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            <title level="a" type="main" rend="italic">The Coy Damosel Conquered:/ OR,/ The Couragious Gallants Uictory.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
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               <date>1671-1702</date>
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            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>09/18/2007</date>
            <idno type="EMC">21311</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
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            <idno type="Pepys">3.296</idno>
            <idno type="ESTC">R174368</idno>
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            <note type="Tune-Total">1</note>
            <note type="Tune-1">Why are my eyes still Flowing</note>
            <note type="Tune_Simpson-1">Why Are My Eyes Still Flowing</note>
            <note type="Tune_Modern-1">Why Are My Eyes Still Flowing</note>
            <note type="First_Lines">WIth many Glasses flow---ing,/ of the most rich aspiring Wine;</note>
            <note type="Refrain">shall never tempt me to lye with a Man. [with variations]</note>
            <note type="Source">Pepys 3.296</note>
            <note type="References">Wing C6733[B]</note>
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                        <date>1987</date>
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                  Information in this section of the Source Description
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                  <biblScope type="vol: p">3: 296</biblScope>
                  <title n="1" type="main" rend="italic">The Coy Damosel Conquered:/ OR,/ The Couragious Gallants Uictory.</title>
                  <title n="1" type="alt" rend="italic"></title>
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                     <date value="1671-1702" certainty="approx">1671-1702</date>
                     <pubPlace>Printed for I. Deacon, at the Angel in Guilt=spur=street.</pubPlace>
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         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Coy Damosel Conquered:</hi> </seg>
                     <seg n="2" rend="left"><hi rend="italic">OR,</hi> </seg>
                     <seg n="3" rend="left">The Couragious Gallants Victory.</seg>
                     <lb/>
                     <seg n="4" rend="left"><hi rend="italic">Tune of, <hi rend="bold">Why are my eyes still Flowing.     This may be Printed,</hi> R. P.</hi> </seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">W</hi> Ith many Glasses flow------------ing,</l>
                     <l n="2" rend="indent">of the most rich aspiring Wine;</l>
                     <l n="3" rend="left">I was inflam'd for go---------------ing,</l>
                     <l n="4" rend="indent">to court a Nymph with a design;</l>
                     <l n="5" rend="left">But when she see that I was drawing nigh,</l>
                     <l n="6" rend="indent">She-------------did flye,</l>
                     <l n="7" rend="left">Saying my little Amour, that Trappan,</l>
                     <l n="8" rend="indent"><hi rend="italic">shall never tempt me to lye with a Man.</hi></l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="9" rend="left">In this sad frightful sto--------ry,</l>
                     <l n="10" rend="indent">her Beauty still the more did appear,</l>
                     <l n="11" rend="left">Like <hi rend="italic">Flora</hi> in her Glo----------ry,</l>
                     <l n="12" rend="indent">this made my grief the more severe;</l>
                     <l n="13" rend="left">Like one undaunted I drew near again,</l>
                     <l n="14" rend="indent">but----------her disdain</l>
                     <l n="15" rend="left">Still was redoubled, and said, Come not on,</l>
                     <l n="16" rend="indent"><hi rend="italic">for I disdain to lye with a Man.</hi></l>
                  </lg>
               </div>
               <div type="col" n ="1.3" >
                  <lg>
                     <l n="17" rend="left"><hi rend="italic">F</hi> Rom me she then was fly----------------ing,</l>
                     <l n="18" rend="indent">yet I obtain'd her in my Arms;</l>
                     <l n="19" rend="left">A thousand times deny---------------ing,</l>
                     <l n="20" rend="indent">that I should take those pleasing charms;</l>
                     <l n="21" rend="left">Then did she flounce, and both scratch, squeak and cry.</l>
                     <l n="22" rend="indent">say------------------ing Fye, fye,</l>
                     <l n="23" rend="left">Will you an innocent Maiden trappan,</l>
                     <l n="24" rend="left"><hi rend="italic">Who vows she hateth to lye with a Man.</hi></l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">Said I sweet Nymph yet know---------------you,</l>
                     <l n="26" rend="indent">Females were made for young-mens delight,</l>
                     <l n="27" rend="left">And I those Charms can show---------------you,</l>
                     <l n="28" rend="indent">which Beauties often find by night.</l>
                     <l n="29" rend="left">Then let us now make no longer delay.</l>
                     <l n="30" rend="indent">but----------------Obey;</l>
                     <l n="31" rend="left">Then with a blush she did let fall her Fan.</l>
                     <l n="32" rend="left"><hi rend="italic">Saying i'm fearful to lye with a Man.</hi></l>
                  </lg>
                  <lg>
                     <l n="33" rend="left">As I assail'd this Beau--------------ty,</l>
                     <l n="34" rend="indent">the God of Love came into the fray,</l>
                     <l n="35" rend="left">Saying it was her du---------------ty,</l>
                     <l n="36" rend="indent">so that she straightway did obey,</l>
                     <l n="37" rend="left">Then falling down on the tender young Grass,</l>
                     <l n="38" rend="indent">say---------------ing alas!</l>
                     <l n="39" rend="left">You overcome, let me do what I can,</l>
                     <l n="40" rend="left"><hi rend="italic">I never thought to have layn with a man.</hi></l>
                  </lg>
                  <lg>
                     <l n="41" rend="left">Now, is my heart transpor-------------ted,</l>
                     <l n="42" rend="indent">with more joy, then my Tongue can express,</l>
                     <l n="43" rend="left">When I was often Cour-------------------ted,</l>
                     <l n="44" rend="indent">I soon had yielded you may guess</l>
                     <l n="45" rend="left">Had I believ'd that such pleasure had been,</l>
                     <l n="46" rend="indent">In-------------------the sin,</l>
                     <l n="47" rend="left">But now I'le have you to do what you can,</l>
                     <l n="48" rend="left"><hi rend="italic">I shall admire the Actions of man</hi> .</l>
                  </lg>
                  <lg>
                     <l n="49" rend="left">While on her Breast I ly------------------ing,</l>
                     <l n="50" rend="indent">so tenderly then with her I dealt,</l>
                     <l n="51" rend="left">That she said I am dy-------------------ing,</l>
                     <l n="52" rend="indent">the sweetest Death that e're was felt:</l>
                     <l n="53" rend="left">Were I but sure that none would pass this way,</l>
                     <l n="54" rend="indent">all-------------------this day,</l>
                     <l n="55" rend="left">I would intreat you to do what you can,</l>
                     <l n="56" rend="left"><hi rend="italic">Now I admire the Actions of man</hi> .</l>
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                  <seg n="1" rend="left"><hi rend="italic">Printed for</hi> J. Deacon, <hi rend="italic">at the Angel in</hi> Guilt-</seg>
                  <seg n="2" rend="indent">spur-street.</seg>
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