%ISOlat1; %ISOlat2; %ISOnum; %ISOpub; ]> Loue without Lucke, Or The Maidens Misfortune University of California - Santa Barbara The Early Modern Center Director Patricia Fumerton 1631 Early Modern Center, University of California Santa Barbara Santa Barbara, CA 08/21/2007 20162

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Patricia Fumerton Early Modern Center - English Department University of California Santa Barbara, CA 93105 United States of America EMail: pfumer@english.ucsb.edu

1.348-349 S5119 1 the new Celebrand The New Celebrant IN the sweet temperate Ayre/ of a May Morning, VVIth that againe she wept,/ Her griefes renewing, Pepys 1.348-349 Rollins (1) II:196-200; STC 16856.7 for J. G[rismond c.1631]; Rollins (2) 1561 (Sept. 5, 1631, IV, 260, Fran. Coles & partners). Woodblock 1: 1st 1/2 sheet folio, under title and tune, above column 1: An aristocratic bearded man stands with his left arm across his body. He holds his left hand behind him. He is dressed in short breeches, a jacket or doublet, a cape (obscuring his right arm), high boots, spurs, a large ruff, and a sword belt (with sword). He looks grave, and looks downwards. A flower and plants are visible around him.: 88 x 56 Woodblock 2: 1st 1/2 sheet folio, under title and tune, above column 2: A lady, possibly an aristocrat (presumably the maiden?), wears an ornate dress with a flower on the stomacher. She has a decorated ruff and long flowing sleeves with patterened edges. Her hair is pulled back and she wears a crown or headpice with a large feather or plume. She stands facing the left of the cut, with her right hand extended. In her left hand, she holds a fan. On the ground below her, flowers grow. : 88 x 57 Woodblock 3: 2nd 1/2 sheet folio, under title and tune, above column 3: A well dressed man in a broad hat with a plume stands in a wide stance, with weight on his left leg. He wears a longblack jerkin, light pantaloons, and hose with ribbon garters. A sword hangs at his left hip, its tip visible behind him. He holds a stake or spear in his left hand. His right hand is at his hip. He has a moustache and a calm expression.: 84 x 45 Woodblock 4: 2nd 1/2 sheet folio, under title and tune, above column 4: A woman stands in elaborate aristocratic costume. She wears a wide, elaborate ruff, and a hat with an adorned brim and a feather. Her dress features puffed shoulders and a bodice decorated with a panel showing a flower and leaves emerging from a vine. Her wide overskirt (supported by a french farthingale?) is split to display an elaborately embroidered underskirt. She holds a pair of gloves in her left hand.: 89 x 59 Pepys Library The Pepys ballads : facsimile volume Editor W.G. Day D.S. Brewer Cambridge [England] 1987 Information in this section of the Source Description refers to the original ballad manuscript. 1: 348 1: 349 Loue without Lucke, Or The Maidens Misfortune Love without Lucke, Or The Maidens Misfortune Love Without Luck, or the Maiden's Misfortune The second part. The second part. The Second Part. 1/2 sheet folio, originally left part, 254 x 156 1/2 sheet folio, originally right part, 257 x 138 creased, uneven inking damaged surface arabesque ornaments and cast fleurons sidepiece: 148 x 22, arabesque ornaments. 1631 Printed at London for I.G. J. G. Weinstein: STC initials

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 Taxonomy used by Pepys to Organize Ballads in Albums A Small Promiscuous Supplement Devotion & Morality Drinking & Good Fellowship History - True & Fabulous Humour, Frollicks &c Love Pleasant Love Pleasant and Unfortunate Love Unfortunate Marriage Sea State & Times Tragedy Various Subjects Early Modern Center Ballad Project Keyword Taxonomy advice affliction/health alcohol animals/nature appearance Bible/biblical figures buildings/architecture catastrophe children class clothing/fashion country/nation crime death economics/trade entertainment family/procreation folklore gender historical figures & events holidays/seasons infidelity law London love maritime marriage military/war monstrosity mythology/Classical world news nobility/court politics/government punishment religious concepts religious figures religious types & sects royalty rural life servitude sex/sexuality supernatural/magic The New World travel trickery/deceit urban life vice violence virtue vulgarities/crass humor Library of Congress Subject Heading Taxonomy 8/21/2007 Santa Barbara, California, United States of America Love Unfortunate advice sex/sexuality trickery/deceit 8/21/2007 Checker Jessica C. Murphy transcription rechecked, metadata updated 08/01/2007 Checker Eugene Hart Ballad Checked - ESTC S5119 found on bl.uk 2006 Transcriber Apri Medina Ballad Transcribed 7/23/2004 Bibliographer Simone Chess Bibliographic SQL Database Record Created
<seg n="1" rend="left"><hi rend="italic">Love without Lucke, <hi rend="bold">Or</hi> The Maidens Misfortune</hi> </seg> <seg n="2" rend="left"><hi rend="italic">To the Tune of the new Celebrand.</hi> </seg>
I N the sweet temperate Ayre of a May Morning, When Ver and Flora faire had bene adorning The lovely Fields and Meades, Valleyes and Mountaines, Cheering the bubbling Brookes and streaming Fountaines: When Yonglings sport and play, (AEltina's Holyday) As I walkt on the way for recreation, Where each Lad with his Lasse, Neatly trip on the gra[s]e, As they the Meadowes passe, in lovely fashion. Now Groves and Copses lowd Ecchos are ringing, The Mavis Robin and earely Larke singing, Philomel chaunts her note Jugg, Jugg, most sweetly, And the faire Bird of May Coo-koo discreetly, Each Bird did chirp and sing, To welcome in the Spring, With cheerefull solacing, and fragrant Flowers All lovely to the eye, Smelling most curiously, In choice varietie for Ladies Bowers.
Singling my selfe alone for my contenting, I heard a Beautious One sadly lamenting, Teares downe her lovely cheekes from eyes distilling, Sighing; and curst the Time, ere she so willing Had yeelded foolishly, Up her Virginitie, And growne in misery, after despised Of him she held so deare, Who had pluckt from her there, What she most d[ee]med neere and highly prized. Lands that are morgag'd may oft be redeemed, But Virgin-Honor lost never esteemed: Were she the fairest One Nature ere framed, That matchlesse Jewell gone and she defamed, In scorne it will be said, There goes one was a Maid, Yet hath the Wanton play'd, oh, this doth grieve me, Chiefely to thinke that he Should so inconstant be, Loving him faithfully, thus to deceive me.
<seg n="1" rend="left"><hi rend="italic">The second part. To the same tune.</hi> </seg>
W Ith that againe she wept, Her griefes renewing, Whereon to her I stept, her feature viewing, Thinking some Angell bright in shape of woman, So dazeled had my sight; for I thinke no man Ere yet beheld with eye One more immortally, (For wit and modestie, grace, Art, and feature) Deckt with deportments faire, And Beauties passing rare. Thus I began. Oh Faire Divinest creature, Tell me, where lives the Man could be so cruell, Ile right thee if I can for thy lost Jewell, And force him marry Thee if thou desire it, That hee so false could bee, I doe admire it. Then with teares in her eyes, Mournfully shee replyes, He's for some golden price, rashly is ventred: Else ore the Seas is gone, With Marquesse Hambleton , And like a perjurd one, left mee distempred.
But since the time that hee, the Seas has taken; My friends despightfully, have me forsaken: Father, and Mother; All Brothers and Sisters, Lewd Strumpet doe me call, and as Detesters They loth my company; I dare not come them nie, But may curse till I die, all false Protestors. That seeke there wils to have, And yet poore maids deceive, Then doe no credit give unto such Jesters. No mariage yet at home, would I accept on: Till at length over come, by this young Captaine, Who had vow'd earnestly hee would mee marry And his faire promises made mee miscarry, For fearing of none ill I yeelded to his will, Sorrow my heart doe kill, being disdained. Let this my misery, to all a warning bee, To keepe their chastitie pure and unstained.
Printed at London for J. G. FINIS.