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            <title level="a" type="main" rend="italic">The complaint of the Shepheard Harpalus.</title>
            <author>Murray, Sir David</author>
            <sponsor>University of California - Santa Barbara</sponsor>
            <sponsor>The Early Modern Center</sponsor>
            <respStmt>
               <resp>Director</resp>
               <name>Patricia Fumerton</name>
            </respStmt>
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         <editionStmt>
            <edition>
               <date>1625</date>
            </edition>
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         <publicationStmt>
            <publisher>Early Modern Center, University of California Santa Barbara</publisher>
            <pubPlace>Santa Barbara, CA</pubPlace>
            <date>01/07/2008</date>
            <idno type="EMC">20018</idno>
            <availability>
               <p> The University of California makes a claim of copyright only to original
                   contributions made by Early Modern Center participants and other members of
                   the university community. The University of California makes no claim of
                   copyright to the original text. Permission is granted to download, transmit
                   or otherwise reproduce, distribute or display the contributions to this work
                   claimed by The University of California for non-profit educational purposes,
                   provided that this header is included in its entirety. For inquiries about
                   commercial uses, please contact:
                  <address>
                     <addrLine>Patricia Fumerton</addrLine>
                     <addrLine>Early Modern Center - English Department</addrLine>
                     <addrLine>University of California</addrLine>
                     <addrLine>Santa Barbara, CA 93105</addrLine>
                     <addrLine>United States of America</addrLine>
                     <addrLine>EMail: pfumer@english.ucsb.edu</addrLine>
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            <idno type="Pepys">1.369</idno>
            <idno type="ESTC">S4114</idno>
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            <note type="Tune-Total">1</note>
            <note type="Tune-1">a pleasant new tune</note>
            <note type="Tune_Modern-1">A Pleasant New Tune</note>
            <note type="First_Lines">POore Harpalus, opprest with loue, / sate by a cristall Brooke:</note>
            <note type="Notes">another edition at 3.319 (columns 3-4)</note>
            <note type="Source">Pepys 1.369</note>
            <note type="References">STC 18294.5 [M. Flesher] for H. G[osson c.1625]</note>
            <note type="Woodblock" n="1">Woodblock 1: below title, above first column: An armed man holds a spear in his left hand.  He is dressed in a breastplate, morion helmet with plumes, slops, hose, and low shoes.   His elbows and forearms are covered with armor and he wears gauntlets on his hands.  He wears a sash or baldric across his chest, and a swordbelt and sword, visible on his left hip.: 80 x 42</note>
            <note type="Woodblock" n="2">Woodblock 2: below title, above second column: A well-dressed woman stands facing the left of the cut.  She holds a large feather fan in her right hand, and rests her left hand at her waist. She wears a stiff ruff, buttoned bodice, and patterned sleeves and cuffs.  A long necklace falls to her chest. She has a long skirt with vertical lines or pleats, and a crosshatched underskirt shows below it. She has a small hat with a plume, and her hair is pulled back. Her facial expression is unclear.   : 89 x 49</note>
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                     <title>The Pepys ballads : facsimile volume</title>
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                        <name>W.G. Day</name>
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                        <publisher>D.S. Brewer</publisher>
                        <pubPlace>Cambridge [England]</pubPlace>
                        <date>1987</date>
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                  Information in this section of the Source Description
                  refers to the original ballad manuscript.
                  </note>
                  <biblScope type="vol: p">1: 369</biblScope>
                  <title n="1" type="main" rend="italic">The complaint of the Shepheard Harpalus.</title>
                  <title n="1" type="alt" rend="italic">The complaint of the Shepheard Harpalus.</title>
                  <title n="1" type="descriptive" rend="italic">The Complaint of the Shepherd Harpalus.</title>
                  <author>Murray, Sir David</author>
                  <extent id="p.1">1/2 sheet folio, 256 x 140</extent>
                  <damage id="1">cropped top edge, uneven inking</damage>
                  <note type="Ornamentation">cast fleurons</note>
                  <imprint>
                     <date value="1625" certainty="approx">1625</date>
                     <pubPlace>At London Printed for H. G.</pubPlace>
                     <publisher><orig reg="Gosson, Henry">H. G.</orig></publisher>
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                  <note type="ImprintSource">Weinstein: STC</note>
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            <item>rechecked transcription, updated metadata</item>
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         <change>
            <date value="6/25/2007">6/25/2007</date>
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               <resp>Checker</resp>
               <name>Katy Trumbull</name>
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            <date value="2006">2006</date>
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               <resp>Checker</resp>
               <name>Jessica Murphy</name>
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            <item>checked transcription</item>
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            <date value="2006">2006</date>
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               <resp>Transcriber</resp>
               <name>Jeff Moorse</name>
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         <change>
            <date value="8/1/2004">8/1/2004</date>
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         <div type="ballad">
            <div type="part" n="1" >
               <head>
                  <title>
                     <seg n="1" rend="left"><hi rend="italic">The complaint of the Shepheard Harpalus.</hi> </seg>
                     <seg n="2" rend="left"><hi rend="italic">To a pleasant new tune.</hi> </seg>
                  </title>
               </head>
               <div type="col" n ="1.1" >
                  <lg>
                     <l n="1" rend="left"><hi rend="italic">P</hi> Oore <hi rend="italic">Harpalus,</hi> opprest with love,</l>
                     <l n="2" rend="indent">sate by a cristall Brooke:</l>
                     <l n="3" rend="left">Thinking his sorrowes to remove,</l>
                     <l n="4" rend="indent">ofttimes therein did looke:</l>
                     <l n="5" rend="left">And hearing how on pibble stones,</l>
                     <l n="6" rend="indent">the murmuring river ran,</l>
                     <l n="7" rend="left">As if it had bewaild his grones,</l>
                     <l n="8" rend="indent">unto it thus began.</l>
                  </lg>
                  <lg>
                     <l n="9" rend="left">Faire streame (quoth he) that pitties me</l>
                     <l n="10" rend="indent">and heares my matchlesse mone,</l>
                     <l n="11" rend="left">If thou be going to the Sea:</l>
                     <l n="12" rend="indent">as I doe now suppone:</l>
                     <l n="13" rend="left">Attend my plaints past all reliefe,</l>
                     <l n="14" rend="indent">which dolefully I breath,</l>
                     <l n="15" rend="left">Acquaint the Sea-Nimphs with the griefe</l>
                     <l n="16" rend="indent">which still procures my death.</l>
                  </lg>
                  <lg>
                     <l n="17" rend="left">Who sitting in the cliffie Rocks,</l>
                     <l n="18" rend="indent">may in their songs expresse,</l>
                     <l n="19" rend="left">While as they combe their golden locks,</l>
                     <l n="20" rend="indent">poore <hi rend="italic">Harpalus</hi> distresse</l>
                     <l n="21" rend="left">And so perhaps some passenger,</l>
                     <l n="22" rend="indent">that passeth by the way,</l>
                     <l n="23" rend="left">May stay and listen for to heare</l>
                     <l n="24" rend="indent">them sing this dolefull Lay,</l>
                  </lg>
                  <lg>
                     <l n="25" rend="left">Poore <hi rend="italic">Harpalus</hi> , a Shepheard Swaine,</l>
                     <l n="26" rend="indent">more rich in youth then store:</l>
                     <l n="27" rend="left">Lov'd fair <hi rend="italic">Philena</hi> haplesse man,</l>
                     <l n="28" rend="indent"><hi rend="italic">Philena</hi> , oh therefore:</l>
                     <l n="29" rend="left">Who still remorcelesse hearted maid,</l>
                     <l n="30" rend="indent">tooke pleasure in his paine:</l>
                  </lg>
               </div>
               <div type="col" n ="1.2" >
                  <lg>
                     <l n="31" rend="left">And his good will, poore soule, repaid</l>
                     <l n="32" rend="indent">with undeserv'd disdaine.</l>
                  </lg>
                  <lg>
                     <l n="33" rend="left">Nere Shepheard lov'd a Shepheardesse,</l>
                     <l n="34" rend="indent">more faithfully then he:</l>
                     <l n="35" rend="left">Nere Shepheard yet beloved lesse</l>
                     <l n="36" rend="indent">of Shepheardesse could be:</l>
                     <l n="37" rend="left">How oft did he with dying lookes,</l>
                     <l n="38" rend="indent">to her his woes impart?</l>
                     <l n="39" rend="left">How oft his sighs did testifie</l>
                     <l n="40" rend="indent">the dolour of his heart?</l>
                  </lg>
                  <lg>
                     <l n="41" rend="left">How oft from Vallies to the Hils</l>
                     <l n="42" rend="indent">did he his griefe rehearse?</l>
                     <l n="43" rend="left">How oft re-ecchoed they his ills,</l>
                     <l n="44" rend="indent">abacke againe (alas?)</l>
                     <l n="45" rend="left">How of on Barkes of stately Pines,</l>
                     <l n="46" rend="indent">of Beech, of Holly-greene,</l>
                     <l n="47" rend="left">Did he ingrave in mournfull lines,</l>
                     <l n="48" rend="indent">the griefe he did sustaine?</l>
                  </lg>
                  <lg>
                     <l n="49" rend="left">Yet all his plaints could have no place,</l>
                     <l n="50" rend="indent">to change <hi rend="italic">Philena's</hi> mind:</l>
                     <l n="51" rend="left">The more his sorrowes did increase,</l>
                     <l n="52" rend="indent">the more she prov'd unkind:</l>
                     <l n="53" rend="left">The thought thereof with wearied care,</l>
                     <l n="54" rend="indent">poore <hi rend="italic">Harpalus</hi> did move,</l>
                     <l n="55" rend="left">That overcome with high despaire,</l>
                     <l n="56" rend="indent">he lost both life and Love.</l>
                  </lg>
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                     <seg n="1" rend="left"><hi rend="italic">FINIS.            D.M.</hi> </seg>
               </closer>
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            <closer>
                  <seg n="1" rend="left"><hi rend="italic">At London Printed for H.G.</hi> </seg>
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