34">
                  <catDesc>punishment</catDesc>
               </category>
               <category id="emc.35">
                  <catDesc>religious concepts</catDesc>
               </category>
               <category id="emc.36">
                  <catDesc>religious figures</catDesc>
               </category>
               <category id="emc.37">
                  <catDesc>religious types &amp; sects</catDesc>
               </category>
               <category id="emc.38">
                  <catDesc>royalty</catDesc>
               </category>
               <category id="emc.39">
                  <catDesc>rural life</catDesc>
               </category>
               <category id="emc.40">
                  <catDesc>servitude</catDesc>
               </category>
               <category id="emc.41">
                  <catDesc>sex/sexuality</catDesc>
               </category>
               <category id="emc.42">
                  <catDesc>supernatural/magic</catDesc>
               </category>
               <category id="emc.43">
                  <catDesc>The New World</catDesc>
               </category>
               <category id="emc.44">
                  <catDesc>travel</catDesc>
               </category>
               <category id="emc.45">
                  <catDesc>trickery/deceit</catDesc>
               </category>
               <category id="emc.46">
                  <catDesc>urban life</catDesc>
               </category>
               <category id="emc.47">
                  <catDesc>vice</catDesc>
               </category>
               <category id="emc.48">
                  <catDesc>violence</catDesc>
               </category>
               <category id="emc.49">
                  <catDesc>virtue</catDesc>
               </category>
               <category id="emc.50">
                  <catDesc>vulgarities/crass humor</catDesc>
               </category>
            </taxonomy>
            <taxonomy id="LOCSH">
               <bibl>Library of Congress Subject Heading Taxonomy</bibl>
            </taxonomy>
         </classDecl>
      </encodingDesc>
      <profileDesc>
         <creation>
            <date value="5/22/2008">5/22/2008</date>
            <name type="place">Santa Barbara, California, United States of America</name>
         </creation>
         <textClass>
            <keywords scheme="PEPYSCATEGORY">
               <list>
                  <item>Love Unfortunate</item>
               </list>
            </keywords>
         </textClass>
      </profileDesc>
      <revisionDesc>
         <change>
            <date value="5/22/2008">5/22/2008</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Jessica C. Murphy</name>
            </respStmt>
            <item>changed wife to wise C1 last stanza</item>
         </change>
         <change>
            <date value="8/16/07">8/16/07</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Liberty Stanavage</name>
            </respStmt>
            <item>Checked Transcription, x-balladed</item>
         </change>
         <change>
            <date value="8/14/06">8/14/06</date>
            <respStmt>
               <resp>Transcriber</resp>
               <name>Eric Nebeker</name>
            </respStmt>
            <item>Original Transcription</item>
         </change>
         <change>
            <date value="8/31/04">8/31/04</date>
            <respStmt>
               <resp>Bibliographer</resp>
               <name>Simone Chess</name>
            </respStmt>
            <item>Bibliographic SQL Database Record Created</item>
         </change>
      </revisionDesc>
   </teiHeader>
   <text>
      <body>
         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Tragedy of <hi rend="bold">Phillis</hi> , Complaining of the Disloyal</hi> </seg>
                     <seg n="2" rend="indent"><hi rend="italic">love of <hi rend="bold">Amintas</hi> .     To a New Court Tune.</hi> </seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">AMintas</hi> on a Summers Day,</l>
                     <l n="2" rend="indent">to shun <hi rend="italic">Apollo's</hi> Beams,</l>
                     <l n="3" rend="left">Was driving of his Flock away,</l>
                     <l n="4" rend="indent">to take some cooling Streams:</l>
                     <l n="5" rend="left">And through a Forrest as they went,</l>
                     <l n="6" rend="indent">hard by a Rivers side,</l>
                     <l n="7" rend="left">A voice which from a Grove was sent,</l>
                     <l n="8" rend="indent">invited him to bide.</l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">The voice well seem'd for to bewray,</l>
                     <l n="10" rend="indent">some Male-contented mind,</l>
                     <l n="11" rend="left">For oft-times did he hear it say,</l>
                     <l n="12" rend="indent">ten thousand times unkind:</l>
                     <l n="13" rend="left">The remnant of that raging moan,</l>
                     <l n="14" rend="indent">did all escape his ear,</l>
                     <l n="15" rend="left">For every word brought forth a groan,</l>
                     <l n="16" rend="indent">and every groan a tear.</l>
                  </lg>
                  <lg>
                     <l n="17" rend="left">And nearer when it did repair,</l>
                     <l n="18" rend="indent">both face and voice he knew,</l>
                     <l n="19" rend="left">He saw that <hi rend="italic">Phillis</hi> was come there,</l>
                     <l n="20" rend="indent">her plaints for to renew:</l>
                     <l n="21" rend="left">Thus leaving her unto her plaints,</l>
                     <l n="22" rend="indent">and sorrow slaying groans,</l>
                     <l n="23" rend="left">He heard her deadly discontents,</l>
                     <l n="24" rend="indent">thus all breakt forth at once.</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left"><hi rend="bold"><hi rend="italic">Amintas</hi></hi> is thy Love to me</l>
                     <l n="26" rend="indent">of such a light account,</l>
                     <l n="27" rend="left">That thou disdain'st to lnok on me,</l>
                     <l n="28" rend="indent">or Love as thou was wont:</l>
                     <l n="29" rend="left">Were those the Oaths that thou didst make,</l>
                     <l n="30" rend="indent">the Vows thou didst conceive,</l>
                     <l n="31" rend="left">When I for thy contentment sake,</l>
                     <l n="32" rend="indent">my hearts delight did leave.</l>
                  </lg>
                  <lg>
                     <l n="33" rend="left">How oft didst thou protest to me,</l>
                     <l n="34" rend="indent">the Heaven should turn to naught,</l>
                     <l n="35" rend="left">The Sun should first obscured be,</l>
                     <l n="36" rend="indent">e're thou wouldst change thy thought.</l>
                     <l n="37" rend="left">Then Heaven dissolve without delay,</l>
                     <l n="38" rend="indent">Sun shew thy face no more,</l>
                     <l n="39" rend="left"><hi rend="bold"><hi rend="italic">Amintas</hi></hi> Love is lost for aye,</l>
                     <l n="40" rend="indent">and wo is me therefore.</l>
                  </lg>
                  <lg>
                     <l n="41" rend="left">Well might I if I had been wise,</l>
                     <l n="42" rend="indent">foreseen what I now find,</l>
                     <l n="43" rend="left">But too much Love did dull mine eyes,</l>
                     <l n="44" rend="indent">and made my judgement blind:</l>
                     <l n="45" rend="left">But O alas! the effect doth prove,</l>
                     <l n="46" rend="indent">that it was plain deceit,</l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="47" rend="left">For true and Undefiled Love,</l>
                     <l n="48" rend="indent">will never turn to hate.</l>
                  </lg>
                  <lg>
                     <l n="49" rend="left">All thy behaviours were (God knows)</l>
                     <l n="50" rend="indent">too smooth and too discreet,</l>
                     <l n="51" rend="left">Like Sugar which impoysoned grows,</l>
                     <l n="52" rend="indent">suspects because it's sweet?</l>
                     <l n="53" rend="left">Thine oaths and vows did promise more,</l>
                     <l n="54" rend="indent">then well thou couldst perform,</l>
                     <l n="55" rend="left">Much like a Calm that comes before</l>
                     <l n="56" rend="indent">an unexpected Storm.</l>
                  </lg>
                  <lg>
                     <l n="57" rend="left">God knows it would not grieve me much,</l>
                     <l n="58" rend="indent">for to be kill'd for thee,</l>
                     <l n="59" rend="left">But oh, too near it doth me touch,</l>
                     <l n="60" rend="indent">that thou shouldst murther me:</l>
                     <l n="61" rend="left">God knows I care not for the pain,</l>
                     <l n="62" rend="indent">can come for loss of breath,</l>
                     <l n="63" rend="left">'Tis thy unkindness, cruel Swain,</l>
                     <l n="64" rend="indent">that grieves me to the death.</l>
                  </lg>
                  <lg>
                     <l n="65" rend="left"><hi rend="bold"><hi rend="italic">Amintas</hi></hi> tell me if thou may,</l>
                     <l n="66" rend="indent">if any fault of mine,</l>
                     <l n="67" rend="left">Hath given thee cause for to betray</l>
                     <l n="68" rend="indent">mine hearts delight and thine:</l>
                     <l n="69" rend="left">No, no, alas, it could not be,</l>
                     <l n="70" rend="indent">my love to thee was such,</l>
                     <l n="71" rend="left">Unless that I if urged thee,</l>
                     <l n="72" rend="indent">in loving thee too much.</l>
                  </lg>
                  <lg>
                     <l n="73" rend="left">But ah, alas, what do I gain,</l>
                     <l n="74" rend="indent">by this my fond complaint,</l>
                     <l n="75" rend="left">My dolour doubles my disdain,</l>
                     <l n="76" rend="indent">my grief thy joy augment:</l>
                     <l n="77" rend="left">Although it yields no greater good,</l>
                     <l n="78" rend="indent">it oft doth ease my mind,</l>
                     <l n="79" rend="left">For to reproach the ingratitude,</l>
                     <l n="80" rend="indent">of him that is unkind.</l>
                  </lg>
                  <lg>
                     <l n="81" rend="left">With that her hand, cold, wan, and pale,</l>
                     <l n="82" rend="indent">upon her breast she lays,</l>
                     <l n="83" rend="left">And seeing that her breath did fail,</l>
                     <l n="84" rend="indent">she sighs and then she says,</l>
                     <l n="85" rend="left"><hi rend="bold"><hi rend="italic">Amintas</hi></hi> , and with that poor Maid,</l>
                     <l n="86" rend="indent">she sigh'd again full sore,</l>
                     <l n="87" rend="left">But after that she never said,</l>
                     <l n="88" rend="indent">nor sigh'd, nor breath'd no more.</l>
                  </lg>
                  <lg>
                     <l n="89" rend="indent"></l>
                  </lg>
               </div>
               <closer>
                     <seg n="1" rend="left"><hi rend="italic">FINIS.</hi> </seg>
               </closer>
         </div>
            <div type="part" n="2" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Complaint of the Shepherd <hi rend="bold">Harpalus.</hi>    </hi></seg>
                     <seg n="2" rend="indent"><hi rend="italic">To a New Tune.</hi> </seg>
                  </title>
               </head>
               <div type="col" n ="2.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">P</hi> OOR <hi rend="italic">Harpalus</hi> opprest with Love,</l>
                     <l n="2" rend="indent">sat by a Christial Brook,</l>
                     <l n="3" rend="left">Thinking his sorrows to remove,</l>
                     <l n="4" rend="indent">oft times therein did look:</l>
                     <l n="5" rend="left">And hearing how on pibble stones,</l>
                     <l n="6" rend="indent">the murmuring River ran,</l>
                     <l n="7" rend="left">As if he had bequeath'd his groans,</l>
                     <l n="8" rend="indent">unto it thus he began.</l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">Fair streams, quoth he, that pitties me,</l>
                     <l n="10" rend="indent">and hears my matchless moan,</l>
                     <l n="11" rend="left">If thou be going to the Sea,</l>
                     <l n="12" rend="indent">as I do now suppone:</l>
                     <l n="13" rend="left">Attend my plaints past all relief,</l>
                     <l n="14" rend="indent">which dolefully I breath,</l>
                     <l n="15" rend="left">Acquaint the Sea-Nymphs with the grief,</l>
                     <l n="16" rend="indent">which still procures my death.</l>
                  </lg>
                  <lg>
                     <l n="17" rend="left">Who sitting in the clifty Rocks,</l>
                     <l n="18" rend="indent">may in their Songs express,</l>
                     <l n="19" rend="left">While as they comb their Golden Locks,</l>
                     <l n="20" rend="indent">poor <hi rend="italic">Harpalus</hi> distress:</l>
                     <l n="21" rend="left">And so perhaps some Passengers,</l>
                     <l n="22" rend="indent">that passeth by the way,</l>
                     <l n="23" rend="left">May stand and listen for to hear,</l>
                     <l n="24" rend="indent">them Sing this doleful lay.</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">Poor <hi rend="italic">Harpalus</hi> a Shepherd Swain,</l>
                     <l n="26" rend="indent">more rich in Youth then store,</l>
                     <l n="27" rend="left">Lov'd fair <hi rend="italic">Philenea</hi> hapless man,</l>
                     <l n="28" rend="indent"><hi rend="italic">Philenea</hi> O therefore.</l>
                  </lg>
               </div>
               <div type="col" n ="2.2" >
                  <lg>
                     <l n="29" rend="left">Who still remorceless hearted Maid,</l>
                     <l n="30" rend="indent">took pleasure in his pain,</l>
                     <l n="31" rend="left">And his good will poor soul repaid,</l>
                     <l n="32" rend="indent">with undeserv'd disdain.</l>
                  </lg>
                  <lg>
                     <l n="33" rend="left">Ne'r Shepherd Loved Shepherdess,</l>
                     <l n="34" rend="indent">more faithfully then he,</l>
                     <l n="35" rend="left">Ne'r Shepherd yet beloved less,</l>
                     <l n="36" rend="indent">of Shepherdess could be.</l>
                     <l n="37" rend="left">How oft did he with dying looks,</l>
                     <l n="38" rend="indent">to her his woes impart,</l>
                     <l n="39" rend="left">How oft his sight did testifie,</l>
                     <l n="40" rend="indent">the dolour of his heart.</l>
                  </lg>
                  <lg>
                     <l n="41" rend="left">How oft from Vallies to the Hills,</l>
                     <l n="42" rend="indent">did he his grief rehearse,</l>
                     <l n="43" rend="left">How often ecchoed they his ills,</l>
                     <l n="44" rend="indent">a back again alas.</l>
                     <l n="45" rend="left">How oft on barks of staely pines,</l>
                     <l n="46" rend="indent">of Beech. of Holly green,</l>
                     <l n="47" rend="left">Did he ingage on mournful Lines,</l>
                     <l n="48" rend="indent">the grief he did sustain.</l>
                  </lg>
                  <lg>
                     <l n="49" rend="left">Yet all his plaint could have no place,</l>
                     <l n="50" rend="indent">to change <hi rend="italic">Philena's</hi> mind,</l>
                     <l n="51" rend="left">The more his sorrows did increase,</l>
                     <l n="52" rend="indent">the more she prov'd unkind.</l>
                     <l n="53" rend="left">The thought thereof hath wearied care,</l>
                     <l n="54" rend="indent">poor <hi rend="italic">Harpalus</hi> did move,</l>
                     <l n="55" rend="left">That overcome with high dispair</l>
                     <l n="56" rend="indent">he lost both life and Love.</l>
                  </lg>
               </div>
         </div>
            <closer>
                  <seg n="1" rend="left"><hi rend="bold"><hi rend="italic">Printed for</hi></hi> <hi rend="italic">F. Coles, T. Vere, J. Wright, <hi rend="bold">and</hi> J. Clarke.</hi> </seg>
            </closer>
         </div>
      </body>
   </text>
</TEI.2>
