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            <title level="a" type="main" rend="italic">A Maydens Lamentation for a Bedfellovv./  Or, I can, nor will no longer lye alone./ As it hath been often sung at the Court.</title>
            <author/>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
            </respStmt>
         </titleStmt>
         <editionStmt>
            <edition>
               <date>1615</date>
            </edition>
         </editionStmt>
         <publicationStmt>
            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>08/15/2007</date>
            <idno type="EMC">20113</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
                  </address>
               </p>
            </availability>
            <idno type="Pepys">1.246-247</idno>
            <idno type="ESTC">S125325</idno>
         </publicationStmt>
         <notesStmt>
            <note type="Tune-Total">1</note>
            <note type="Tune-1">I will give thee kisses one, two or three</note>
            <note type="Tune_Modern-1">I Will Give Thee Kisses One, Two, or Three</note>
            <note type="First_Lines">CAn any Man tell what I ayle:/ Because I looke so weake, so wan, so pale:</note>
            <note type="Refrain">I can, nor will no longer ly alone. [with variations]</note>
            <note type="First_Lines2">A Lack faire Maide, make no such woe,/ On thy cheeks so pale Ile make two Roses grow</note>
            <note type="Refrain2">Thou shalt not any longer ly alone. [with variations]</note>
            <note type="Notes">tune unclear: To the tune of, I will giue thee kisses one, two or thre[e]; another edition at I:286-287</note>
            <note type="Source">Pepys 1.246-247</note>
            <note type="References">Rollins (1) I:66-71; STC 17192.3 [W. White] for J. White [c.1615].</note>
            <note type="Woodblock" n="1">Woodblock 1: below title, between cast fleurons, above two columns and cast fleuron: A woman stands in elaborate aristocratic costume.  She wears a wide, elaborate ruff, and a hat with an adorned brim and a feather.  Her dress features puffed shoulders and a bodice decorated with a panel showing a flower and leaves emerging from a vine.  Her wide overskirt (supported by a french farthingale?) is split to display an elaborately embroidered underskirt.  She holds a pair of gloves in her left hand.: 96 x 58</note>
            <note type="Woodblock" n="2">Woodblock 2: below title, between cast fleurons, above two columns and cast fleuron: A man stands looking slightly towards his right with his weight on his right leg.  He wears a hat, he has a beard, and his right hand is at his hip and his left hand touches the cape slung over his left shoulder.  He wears a jerkin, slops, and riding boots with the spurs visible.  His sword is slung from his right hip and the tip is visible appearing on his left side.  : 99 x 61</note>
         </notesStmt>
         <sourceDesc>
            <listBibl>
               <biblStruct>
                  <monogr>
                     <author>Pepys Library</author>
                     <title>The Pepys ballads : facsimile volume</title>
                     <respStmt>
                        <resp>Editor</resp>
                        <name>W.G. Day</name>
                     </respStmt>
                     <imprint>
                        <publisher>D.S. Brewer</publisher>
                        <pubPlace>Cambridge [England]</pubPlace>
                        <date>1987</date>
                     </imprint>
                  </monogr>
               </biblStruct>
               <bibl>
                  <note type="Reference">
                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">1: 246</biblScope>
                  <biblScope type="vol: p">1: 247</biblScope>
                  <title n="1" type="main" rend="italic">A Maydens Lamentation for a Bedfellovv./  Or, I can, nor will no longer lye alone./ As it hath been often sung at the Court.</title>
                  <title n="1" type="alt" rend="italic">A Maydens Lamentation for a Bedfellow. Or, I can, nor will no longer lye alone.</title>
                  <title n="1" type="descriptive" rend="italic">A Maiden's Lamentation for a Bedfellow. Or, I Can, Nor Will No Longer Lie Alone.</title>
                  <title n="2" type="main" rend="italic">The Mans comfortable Ansvvere.</title>
                  <title n="2" type="alt" rend="italic">The Mans comfortable Answere.</title>
                  <title n="2" type="descriptive" rend="italic">The Man's Comfortable Answer.</title>
                  <author/>
                  <extent id="p.1">1/2 sheet folio, originally left part, 262 x 155</extent>
                  <extent id="p.2">1/2 sheet folio, originally right part, 267 x 158</extent>
                  <damage id="1">cropped and torn right edge, creased, holed, damaged, uneven inking</damage>
                  <damage id="2">cropped right edge, torn left edge, creased, holed, damaged surface, uneven inking</damage>
                  <note type="Ornamentation">cast fleurons</note>
                  <note type="Ornamentation2">cast fleurons</note>
                  <imprint>
                     <date value="1615" certainty="approx">1615</date>
                     <pubPlace>Printed for Iohn White.</pubPlace>
                     <publisher><orig reg="White, John">Iohn  White</orig></publisher>
                  </imprint>
                  <note type="ImprintSource">Weinstein: STC</note>
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            <p>This document follows the guidelines specified for TEI.</p>
            <p>XML Generated Automatically  at 8/15/2007 11:19:42 AM Using EMC</p>
            <p>XBallad Parsing Engine developed by Carl Stahmer.</p>
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               <bibl>Taxonomy used by Pepys to Organize Ballads in Albums</bibl>
               <category id="pc.1">
                  <catDesc>A Small Promiscuous Supplement</catDesc>
               </category>
               <category id="pc.2">
                  <catDesc>Devotion &amp; Morality</catDesc>
               </category>
               <category id="pc.3">
                  <catDesc>Drinking &amp; Good Fellowship</catDesc>
               </category>
               <category id="pc.4">
                  <catDesc>History - True &amp; Fabulous</catDesc>
               </category>
               <category id="pc.5">
                  <catDesc>Humour, Frollicks &amp;c</catDesc>
               </category>
               <category id="pc.6">
                  <catDesc>Love Pleasant</catDesc>
               </category>
               <category id="pc.7">
                  <catDesc>Love Pleasant and Unfortunate</catDesc>
               </category>
               <category id="pc.8">
                  <catDesc>Love Unfortunate</catDesc>
               </category>
               <category id="pc.9">
                  <catDesc>Marriage</catDesc>
               </category>
               <category id="pc.10">
                  <catDesc>Sea</catDesc>
               </category>
               <category id="pc.11">
                  <catDesc>State &amp; Times</catDesc>
               </category>
               <category id="pc.12">
                  <catDesc>Tragedy</catDesc>
               </category>
               <category id="pc.13">
                  <catDesc>Various Subjects</catDesc>
               </category>
            </taxonomy>
            <taxonomy id="EMCKEYWORDS">
               <bibl>Early Modern Center Ballad Project Keyword Taxonomy</bibl>
               <category id="emc.1">
                  <catDesc>advice</catDesc>
               </category>
               <category id="emc.2">
                  <catDesc>affliction/health</catDesc>
               </category>
               <category id="emc.3">
                  <catDesc>alcohol</catDesc>
               </category>
               <category id="emc.4">
                  <catDesc>animals/nature</catDesc>
               </category>
               <category id="emc.5">
                  <catDesc>appearance</catDesc>
               </category>
               <category id="emc.6">
                  <catDesc>Bible/biblical figures</catDesc>
               </category>
               <category id="emc.7">
                  <catDesc>buildings/architecture</catDesc>
               </category>
               <category id="emc.8">
                  <catDesc>catastrophe</catDesc>
               </category>
               <category id="emc.9">
                  <catDesc>children</catDesc>
               </category>
               <category id="emc.10">
                  <catDesc>class</catDesc>
               </category>
               <category id="emc.11">
                  <catDesc>clothing/fashion</catDesc>
               </category>
               <category id="emc.12">
                  <catDesc>country/nation</catDesc>
               </category>
               <category id="emc.13">
                  <catDesc>crime</catDesc>
               </category>
               <category id="emc.14">
                  <catDesc>death</catDesc>
               </category>
               <category id="emc.15">
                  <catDesc>economics/trade</catDesc>
               </category>
               <category id="emc.16">
                  <catDesc>entertainment</catDesc>
               </category>
               <category id="emc.17">
                  <catDesc>family/procreation</catDesc>
               </category>
               <category id="emc.18">
                  <catDesc>folklore</catDesc>
               </category>
               <category id="emc.19">
                  <catDesc>gender</catDesc>
               </category>
               <category id="emc.20">
                  <catDesc>historical figures &amp; events</catDesc>
               </category>
               <category id="emc.21">
                  <catDesc>holidays/seasons</catDesc>
               </category>
               <category id="emc.22">
                  <catDesc>infidelity</catDesc>
               </category>
               <category id="emc.23">
                  <catDesc>law</catDesc>
               </category>
               <category id="emc.24">
                  <catDesc>London</catDesc>
               </category>
               <category id="emc.25">
                  <catDesc>love</catDesc>
               </category>
               <category id="emc.26">
                  <catDesc>maritime</catDesc>
               </category>
               <category id="emc.27">
                  <catDesc>marriage</catDesc>
               </category>
               <category id="emc.28">
                  <catDesc>military/war</catDesc>
               </category>
               <category id="emc.29">
                  <catDesc>monstrosity</catDesc>
               </category>
               <category id="emc.30">
                  <catDesc>mythology/Classical world</catDesc>
               </category>
               <category id="emc.31">
                  <catDesc>news</catDesc>
               </category>
               <category id="emc.32">
                  <catDesc>nobility/court</catDesc>
               </category>
               <category id="emc.33">
                  <catDesc>politics/government</catDesc>
               </category>
               <category id="emc.34">
                  <catDesc>punishment</catDesc>
               </category>
               <category id="emc.35">
                  <catDesc>religious concepts</catDesc>
               </category>
               <category id="emc.36">
                  <catDesc>religious figures</catDesc>
               </category>
               <category id="emc.37">
                  <catDesc>religious types &amp; sects</catDesc>
               </category>
               <category id="emc.38">
                  <catDesc>royalty</catDesc>
               </category>
               <category id="emc.39">
                  <catDesc>rural life</catDesc>
               </category>
               <category id="emc.40">
                  <catDesc>servitude</catDesc>
               </category>
               <category id="emc.41">
                  <catDesc>sex/sexuality</catDesc>
               </category>
               <category id="emc.42">
                  <catDesc>supernatural/magic</catDesc>
               </category>
               <category id="emc.43">
                  <catDesc>The New World</catDesc>
               </category>
               <category id="emc.44">
                  <catDesc>travel</catDesc>
               </category>
               <category id="emc.45">
                  <catDesc>trickery/deceit</catDesc>
               </category>
               <category id="emc.46">
                  <catDesc>urban life</catDesc>
               </category>
               <category id="emc.47">
                  <catDesc>vice</catDesc>
               </category>
               <category id="emc.48">
                  <catDesc>violence</catDesc>
               </category>
               <category id="emc.49">
                  <catDesc>virtue</catDesc>
               </category>
               <category id="emc.50">
                  <catDesc>vulgarities/crass humor</catDesc>
               </category>
            </taxonomy>
            <taxonomy id="LOCSH">
               <bibl>Library of Congress Subject Heading Taxonomy</bibl>
            </taxonomy>
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            <date value="8/15/2007">8/15/2007</date>
            <name type="place">Santa Barbara, California, United States of America</name>
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                  <item>Love Pleasant</item>
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            <keywords scheme="EMCKEYWORDS">
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                  <item>gender</item>
                  <item>love</item>
                  <item>marriage</item>
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         <change>
            <date value="8/15/2007">8/15/2007</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Jessica C. Murphy</name>
            </respStmt>
            <item>metadata updated, estc id entered, transcription rechecked</item>
         </change>
         <change>
            <date value="07/12/2007">07/12/2007</date>
            <respStmt>
               <resp>Checker</resp>
               <name>Eugene Hart</name>
            </respStmt>
            <item>transcription checked, xml created, ESTC S125325 from bl.uk</item>
         </change>
         <change>
            <date value="2006">2006</date>
            <respStmt>
               <resp>Transcriber</resp>
               <name>Kathryn Dolan</name>
            </respStmt>
            <item>original transcription</item>
         </change>
         <change>
            <date value="8/1/2004">8/1/2004</date>
            <respStmt>
               <resp>Bibliographer</resp>
               <name>Maggie Sloan</name>
            </respStmt>
            <item>Bibliographic SQL Database Record Created</item>
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      <body>
         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">A Maydens Lamentation for a Bedfellow.</hi> </seg>
                     <seg n="2" rend="left"><hi rend="italic">Or, I can, nor will no longer lye alone.</hi> </seg>
                     <seg n="3" rend="left"><hi rend="italic">As it hath been often sung at the Court. To the tune of, I will give thee kisses one, two or three</hi> </seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">C</hi> An any Man tell what I ayle:</l>
                     <l n="2" rend="left">Because I look so weake, so wan, so pale:</l>
                     <l n="3" rend="left">Sighing to the walles I make my mone,</l>
                     <l n="4" rend="left">I can, nor will no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="5" rend="left">Why do I breath upon the ground,</l>
                     <l n="6" rend="left">Where no comfort alack can be found?</l>
                     <l n="7" rend="left">I know not to whome to make my mone,</l>
                     <l n="8" rend="left">That I may no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">Was ever Maid so much withstood,</l>
                     <l n="10" rend="left">When she but complaines for Youngmens good?</l>
                     <l n="11" rend="left">Tis my cruell friends hath me orethrowne:</l>
                     <l n="12" rend="left">I can, nor will no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="13" rend="left">Long have I sought Mans love to obtaine,</l>
                     <l n="14" rend="left">Yet still am I repaid with deepe disdaine:</l>
                     <l n="15" rend="left">I would my heart to some kind Man were known,</l>
                     <l n="16" rend="left">I can, nor will no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="17" rend="left">What though my Parents strive to procure</l>
                     <l n="18" rend="left">That I should a Mayden still endure?</l>
                     <l n="19" rend="left">Do they what they will, I must have one,</l>
                     <l n="20" rend="left">I can, nor will no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="21" rend="left">Why should hard harted Men say nay,</l>
                     <l n="22" rend="left">When it doth belong to them to pray?</l>
                     <l n="23" rend="left">Oh, I would never wish to have them gone</l>
                     <l n="24" rend="left">Cause I can no longer ly alone,</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">Some Maides are coy because they are faire,</l>
                     <l n="26" rend="left">And some likewise being a Rich-mans Heyre:</l>
                     <l n="27" rend="left">Had I both these gifts I would be coy to none:</l>
                     <l n="28" rend="left">I can, nor will no longer ly alone.</l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="29" rend="left">Did <hi rend="italic">Venus</hi> her Son, God <hi rend="italic">Cupid</hi> know</l>
                     <l n="30" rend="left">This my pining paine, and endles woe,</l>
                     <l n="31" rend="left">They would melt their hearts, though as hard as stone</l>
                     <l n="32" rend="left">I can, nor will no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="33" rend="left">Some Maides are coy, and proud withall,</l>
                     <l n="34" rend="left">When alas their beauty is but small:</l>
                     <l n="35" rend="left">Whilst I live Ile nere be coy to none,</l>
                     <l n="36" rend="left">Because I will no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="37" rend="left">But alas the Gods that belong to love</l>
                     <l n="38" rend="left">Seek not to redresse, nor yet remoove</l>
                     <l n="39" rend="left">This, that makes my heart to melt with mone:</l>
                     <l n="40" rend="left">I can, nor will no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="41" rend="left">Therefore Ile seeke each private part,</l>
                     <l n="42" rend="left">Till I chaunce to find a constant heart,</l>
                     <l n="43" rend="left">That will ease my mind, with woe oregrowne:</l>
                     <l n="44" rend="left">I can, nor will no longer ly alone,</l>
                  </lg>
                  <lg>
                     <l n="45" rend="left">You Maides that ever did feele such woes,</l>
                     <l n="46" rend="left">Pitty her whose greefe to height thus growes:</l>
                     <l n="47" rend="left">Many a brinish teare on the earth I have sowne:</l>
                     <l n="48" rend="left">I can, nor will no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="49" rend="left">And Young-men all that see my case,</l>
                     <l n="50" rend="left">Take some pitty on my Maiden face:</l>
                     <l n="51" rend="left">Rid me of my cares and greefes each one:</l>
                     <l n="52" rend="left">And let me now no longer ly alone.</l>
                  </lg>
               </div>
               <closer>
                     <seg n="1" rend="left"><hi rend="italic">FINIS.</hi> </seg>
               </closer>
         </div>
            <div type="part" n="2" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The Mans comfortable Answere.</hi> </seg>
                     <seg n="2" rend="left"><hi rend="italic">To the same tune.</hi> </seg>
                  </title>
               </head>
               <div type="col" n ="2.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">A</hi> Lack faire Maide, make no such woe,</l>
                     <l n="2" rend="left">On thy cheeks so pale Ile make two Roses grow</l>
                     <l n="3" rend="left">Now I know your greef Ile ease your mone:</l>
                     <l n="4" rend="left">Thou shalt not any longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="5" rend="left">Doe not despaire, for men are kind,</l>
                     <l n="6" rend="left"><hi rend="italic">Love</hi> he can not see, for he is blind,</l>
                     <l n="7" rend="left">Deafe he is likewise as any stone:</l>
                     <l n="8" rend="left">Then come to me my deere, ly not alone.</l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">Young men do want but that you [h]ave</l>
                     <l n="10" rend="left">Tis nought but your selfe that I [do] crave:</l>
                     <l n="11" rend="left">You take delight to heare us sigh and grone,</l>
                     <l n="12" rend="left">And care not if we alwaies ly alone.</l>
                  </lg>
                  <lg>
                     <l n="13" rend="left">You say you love, yet still seeme coy,</l>
                     <l n="14" rend="left">Cause you know you are a Youngmans Joy:</l>
                     <l n="15" rend="left">Suters you have store, abrode, and at home,</l>
                     <l n="16" rend="left">And yet you say y'are forst to ly alone.</l>
                  </lg>
                  <lg>
                     <l n="17" rend="left">What if your Freends do froward proove:</l>
                     <l n="18" rend="left">Yet thers nothing like to faithfull Love:</l>
                     <l n="19" rend="left">Breake but foorth the Cage, and thou art flowne,</l>
                     <l n="20" rend="left">And then you never more shall ly alone.</l>
                  </lg>
                  <lg>
                     <l n="21" rend="left">If we do sue, and woe with teares</l>
                     <l n="22" rend="left">You are eyther deafe, or stop your eares:</l>
                     <l n="23" rend="left">Sleightly you regard a Lovers mone,</l>
                     <l n="24" rend="left">And say, you take delight to ly alone.</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">Beauty doth cause you to looke strange:</l>
                     <l n="26" rend="left">Tis your welth that makes your mind to change</l>
                     <l n="27" rend="left">Yet your answers this, that you have none:</l>
                     <l n="28" rend="left">And nere regard poore Men that ly alone.</l>
                  </lg>
               </div>
               <div type="col" n ="2.2" >
                  <lg>
                     <l n="29" rend="left"><hi rend="italic">Cupid</hi> hath strook my love sicke heart</l>
                     <l n="30" rend="left">With a Shaft as keene as <hi rend="italic">Phebus</hi> dart:</l>
                     <l n="31" rend="left">Loves tide is at the height, and overflowne:</l>
                     <l n="32" rend="left">I can not any longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="33" rend="left">Beauty keepes Court upon thy brow,</l>
                     <l n="34" rend="left">Let not c[oy] disdaine fond sense alow:</l>
                     <l n="35" rend="left">Give me but the flesh, and keepe the bone</l>
                     <l n="36" rend="left">For such as love to (live and) ly alone.</l>
                  </lg>
                  <lg>
                     <l n="37" rend="left"><hi rend="italic">Jove</hi> from the skyes assended here,</l>
                     <l n="38" rend="left">For the love of one he held most dere:</l>
                     <l n="39" rend="left">If Love did fetch the Gods from heavens throne</l>
                     <l n="40" rend="left">How can I but a Man, still ly alone?</l>
                  </lg>
                  <lg>
                     <l n="41" rend="left">Within my brest a hart doth ly</l>
                     <l n="42" rend="left">Spotles as the Sun in cleerest sky:</l>
                     <l n="43" rend="left">Deare, let sorrows blasts be overblowne:</l>
                     <l n="44" rend="left">Let thou and I no longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="45" rend="left">Many have felt like paines as I,</l>
                     <l n="46" rend="left">A true heart nere is known before you try:</l>
                     <l n="47" rend="left">Then (dearest) cease to weep, or make such mone:</l>
                     <l n="48" rend="left">Thou shalt not any longer ly alone.</l>
                  </lg>
                  <lg>
                     <l n="49" rend="left">Blame not all men, if some be unkind,</l>
                     <l n="50" rend="left">Though some be bad, yet al's not of one minde:</l>
                     <l n="51" rend="left">Doe not think our hearts are [made] of stone,</l>
                     <l n="52" rend="left">To let such pretty Creatures [ly al]one.</l>
                  </lg>
               </div>
               <closer>
                     <seg n="1" rend="left"><hi rend="italic">FINIS.</hi> </seg>
               </closer>
         </div>
            <closer>
                  <seg n="1" rend="left"><hi rend="italic">Printed for John White.</hi> </seg>
            </closer>
         </div>
      </body>
   </text>
</TEI.2>
