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            <title level="a" type="main" rend="italic">The WORLDLINGS FAREWELL: Or, / The State of a DYING-MAN, who had always preferred Temporal / before Eternal Things, the Flesh before the Spirit.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
            </respStmt>
         </titleStmt>
         <editionStmt>
            <edition>
               <date>1678-1688</date>
            </edition>
         </editionStmt>
         <publicationStmt>
            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>07/09/2008</date>
            <idno type="EMC">20641</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
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            <idno type="Pepys">2.15</idno>
            <idno type="ESTC">R234241</idno>
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            <note type="Tune-Total">1</note>
            <note type="Tune-1">Guy of VVarwick: Or Troy Town</note>
            <note type="Tune_Modern-1">Guy of Warwick: Or Troy Town</note>
            <note type="First_Lines">O Wretched man that lovest earthly things, / And to the World hast made thy self a thrall,</note>
            <note type="First_Lines2">Thy Uoyce doth yield a hoarse and hollow sound, / thy dying Head doth (giddy) seem to sleep,</note>
            <note type="Notes">tune unclear: To the Tune of Guy of VVa[r]wick; original text faces left and in the facsimile the text faces right; second part first lines unclear: ... thy dying Head doth (giddy) seem to sleep[,].</note>
            <note type="Source">Pepys 2.15</note>
            <note type="References">Wing W3589A</note>
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                     <title>The Pepys ballads : facsimile volume</title>
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                        <resp>Editor</resp>
                        <name>W.G. Day</name>
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                     <imprint>
                        <publisher>D.S. Brewer</publisher>
                        <pubPlace>Cambridge [England]</pubPlace>
                        <date>1987</date>
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                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">2: 15</biblScope>
                  <title n="1" type="main" rend="italic">The WORLDLINGS FAREWELL: Or, / The State of a DYING-MAN, who had always preferred Temporal / before Eternal Things, the Flesh before the Spirit.</title>
                  <title n="1" type="alt" rend="italic">The WORLDLINGS FAREWELL: Or, The State of a DYING-MAN, who had alwayes preferred Temporal before Eternal Things, the Flesh before the Spirit. To the Tune of Guy of Warwick: Or Troy Town.</title>
                  <title n="1" type="descriptive" rend="italic">The Worldling's Farewell: or, The State of a Dying Man, Who Had Always Preferred Temporal before Eternal Things, the Flesh before the Spirit.</title>
                  <title n="2" type="main" rend="italic">The Second Part,</title>
                  <title n="2" type="alt" rend="italic">The Second Part,</title>
                  <title n="2" type="descriptive" rend="italic">The Second Part,</title>
                  <author/>
                  <extent id="p.1">1/2 sheet oblong folio, 200 x 336</extent>
                  <damage id="1">all edges cropped, torn right edge, damaged surface, uneven inking</damage>
                  <imprint>
                     <date value="1678-1688" certainty="approx">1678-1688</date>
                     <pubPlace>London.  Printed for W. Thackeray, T. Passenger, and W. Whitwood.</pubPlace>
                     <publisher><orig reg="Passinger, Thomas; Thackeray, William; Whitwood, William">W. Thackeray, T. Passenger, W. Whitwood.</orig></publisher>
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            <item>Subsequently Checked Transcription, Prepared for XBallad</item>
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         <change>
            <date value="2006">2006</date>
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            <date value="7/10/2006">7/10/2006</date>
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         <change>
            <date value="2006">2006</date>
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         <change>
            <date value="8/16/2004">8/16/2004</date>
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      <body>
         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The WORLDLINGS FAREWELL: <hi rend="bold">Or,</hi></hi></seg>
                     <seg n="2" rend="left"><hi rend="italic">The State of a DYING-MAN, who had alwayes preferred <hi rend="bold">Temporal</hi></hi></seg>
                     <seg n="3" rend="left"><hi rend="italic">before <hi rend="bold">Eternal Things</hi>, the <hi rend="bold">Flesh</hi> before the <hi rend="bold">Spirit</hi>.</hi></seg>
                     <seg n="4" rend="left"><hi rend="italic">To the Tune of <hi rend="bold">Guy of Warwick</hi>: Or <hi rend="bold">Troy Town</hi></hi>.</seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">O</hi> Wretched man that lovest earthly things,</l>
                     <l n="2" rend="indent">And to the World hast made thy self a thrall,</l>
                     <l n="3" rend="left">Whose short delight eternal sorrow brings,</l>
                     <l n="4" rend="indent">whose Sweets in shew, in truth are bitter Gall:</l>
                     <l n="5" rend="left">&amp; Whose Pleasures fade e're scarce they be possest</l>
                     <l n="6" rend="left">And grieve them least who do them most detest.</l>
                  </lg>
                  <lg>
                     <l n="7" rend="left">Thou art not sure one moment for to live,</l>
                     <l n="8" rend="indent">and at thy death thou leavest all behind,</l>
                     <l n="9" rend="left">Thy Lands, thy Goods no succour then can give,</l>
                     <l n="10" rend="indent">Thy Pleasures past are Torments to thy mind;</l>
                     <l n="11" rend="left">Thy Worldly-friends can yield thee no relief,</l>
                     <l n="12" rend="left">Thy greatest Joyce will prove thy deepest Grief.</l>
                  </lg>
                  <lg>
                     <l n="13" rend="left">The time will come when Death will thee assault:</l>
                     <l n="14" rend="indent">conceive it then as present for to bee,</l>
                     <l n="15" rend="left">That thou in time mayst well amend thy fault,</l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="16" rend="indent">and in thy Life thy Errour plainly see:</l>
                     <l n="17" rend="left">Imagine now thy Glasse is almost spent,</l>
                     <l n="18" rend="left">And mark thy Friends how deeply they lament.</l>
                  </lg>
                  <lg>
                     <l n="19" rend="left">Thy Wife doth howl and pierce the very skyes,</l>
                     <l n="20" rend="indent">thy Childrens tears their sorrows do bewray,</l>
                     <l n="21" rend="left">Thy Kinsfolk wail and weep with wofull cryes:</l>
                     <l n="22" rend="indent">yet must thou die, and canst no longer stay</l>
                     <l n="23" rend="left">Amongst the Joyes and Treasures of thy Heart,</l>
                     <l n="24" rend="left">Thy Race is run, from them thou must depart.</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">With pain thou lyest gasping all for breath</l>
                     <l n="26" rend="indent">past hopes of Life or thoughts of any good:</l>
                     <l n="27" rend="left">Thy Face presents a lively form of Death,</l>
                     <l n="28" rend="indent">thy Heart becomes all cold for want of Blood:</l>
                     <l n="29" rend="left">Thy Nostrils shrink, and panting thou dost lye,</l>
                     <l n="30" rend="left">Thy loathsome sight thy Friends begin to flye.</l>
                  </lg>
               </div>
         </div>
            <div type="part" n="2" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Second Part, to the same Tune.</hi></seg>
                  </title>
               </head>
               <div type="col" n ="2.1" >
                  <lg>
                     <l n="1" rend="left">Thy Voyce doth yield a hoarse and hollow sound,</l>
                     <l n="2" rend="indent">thy dying Head doth (giddy) seem to sleep,</l>
                     <l n="3" rend="left">Thy sences All with sorrow do abound:</l>
                     <l n="4" rend="indent">thy Feet are dead, &amp; Death doth forward creep:</l>
                     <l n="5" rend="left">Thy Eyes doth sink into thy heavy Head,</l>
                     <l n="6" rend="left">Thy Jawes do fall, and shew thee almost dead.</l>
                  </lg>
                  <lg>
                     <l n="7" rend="left">What dost thou think when all thy Senses fail?</l>
                     <l n="8" rend="indent">what dost thou say when pleasures there be none,</l>
                     <l n="9" rend="left">How dost thou now thy passed-life bewail?</l>
                     <l n="10" rend="indent">how dost thou wish thou hadst no cause to groan?</l>
                     <l n="11" rend="left">What wouldst thou do thy ending-life to save?</l>
                     <l n="12" rend="left">What wouldst thou give for that thou canst not have?</l>
                  </lg>
                  <lg>
                     <l n="13" rend="left">Thy Body now must from thy Soul depart,</l>
                     <l n="14" rend="indent">thy Lands and Goods another must possess:</l>
                     <l n="15" rend="left">Thy Joyes are past on which thou set'st thy Heart,</l>
                     <l n="16" rend="indent">thy pains to come no Creature can expresse.</l>
                     <l n="17" rend="left">Loe here the fruit and gain of all thy Sinn,</l>
                     <l n="18" rend="left">Thy Pleasure's past, and Pain doth now begin.</l>
                  </lg>
                  <lg>
                     <l n="19" rend="left"><hi rend="italic">T</hi>Hy Secret faults are set before thine eyes,</l>
                     <l n="20" rend="indent">and Monstrous shapes now seem on thee to gaze</l>
                     <l n="21" rend="left">To swallow thee Despair in secret lyes,</l>
                     <l n="22" rend="indent">and all thy Sinnes with terrour thee amaze;</l>
                     <l n="23" rend="left">Thy sinfull Mates have left thee now alone,</l>
                     <l n="24" rend="left">And in thy Soul with sorrow thou dost groan.</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">Thou wailest now the pleasing of thy Will,</l>
                     <l n="26" rend="indent">thy ill-got Goods do make thee to lament,</l>
                     <l n="27" rend="left">Thy vain Delights with anguish thee do fill,</l>
                     <l n="28" rend="indent">thy wanton deeds thy Conscience do torment:</l>
                     <l n="29" rend="left">Thy sweetest Sinnes do bring thee bitter smart,</l>
                     <l n="30" rend="left">Thy heynous Faults oppress thy dying heart.</l>
                  </lg>
                  <lg>
                     <l n="31" rend="left"><hi rend="italic">W</hi>ith dreadful doom they threat thy doleful mind,</l>
                     <l n="32" rend="indent">and bent to fight, with fury thee enclose,</l>
                     <l n="33" rend="left">No worldly help, no rescue canst thou find,</l>
                     <l n="34" rend="indent">thou standest now amidst thy mortal Foes:</l>
                     <l n="35" rend="left">Several Deaths would seem a lesser pain</l>
                     <l n="36" rend="left">Than this Estate wherein thou dost remain.</l>
                  </lg>
                  <lg>
                     <l n="37" rend="left">There is no Pen, no Creature can bewray</l>
                     <l n="38" rend="indent">how all the Sins their festered rancour show</l>
                     <l n="39" rend="left">How dyrefull Sights, and Sorrow do dismay</l>
                     <l n="40" rend="indent">how blustering storms of grief begin to blow:</l>
                     <l n="41" rend="left">Thy Pleasure's past which was thy God before,</l>
                     <l n="42" rend="left">And Pain begins to last for evermore.</l>
                  </lg>
                  <lg>
                     <l n="43" rend="left">To save thy Life no toyl thou wouldst refuse,</l>
                     <l n="44" rend="indent">Nor spare thy Goods to ease thy wofull State;</l>
                     <l n="45" rend="left">Of all thy Sinnes thy self thou dost accuse,</l>
                     <l n="46" rend="indent">and call'st for Grace when calling comes too late!</l>
                     <l n="47" rend="left">For sinne thou didst, whilst life and power did last,</l>
                     <l n="48" rend="left">And leavest off because thy force is past.</l>
                  </lg>
               </div>
               <div type="col" n ="2.2" >
                  <lg>
                     <l n="49" rend="left">What booteth it thy Lewdness to repent,</l>
                     <l n="50" rend="indent">and leave off Sinn when Sinn forsaketh thee!</l>
                     <l n="51" rend="left">What canst thou do when all thy force is spent!</l>
                     <l n="52" rend="indent">and will our Lord with this appeased be?</l>
                     <l n="53" rend="left">Thy Life thou ledst in serving of thy Foe,</l>
                     <l n="54" rend="left">Who canst thou serve when Life thou must forgo?</l>
                  </lg>
                  <lg>
                     <l n="55" rend="left">Then had-I-wist, with sorrow thou dost say:</l>
                     <l n="56" rend="indent">(but After-wits repentance ever breed)</l>
                     <l n="57" rend="left">The hour is come, thy Debt thou now must pay,</l>
                     <l n="58" rend="indent">&amp; yield to Death when Life thou most shalt need:</l>
                     <l n="59" rend="left">Thy breath is stopt in twinkling of an eye,</l>
                     <l n="60" rend="left">Thy Body dead in ugly form doth lye.</l>
                  </lg>
                  <lg>
                     <l n="61" rend="left">Thy Carkass now like Carrion men do shun,</l>
                     <l n="62" rend="indent">thy Friends do hast thy Burial to procure,</l>
                     <l n="63" rend="left">Thy Servants seek away from thee to run,</l>
                     <l n="64" rend="indent">thy loathsome stink no Creature can endure,</l>
                     <l n="65" rend="left">And they which took in thee their chief Delight,</l>
                     <l n="66" rend="left">Do shun thee first, and most abhor thy sight.</l>
                  </lg>
                  <lg>
                     <l n="67" rend="left">Thy Flesh must serve for Maggots as a prey,</l>
                     <l n="68" rend="indent">for pampering which both land &amp; sea were sough[t]</l>
                     <l n="69" rend="left">Thy Body must transformed be to Clay,</l>
                     <l n="70" rend="indent">for whose delight so costly Cloaths were bought</l>
                     <l n="71" rend="left">Thy Pride in Dust, thy Glory in the Grave,</l>
                     <l n="72" rend="left">Thy Flesh in Earth, their ending now must hav[e.]</l>
                  </lg>
                  <lg>
                     <l n="73" rend="left">Behold the Place in which thou must abide,</l>
                     <l n="74" rend="indent">is loathsome, dark, unsweet, and very straigh[t]</l>
                     <l n="75" rend="left">With broken Bones bespread on every side,</l>
                     <l n="76" rend="indent">and crawling Worms to feed on thee do wait;</l>
                     <l n="77" rend="left">O hard Exchange! O dark and doleful Place!</l>
                     <l n="78" rend="left">Where earth and filth thy Body must embrace.</l>
                  </lg>
                  <lg>
                     <l n="79" rend="left">O wretched state! O most unhappy man!</l>
                     <l n="80" rend="indent">yet were it well if nothing were behind,</l>
                     <l n="81" rend="left">If all might end as here it first began,</l>
                     <l n="82" rend="indent">the thing were done when crawling Guests had din'd</l>
                     <l n="83" rend="left">For then as God of Nothing did thee frame,</l>
                     <l n="84" rend="left">So next to Nothing should'st thou be again.</l>
                  </lg>
                  <lg>
                     <l n="85" rend="left">But live thou must a Thousand deaths to dye:</l>
                     <l n="86" rend="indent">and dying still yet wholly never dead;</l>
                     <l n="87" rend="left">Thou must appear before the Judge on high,</l>
                     <l n="88" rend="indent">and have Reward as thou thy Life hast led:</l>
                     <l n="89" rend="left">Thy Time is come thou canst no longer stay,</l>
                     <l n="90" rend="left">The Judge is set, and bootless is delay.</l>
                  </lg>
                  <lg>
                     <l n="91" rend="left">Thou Christian man that yet hast Time and Gra[ce]</l>
                     <l n="92" rend="indent">to mend thy sinfull Life, and to repent</l>
                     <l n="93" rend="left">If thou wert now before the Judges face,</l>
                     <l n="94" rend="indent">what would'st thou give for all thy Time mispen[t]</l>
                     <l n="95" rend="left">This Day of Life might light thee to thy home;</l>
                     <l n="96" rend="left">If Night should now surprise Thee, all were gone.</l>
                  </lg>
               </div>
         </div>
            <closer>
                  <seg n="1" rend="left"><hi rend="bold"><hi rend="italic">London</hi></hi><hi rend="italic">. Printed for <hi rend="bold">W. Thackeray, T. Passenger</hi>, and <hi rend="bold">W. Whitwood</hi></hi>.</seg>
            </closer>
         </div>
      </body>
   </text>
</TEI.2>
