<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE TEI.2 PUBLIC "-//TEI P4//DTD Main DTD Driver File//EN" "http://www.tei-c.org/Guidelines/DTD/tei2.dtd" [
   <!ENTITY % TEI.verse 'INCLUDE'>
   <!ENTITY % TEI.linking 'INCLUDE'>
   <!ENTITY % TEI.figures 'INCLUDE'>
   <!ENTITY % TEI.analysis 'INCLUDE'>
   <!ENTITY % TEI.XML 'INCLUDE'>
   <!ENTITY % ISOlat1 SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-lat1.ent'>
   %ISOlat1;
   <!ENTITY % ISOlat2 SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-lat2.ent'>
   %ISOlat2;
   <!ENTITY % ISOnum SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-num.ent'>
   %ISOnum;
   <!ENTITY % ISOpub SYSTEM 'http://www.tei-c.org/Entity_Sets/Unicode/iso-pub.ent'>
   %ISOpub;
   <!-- The following entities have been added by Gerald Egan on 27 September 2004 -->
   <!-- The files 'urls.ent' and 'figures.ent' contain entity declarations -->
   <!-- for all external entities needed by this document -->
   <!NOTATION jpeg PUBLIC
   'ISO DIS 10918//NOTATION JPEG Graphics Format//EN'>
   <!NOTATION gif PUBLIC
   '-//TEI//NOTATION
   Compuserve Graphics Interchange Format//EN'>
   <!NOTATION tiff PUBLIC
   '-//TEI//NOTATION Aldus Tagged Image File Format//EN'>
   <!NOTATION png PUBLIC
   '-//TEI//NOTATION IETF RFC2083 Portable Network Graphics//EN'>
   <!NOTATION HTML SYSTEM "text/html">
   <!-- The following elements were added by Carl Stahmer  on 19 June 2007 -->
   <!-- The TEI P4 Documentation at the below URL's States that these elements -->
   <!-- should be part of the base tei declaration, but OXYGEN's validation engine -->
   <!-- stated that they wer undeclared.  These declarations match the online TEI P4 -->
   <!-- documentation.  See:  -->
   <!-- http://www.tei-c.org/P4X/ref-DAMAGE.html -->
   <!-- http://www.tei-c.org/P4X/ref-CERTAIN.html -->
   <!ELEMENT damage (#PCDATA)>
   <!ATTLIST damage
   id CDATA #IMPLIED>
   <!ELEMENT certainty (#PCDATA)>
   <!ATTLIST certainty
   target CDATA #IMPLIED
   locus CDATA #IMPLIED
   degree CDATA #IMPLIED
   >
]>
<TEI.2>
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title level="a" type="main" rend="italic">The Shepheards Lamentation.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
            </respStmt>
         </titleStmt>
         <editionStmt>
            <edition>
               <date>1617</date>
            </edition>
         </editionStmt>
         <publicationStmt>
            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>06/26/2008</date>
            <idno type="EMC">20173</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
                  </address>
               </p>
            </availability>
            <idno type="Pepys">1.366-367</idno>
            <idno type="ESTC">S5337</idno>
         </publicationStmt>
         <notesStmt>
            <note type="Tune-Total">1</note>
            <note type="Tune-1">the plaine-dealing Woman</note>
            <note type="Tune_Simpson-1">Come, Shepherds, Deck Your Heads</note>
            <note type="Tune_Modern-1">The Plain Dealing Woman</note>
            <note type="First_Lines">COme Shepheards, decke your heads, / no more with bayes but willowes</note>
            <note type="Refrain">so plaine a dealing woman. [with variations]</note>
            <note type="First_Lines2">YE Siluan Nimphes come skip it, / and crowne your heads with Mirtle:</note>
            <note type="Source">Pepys 1.366-367</note>
            <note type="References">Rollins (1) I:83-89; STC 22406.5 [G. Eld] for J. W[right c.1617] (ent. to T. Pavier 19 no. 1612); Rollins (2) ?2416 (Feb. 20, 1613, III, 515, Ed. White).</note>
            <note type="Woodblock" n="1">Woodblock 1: below title, to left of cast fleuron, above first column: In the foreground walks a man towards the center of the frame with his left foot forward.  With his right hand he scatters seeds.  Slung around his neck is a pouch into which he has reached with his left hand.  Behind him in the left corner of the foreground is an open sack of seeds.  In the upper left corner of the background are some trees.  Behind and to the left of the man scattering seed two horses led by another man walk towards the right dragging a till behind them.  In the background is a clump of bushes and in the sky fly a few birds.  : 54 x 69</note>
            <note type="Woodblock" n="2">Woodblock 2: below title, above first column: A woman stands in elaborate aristocratic costume.  She wears a wide, elaborate ruff, and a hat with an adorned brim and a feather.  Her dress features puffed shoulders and a bodice decorated with a panel showing a flower and leaves emerging from a vine.  Her wide overskirt (supported by a french farthingale?) is split to display an elaborately embroidered underskirt.  She holds a pair of gloves in her left hand.: 91 x 56</note>
            <note type="Woodblock" n="3">Woodblock 3: below title, above second column: A well-dressed man with a beard stands facing towards his right with his weight on his right leg and his left arm and leg held out behind him.  He wears a wide-brimmed hat with a large feather in his cap.  An elaborate cape is draped around his shoulders.  His sword his hung at his right hip and the tip is visible beneath the bottom of the cape.  He wears short pants that are tied at the knees with bows.  Visible on the ground behind him are a few small plants.: 81 x 47</note>
         </notesStmt>
         <sourceDesc>
            <listBibl>
               <biblStruct>
                  <monogr>
                     <author>Pepys Library</author>
                     <title>The Pepys ballads : facsimile volume</title>
                     <respStmt>
                        <resp>Editor</resp>
                        <name>W.G. Day</name>
                     </respStmt>
                     <imprint>
                        <publisher>D.S. Brewer</publisher>
                        <pubPlace>Cambridge [England]</pubPlace>
                        <date>1987</date>
                     </imprint>
                  </monogr>
               </biblStruct>
               <bibl>
                  <note type="Reference">
                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">1: 366</biblScope>
                  <biblScope type="vol: p">1: 367</biblScope>
                  <title n="1" type="main" rend="italic">The Shepheards Lamentation.</title>
                  <title n="1" type="alt" rend="italic">part::start ptitle::start The Shepheards Lamentation. </title>
                  <title n="1" type="descriptive" rend="italic">The Shepherd's Lamentation</title>
                  <title n="2" type="main" rend="italic">The Second Part of the Plaine dealing woman.</title>
                  <title n="2" type="alt" rend="italic">part::start ptitle::start The Second Part of the Plaine dealing woman. ptitle::end </title>
                  <title n="2" type="descriptive" rend="italic">The Second Part of the Plain Dealing Woman.</title>
                  <author/>
                  <extent id="p.1">1/2 sheet folio, originally left part, 258 x 150</extent>
                  <extent id="p.2">1/2 sheet folio, originally right part, 263 x 137</extent>
                  <damage id="1">cropped right edge, torn bottom left corner, creased, uneven inking</damage>
                  <damage id="2">cropped right edge, torn top edge, creased, uneven inking</damage>
                  <note type="Ornamentation">cast fleurons</note>
                  <note type="Ornamentation2">cast fleurons</note>
                  <imprint>
                     <date value="1617" certainty="approx">1617</date>
                     <pubPlace>Imprinted at London for I. W.</pubPlace>
                     <publisher><orig reg="White, John or Wright, John">J. W.</orig></publisher>
                  </imprint>
                  <note type="ImprintSource">Weinstein: STC</note>
               </bibl>
            </listBibl>
         </sourceDesc>
      </fileDesc>
      <encodingDesc>
         <editorialDecl>
            <p>This document follows the guidelines specified for TEI.</p>
            <p>XML Generated Automatically  at 6/26/2008 1:44:55 PM Using EMC</p>
            <p>XBallad Parsing Engine developed by Carl Stahmer.</p>
            <p>TEI Template developed by Gerald Egan and Modified by Carl Stahmer</p>
            <p>All apostrophes are encoded as &amp;apos;.</p>
            <p>Any dashs occurring in line breaks have been removed;</p>
            <p>All dashs are encoded as &amp;dash; and all em dashes as &amp;mdash;.</p>
         </editorialDecl>
         <classDecl>
            <taxonomy id="PEPYSCATEGORY">
               <bibl>Taxonomy used by Pepys to Organize Ballads in Albums</bibl>
               <category id="pc.1">
                  <catDesc>A Small Promiscuous Supplement</catDesc>
               </category>
               <category id="pc.2">
                  <catDesc>Devotion &amp; Morality</catDesc>
               </category>
               <category id="pc.3">
                  <catDesc>Drinking &amp; Good Fellowship</catDesc>
               </category>
               <category id="pc.4">
                  <catDesc>History - True &amp; Fabulous</catDesc>
               </category>
               <category id="pc.5">
                  <catDesc>Humour, Frollicks &amp;c</catDesc>
               </category>
               <category id="pc.6">
                  <catDesc>Love Pleasant</catDesc>
               </category>
               <category id="pc.7">
                  <catDesc>Love Pleasant and Unfortunate</catDesc>
               </category>
               <category id="pc.8">
                  <catDesc>Love Unfortunate</catDesc>
               </category>
               <category id="pc.9">
                  <catDesc>Marriage</catDesc>
               </category>
               <category id="pc.10">
                  <catDesc>Sea</catDesc>
               </category>
               <category id="pc.11">
                  <catDesc>State &amp; Times</catDesc>
               </category>
               <category id="pc.12">
                  <catDesc>Tragedy</catDesc>
               </category>
               <category id="pc.13">
                  <catDesc>Various Subjects</catDesc>
               </category>
            </taxonomy>
            <taxonomy id="EMCKEYWORDS">
               <bibl>Early Modern Center Ballad Project Keyword Taxonomy</bibl>
               <category id="emc.1">
                  <catDesc>advice</catDesc>
               </category>
               <category id="emc.2">
                  <catDesc>affliction/health</catDesc>
               </category>
               <category id="emc.3">
                  <catDesc>alcohol</catDesc>
               </category>
               <category id="emc.4">
                  <catDesc>animals/nature</catDesc>
               </category>
               <category id="emc.5">
                  <catDesc>appearance</catDesc>
               </category>
               <category id="emc.6">
                  <catDesc>Bible/biblical figures</catDesc>
               </category>
               <category id="emc.7">
                  <catDesc>buildings/architecture</catDesc>
               </category>
               <category id="emc.8">
                  <catDesc>catastrophe</catDesc>
               </category>
               <category id="emc.9">
                  <catDesc>children</catDesc>
               </category>
               <category id="emc.10">
                  <catDesc>class</catDesc>
               </category>
               <category id="emc.11">
                  <catDesc>clothing/fashion</catDesc>
               </category>
               <category id="emc.12">
                  <catDesc>country/nation</catDesc>
               </category>
               <category id="emc.13">
                  <catDesc>crime</catDesc>
               </category>
               <category id="emc.14">
                  <catDesc>death</catDesc>
               </category>
               <category id="emc.15">
                  <catDesc>economics/trade</catDesc>
               </category>
               <category id="emc.16">
                  <catDesc>entertainment</catDesc>
               </category>
               <category id="emc.17">
                  <catDesc>family/procreation</catDesc>
               </category>
               <category id="emc.18">
                  <catDesc>folklore</catDesc>
               </category>
               <category id="emc.19">
                  <catDesc>gender</catDesc>
               </category>
               <category id="emc.20">
                  <catDesc>historical figures &amp; events</catDesc>
               </category>
               <category id="emc.21">
                  <catDesc>holidays/seasons</catDesc>
               </category>
               <category id="emc.22">
                  <catDesc>infidelity</catDesc>
               </category>
               <category id="emc.23">
                  <catDesc>law</catDesc>
               </category>
               <category id="emc.24">
                  <catDesc>London</catDesc>
               </category>
               <category id="emc.25">
                  <catDesc>love</catDesc>
               </category>
               <category id="emc.26">
                  <catDesc>maritime</catDesc>
               </category>
               <category id="emc.27">
                  <catDesc>marriage</catDesc>
               </category>
               <category id="emc.28">
                  <catDesc>military/war</catDesc>
               </category>
               <category id="emc.29">
                  <catDesc>monstrosity</catDesc>
               </category>
               <category id="emc.30">
                  <catDesc>mythology/Classical world</catDesc>
               </category>
               <category id="emc.31">
                  <catDesc>news</catDesc>
               </category>
               <category id="emc.32">
                  <catDesc>nobility/court</catDesc>
               </category>
               <category id="emc.33">
                  <catDesc>politics/government</catDesc>
               </category>
               <category id="emc.34">
                  <catDesc>punishment</catDesc>
               </category>
               <category id="emc.35">
                  <catDesc>religious concepts</catDesc>
               </category>
               <category id="emc.36">
                  <catDesc>religious figures</catDesc>
               </category>
               <category id="emc.37">
                  <catDesc>religious types &amp; sects</catDesc>
               </category>
               <category id="emc.38">
                  <catDesc>royalty</catDesc>
               </category>
               <category id="emc.39">
                  <catDesc>rural life</catDesc>
               </category>
               <category id="emc.40">
                  <catDesc>servitude</catDesc>
               </category>
               <category id="emc.41">
                  <catDesc>sex/sexuality</catDesc>
               </category>
               <category id="emc.42">
                  <catDesc>supernatural/magic</catDesc>
               </category>
               <category id="emc.43">
                  <catDesc>The New World</catDesc>
               </category>
               <category id="emc.44">
                  <catDesc>travel</catDesc>
               </category>
               <category id="emc.45">
                  <catDesc>trickery/deceit</catDesc>
               </category>
               <category id="emc.46">
                  <catDesc>urban life</catDesc>
               </category>
               <category id="emc.47">
                  <catDesc>vice</catDesc>
               </category>
               <category id="emc.48">
                  <catDesc>violence</catDesc>
               </category>
               <category id="emc.49">
                  <catDesc>virtue</catDesc>
               </category>
               <category id="emc.50">
                  <catDesc>vulgarities/crass humor</catDesc>
               </category>
            </taxonomy>
            <taxonomy id="LOCSH">
               <bibl>Library of Congress Subject Heading Taxonomy</bibl>
            </taxonomy>
         </classDecl>
      </encodingDesc>
      <profileDesc>
         <creation>
            <date value="6/26/2008">6/26/2008</date>
            <name type="place">Santa Barbara, California, United States of America</name>
         </creation>
         <textClass>
            <keywords scheme="PEPYSCATEGORY">
               <list>
                  <item>Love Unfortunate</item>
               </list>
            </keywords>
            <keywords scheme="EMCKEYWORDS">
               <list>
                  <item>animals/nature</item>
                  <item>love</item>
                  <item>mythology/Classicalworld</item>
               </list>
            </keywords>
         </textClass>
      </profileDesc>
      <revisionDesc>
         <change>
            <date value="06/26/08">06/26/08</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Rachel Mann</name>
            </respStmt>
            <item>Metadata updated, xml created, ESTC # recorded / found in bl.uk</item>
         </change>
         <change>
            <date value="6/25/2007">6/25/2007</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Katy Trumbull</name>
            </respStmt>
            <item>Ballad Checked</item>
         </change>
         <change>
            <date value="2006">2006</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Jessica Murphy</name>
            </respStmt>
            <item>Ballad Checked</item>
         </change>
         <change>
            <date value="2006">2006</date>
            <respStmt>
               <resp>Transcriber</resp>
               <name>Summer Star</name>
            </respStmt>
            <item>Original Transcription</item>
         </change>
         <change>
            <date value="8/1/2004">8/1/2004</date>
            <respStmt>
               <resp>Bibliographer</resp>
               <name>Maggie Sloan</name>
            </respStmt>
            <item>Bibliographic SQL Database Record Created</item>
         </change>
      </revisionDesc>
   </teiHeader>
   <text>
      <body>
         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Shepheards Lamentation.</hi></seg>
                     <seg n="2" rend="left"><hi rend="italic">To the tune of the plaine-dealing Woman.</hi></seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">C</hi>Ome Shepheards, decke your heads,</l>
                     <l n="2" rend="indent">no more with bayes but willowes</l>
                     <l n="3" rend="left">Forsake your downy beds,</l>
                     <l n="4" rend="indent">and make your ground your pillowes:</l>
                     <l n="5" rend="left">And mourne with me, since crost</l>
                     <l n="6" rend="indent">as I, was never no man:</l>
                     <l n="7" rend="left">Nor never shepheard lo, lo, lo, lost,</l>
                     <l n="8" rend="indent">so plaine a dealing woman.</l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">All you forsaken woers.</l>
                     <l n="10" rend="indent">that ever were distressed,</l>
                     <l n="11" rend="left">And all you lusty Lovers,</l>
                     <l n="12" rend="indent">that ever love molested,</l>
                     <l n="13" rend="left">Your losse I must condole,</l>
                     <l n="14" rend="indent">and all together summon,</l>
                     <l n="15" rend="left">To mourne for the poore so, so, soule,</l>
                     <l n="16" rend="indent">of my plaine dealing woman:</l>
                  </lg>
                  <lg>
                     <l n="17" rend="left">Faire <hi rend="italic">Venus</hi> made her chast,</l>
                     <l n="18" rend="indent">and <hi rend="italic">Ceres</hi> beauty gave her:</l>
                     <l n="19" rend="left"><hi rend="italic">Pan</hi> wept when she was lost,</l>
                     <l n="20" rend="indent">and <hi rend="italic">Satyres</hi> strove to have her:</l>
                     <l n="21" rend="left">But oh she was to them</l>
                     <l n="22" rend="indent">so nice, so coy, that no man,</l>
                     <l n="23" rend="left">Could judge but he knew, knew, knew,</l>
                     <l n="24" rend="indent">she was plaine dealing woman,</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">For all her pretty parts,</l>
                     <l n="26" rend="left">I never enough shall wonder,</l>
                     <l n="27" rend="left">She overcame all hearts,</l>
                     <l n="28" rend="indent">and all hearts made to wonder.</l>
                     <l n="29" rend="left">Her breath it is so sweet,</l>
                     <l n="30" rend="indent">so sweet the like felt no man,</l>
                     <l n="31" rend="left">Oh, Shepheards never lo, lo, lost,</l>
                     <l n="32" rend="indent">so plaine a dealing woman.</l>
                  </lg>
                  <lg>
                     <l n="33" rend="left">Her eyes did shine like glasse,</l>
                     <l n="34" rend="indent">to grace her comely feature:</l>
                     <l n="35" rend="left">Faire <hi rend="italic">Venus</hi> she did farre surpasse,</l>
                     <l n="36" rend="indent">she was a comely creature.</l>
                     <l n="37" rend="left">[But] oh she was so coy,</l>
                     <l n="38" rend="indent">[as] never yet was no one:</l>
                     <l n="39" rend="left">[And] <hi rend="italic">Cupid</hi> that blind bo, bo, boy,</l>
                     <l n="40" rend="indent">[lov'd] my plaine dealing Woman.</l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="41" rend="left">So beautiful was she,</l>
                     <l n="42" rend="indent">in favour and in feature:</l>
                     <l n="43" rend="left">Her well shapt limbs did shew,</l>
                     <l n="44" rend="indent">she was a comely creature:</l>
                     <l n="45" rend="left">What griefe was this to me,</l>
                     <l n="46" rend="indent">judge all true hearted yong men:</l>
                     <l n="47" rend="left">To have so great a lo, lo, losse,</l>
                     <l n="48" rend="indent">of my plaine dealing woman.</l>
                  </lg>
                  <lg>
                     <l n="49" rend="left"><hi rend="italic">Diana</hi> faire and chast,</l>
                     <l n="50" rend="indent">on her might well attend,</l>
                     <l n="51" rend="left">A Nimph she was at least,</l>
                     <l n="52" rend="indent">and to Shepheards a great friend:</l>
                     <l n="53" rend="left">And oh she was so kind,</l>
                     <l n="54" rend="indent">as never yet was no one,</l>
                     <l n="55" rend="left">A man could hardly fi, fi, find,</l>
                     <l n="56" rend="indent">so plaine a dealing woman.</l>
                  </lg>
                  <lg>
                     <l n="57" rend="left">So courteous eke she was,</l>
                     <l n="58" rend="indent">I and so kind to all men:</l>
                     <l n="59" rend="left">What better pleasure could you wish,</l>
                     <l n="60" rend="indent">then so plaine a dealing woman:</l>
                     <l n="61" rend="left">But now alas shees gone</l>
                     <l n="62" rend="indent">it makes my heart to pitty:</l>
                     <l n="63" rend="left">Oh there was never such an o, o, other wench</l>
                     <l n="64" rend="indent">in Country or in Citty.</l>
                  </lg>
                  <lg>
                     <l n="65" rend="left">Kind Shepheards all farewell,</l>
                     <l n="66" rend="indent">since death hath me ore taken:</l>
                     <l n="67" rend="left">Unto the world pray tell,</l>
                     <l n="68" rend="indent">that I am quite forsaken,</l>
                     <l n="69" rend="left">And so to all adue,</l>
                     <l n="70" rend="indent">goe forth I pray and summon,</l>
                     <l n="71" rend="left">The slanting crew to mourne for me,</l>
                     <l n="72" rend="indent">and my plaine dealing woman.</l>
                  </lg>
                  <lg>
                     <l n="73" rend="left">Put on your mourning weeds,</l>
                     <l n="74" rend="indent">and bring the wreath of willow:</l>
                     <l n="75" rend="left">Goe tell the world I am dead,</l>
                     <l n="76" rend="indent">and make the ground my pillow.</l>
                     <l n="77" rend="left">And ring, ding dong, ding dong,</l>
                     <l n="78" rend="indent">ding dong, adew,</l>
                     <l n="79" rend="left">Love, you no more so so long,</l>
                     <l n="80" rend="indent">but change each day a new.</l>
                  </lg>
                  <lg>
                     <l n="81" rend="left">Come Shepheards leave your sighing</l>
                     <l n="82" rend="indent">and wipe away your teares,</l>
                     <l n="83" rend="left">And let us fall to piping,</l>
                     <l n="84" rend="indent">to drive away all cares:</l>
                     <l n="85" rend="left">For though that she be gone,</l>
                     <l n="86" rend="indent">that was so faire a good one,</l>
                     <l n="87" rend="left">Yet once more may we find,</l>
                     <l n="88" rend="indent">as plaine a dealing woman.</l>
                  </lg>
               </div>
               <closer>
                     <seg n="1" rend="left">FINIS.</seg>
               </closer>
         </div>
            <div type="part" n="2" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Second Part of the Plaine dealing woman.</hi></seg>
                  </title>
               </head>
               <div type="col" n ="2.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">Y</hi>E Silvan Nimphes come skip it,</l>
                     <l n="2" rend="indent">and crowne your heads with Mirtle:</l>
                     <l n="3" rend="left">Yee faire Ewes come trip it,</l>
                     <l n="4" rend="indent">on earths imbroydered kirtle.</l>
                     <l n="5" rend="left">And O you <hi rend="italic">Driades</hi>,</l>
                     <l n="6" rend="indent">which haunt the coolest Fountaines:</l>
                     <l n="7" rend="left">Come leave your silken shadie groves,</l>
                     <l n="8" rend="indent">and sport it in the Mountaines.</l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">For lo the Gods obtaine it,</l>
                     <l n="10" rend="indent">that wonders shall possesse her:</l>
                     <l n="11" rend="left">And Nature did decree it,</l>
                     <l n="12" rend="indent">when she with life did blesse her.</l>
                     <l n="13" rend="left">The Queene disdaind not,</l>
                     <l n="14" rend="indent">faire <hi rend="italic">Phillis</hi> for her feature,</l>
                     <l n="15" rend="left">For all the world containd not,</l>
                     <l n="16" rend="indent">so rare a comely creature.</l>
                  </lg>
                  <lg>
                     <l n="17" rend="left"><hi rend="italic">Diana</hi> made her chast,</l>
                     <l n="18" rend="indent">and <hi rend="italic">Pallas</hi> made her witty:</l>
                     <l n="19" rend="left">The Goddesse <hi rend="italic">Ceres</hi> grac't</l>
                     <l n="20" rend="indent">her heart with love and pitty.</l>
                     <l n="21" rend="left">The Muses did select her,</l>
                     <l n="22" rend="indent">to grace their learned number:</l>
                     <l n="23" rend="left">And <hi rend="italic">Venus</hi> did elect her,</l>
                     <l n="24" rend="indent">the onely beautious wonder.</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">When <hi rend="italic">Jove</hi> beheld her beauty,</l>
                     <l n="26" rend="indent">his <hi rend="italic">Leda</hi> did repent him:</l>
                     <l n="27" rend="left"><hi rend="italic">Jove</hi> thought that in loves duty,</l>
                     <l n="28" rend="indent">she onely did content him.</l>
                     <l n="29" rend="left">And <hi rend="italic">Phoebus</hi> blusht to know it,</l>
                     <l n="30" rend="indent">that <hi rend="italic">Daphne</hi> had abus'd him,</l>
                     <l n="31" rend="left">For lo, her worth did show, that</l>
                     <l n="32" rend="indent">desertles she refus'd him.</l>
                  </lg>
                  <lg>
                     <l n="33" rend="left"><hi rend="italic">Pan</hi> was enamoured on her.</l>
                     <l n="34" rend="indent">his <hi rend="italic">Sirynx</hi> could not please him:</l>
                  </lg>
               </div>
               <div type="col" n ="2.2" >
                  <lg>
                     <l n="35" rend="left">And when he lookt upon her,</l>
                     <l n="36" rend="indent">her very sight did ease him:</l>
                     <l n="37" rend="left">The <hi rend="italic">Satyre</hi> mournd to misse her,</l>
                     <l n="38" rend="indent">whom all the world admired:</l>
                     <l n="39" rend="left"><hi rend="italic">Silvanus</hi> wisht to kisse her,</l>
                     <l n="40" rend="indent">whom greatest Gods desired.</l>
                  </lg>
                  <lg>
                     <l n="41" rend="left"><hi rend="italic">Cupid</hi> his <hi rend="italic">Psyche</hi> left,</l>
                     <l n="42" rend="indent">to feed his eies upon her,</l>
                     <l n="43" rend="left">Of Godlike power bereft,</l>
                     <l n="44" rend="indent">that her he more might honour,</l>
                     <l n="45" rend="left">His bow and shafts he gave her,</l>
                     <l n="46" rend="indent">wherewith she wounds all hearts</l>
                     <l n="47" rend="left">So well she doth behave her,</l>
                     <l n="48" rend="indent">like love in all his parts.</l>
                  </lg>
                  <lg>
                     <l n="49" rend="left">I list no more to praise her,</l>
                     <l n="50" rend="indent">whom heaven and earth admire,</l>
                     <l n="51" rend="left">A loftier Muse must raise her,</l>
                     <l n="52" rend="indent">whose verse can mount up higher:</l>
                     <l n="53" rend="left">A golden pen must write it,</l>
                     <l n="54" rend="indent">dipt in the Muses Fountaine,</l>
                     <l n="55" rend="left">And they themselves in[d]ite it,</l>
                     <l n="56" rend="indent">upon their sacred Mountaine.</l>
                  </lg>
                  <lg>
                     <l n="57" rend="left">Then O yee Shepheard Swaines,</l>
                     <l n="58" rend="indent">with garlands deck your bonnets,</l>
                     <l n="59" rend="left">And let th'Arcadian plaines,</l>
                     <l n="60" rend="indent">ring forth with Lyrick Sonets:</l>
                     <l n="61" rend="left">Come tune your rurall voyces,</l>
                     <l n="62" rend="indent">to chant her matchlesse merits,</l>
                     <l n="63" rend="left">Whose faire exceeds all beauties,</l>
                     <l n="64" rend="indent">the spacious world inherits.</l>
                  </lg>
               </div>
               <closer>
                     <seg n="1" rend="left"><hi rend="italic">FINIS.</hi></seg>
               </closer>
         </div>
            <closer>
                  <seg n="1" rend="left"><hi rend="italic">Imprinted at London for I.W.</hi></seg>
            </closer>
         </div>
      </body>
   </text>
</TEI.2>
